BURN THIS BOOK! This is a book of prophetic declaration to debunk the idolatry and bigotry of the fundamental dogma and precepts of the religions based upon belief in the idol known as The God of Abraham, in the hope of freeing mankind from the spiritual blackmail of those religions to recognize God is much greater than the despot described in any of the books of Holy Scripture.
Sixteen new stories and fifteen classics by the National Book Award–winning, New York Times–bestselling author of War Dances. Sherman Alexie’s stature as a writer of stories, poetry, and novels has soared over the course of his twenty-book, twenty-year career. His wide-ranging, acclaimed fiction throughout the last two decades—from The Lone Ranger and Tonto Fistfight in Heaven to his most recent PEN/Faulkner Award–winning War Dances—have established him as a star in contemporary American literature. A bold and irreverent observer of life among Native Americans in the Pacific Northwest, the daring, versatile, funny, and outrageous Alexie showcases his many talents in Blasphemy, where he unites fifteen beloved classics with sixteen new stories in one sweeping anthology for devoted fans and first-time readers. Included here are some of his most esteemed tales, including “What You Pawn I Will Redeem,” in which a homeless Indian man quests to win back a family heirloom; “This Is What It Means to Say Phoenix, Arizona,” a road-trip morality tale; “The Toughest Indian in the World,” about a night shared between a writer and a hitchhiker; and his most recent, “War Dances,” about a man grappling with sudden hearing loss in the wake of his father’s death. Alexie’s new stories are fresh and quintessential, about donkey basketball leagues, lethal wind turbines, a twenty-four-hour Asian manicure salon, good and bad marriages, and all species of warriors in America today. An indispensable Alexie collection, Blasphemy reminds us, on every thrilling page, why Alexie is one of our greatest contemporary writers and a true master of the short story. Praise for Blasphemy “Alexie once again reasserts himself as one the most compelling contemporary practitioners of the short story. In Blasphemy, the author demonstrates his talent on nearly every page. . . . [Alexie] illuminates the lives of his characters in unique, surprising, and, ultimately, hopeful ways.” —Boston Globe “Alexie writes with arresting perception in praise of marriage, in mockery of hypocrisy, and with concern for endangered truths and imperiled nature. He is mischievously and mordantly funny, scathingly forthright, deeply and universally compassionate, and wholly magnetizing. This is a must-have collection.” —Donna Seaman, Booklist (starred review) “[A] sterling collection of short stories by Alexie, a master of the form. . . . The newer pieces are full of surprises. . . . These pieces show Alexie at his best: as an interpreter and observer, always funny if sometimes angry, and someone, as a cop says of one of his characters, who doesn’t “fit the profile of the neighborhood.”“—Kirkus Reviews (starred review)
In the days of Moses, blasphemy was the mortal offence of failing to respect the divine. In an age of human rights, blasphemy is understood as a failure to respect persons, as insult, defamation, or "advocacy of religious hatred." The criminalisation of this personal blasphemy has been advanced at the United Nations and upheld by the European Court of Human Rights, which has asserted a universal "right to respect for religious feelings." The Future of Blasphemy turns respect on its head. Respect demands that we grant each other equal standing in the moral community, not that we never offend. Politically, respect for citizens requires a public discourse that is open to all viewpoints. Going beyond the question of free speech versus religion, The Future of Blasphemy defends an ethical model of blasphemy. Controversies surrounding sacrilege are contests over what counts as sacred, disagreements about what has central, inviolable, and incommensurable value. In such public contestation of the sacred, each of us-secular and religious alike-has equal right to speak on its behalf.
Originally published in 1999, this book deals with the cultural and legal debates which have counterposed the right to free speech and the need to protect Christian sensibilities in Britain from the time of the French Revolution to the present day. Central to the book is a close study of the content and public reception of the anti-Christian literature of the 19th century associated with the names G.W.Foote and J.W. Gott, the Freethinker and The Truthseeker. David Nash here also examines a variety of critical-theoretical approaches to blasphemy and blasphemous writing, including postmodernism and the work of Foucault and Said. The book concludes with a detailed examination of 20th-century blasphemy cases, up to and including the Gay News case, The Last Temptation of Christ and Visions of Ecstasy.
Why Jesus was put to death remains a pivotal issue in New Testament scholarship. The Marcan account of the Jewish examination of Jesus lies at the heart of the debate. Darrell Bock defends the historical-cultural veracity of Mark's portrayal through a careful study of the Jewish views on blasphemy and exaltation.
An approachable read for both Catholics who want to brush up on their knowledge of the Faith and curious passersby, Fundamentals of Catholicism, Volume 1 offers an excellent introduction to the fundamental precepts and beliefs of the Catholic Church. Clear, direct, and thoughtfully written, this book explores the Creed and the Ten Commandments in order to explain the basic theological and moral teachings of the Church, and encourage Catholics in their everyday lives of faith.
What society considers blasphemy - a verbal assault against the sacred - is a litmus test of the standards it believes to be necessary to preserve unity, order, and morality. Society has always condemned as blasphemy what it regards as an abuse of liberty
Is Ali Mazrui a visonary or a "vacuous" intellectual? Is he recationary, revolutionary or essentially a radical pragmatist? These questions were the focus of a special plenary session of the Conference of the African Assocation of Political Science that took place in Harrare, Zimbabwe, in June 2003. The forum was intended to interrogate Ali Mazrui's contributions in the last forty years or so of his career as an academic. The question themselves capture the magnitude of polarization among different sections of Mazrui's audiences generated by his often provocative propositions amd prescriptions on a wide range of issues---from the role of intellectuals in Africa's transformation to the imperative of pax-Africana, from Tanza-philia to Islamophobia, from the condition of the Black woman to the destiny of the Black race. It is some the exchanges, sometimes intense and even acrimonious, arising from Mazrui's ideas on continetal and global African affairs, from the 1960s ti the present, that constitute the subject matter. Together, they are not only a celebration of Ail Mazrui's own intellectual life as one long debate, but also an intellectual mirror of the conours of some of the hotly contested terrains in Africa's quest for self-realization.
