In 1959 C.P. Snow delivered the annual Rede Lecture in Cambridge under the title of 'The Two Cultures and the Scientific Revolution'. Snow warned of a gap that had opened up between scientists and the 'literary intellectuals' that made it almost impossible for the two groups to communicate. Snow complained that literary intellectuals were not only ignorant of science but contemptuous of it, as if scientific knowledge were unnecessary for a good education. Snow believed that improvements in the teaching of science were required in order to address the world's greatest problems, and that both the USA and the USSR were ahead of Britain in that respect. Snow spoke with the authority of a man with a foot in both camps, as a trained research scientist and a successful novelist, and his lecture provoked worldwide coverage.
From one of today's most respected historians and cultural critics comes a new book examining the gulf in American society--a division that cuts across class, racial, ethnic, political and sexual lines. One side originated in the tradition of republican virtue, the other in the counterculture of the late 1960s. Himmelfarb argues that, while the latter generated the dominant culture of today-particularly in universities, journalism, television, and film--a "dissident culture" continues to promote the values of family, a civil society, sexual morality, privacy, and patriotism. Proposing democratic remedies for our moral and cultural diseases, Himmelfarb concludes that it is a tribute to Americans that we remain "one nation" even as we are divided into "two cultures."
In this first annotated edition of F. R. Leavis' famous critique of C. P. Snow's influential argument about 'the two cultures', Stefan Collini reappraises both its literary tactics and its purpose as cultural criticism. The edition will enable new generations of readers to understand what was at stake in the dispute and to appreciate the enduring relevance of Leavis's attack on the goal of economic growth. In his comprehensive introduction Collini situates Leavis's critique within the wider context of debates about 'modernity' and 'prosperity', not just the 'two cultures' of literature and science. Collini emphasizes the difficulties faced by the cultural critic in challenging widely-held views and offers an illuminating analysis of Leavis's style. The edition provides full notes to references and allusions in Leavis's texts.
Some in the social sciences argue that the same logic applies to both qualitative and quantitative methods. In A Tale of Two Cultures, Gary Goertz and James Mahoney demonstrate that these two paradigms constitute different cultures, each internally coherent yet marked by contrasting norms, practices, and toolkits. They identify and discuss major differences between these two traditions that touch nearly every aspect of social science research, including design, goals, causal effects and models, concepts and measurement, data analysis, and case selection. Although focused on the differences between qualitative and quantitative research, Goertz and Mahoney also seek to promote toleration, exchange, and learning by enabling scholars to think beyond their own culture and see an alternative scientific worldview. This book is written in an easily accessible style and features a host of real-world examples to illustrate methodological points.
This eye-opening look at the intellectual culture of today--in which science, not literature or philosophy, takes center stage in the debate over human nature and the nature of the universe--is certain to spark fervent intellectual debate.
"Exceptionally useful are (Aseel's) reflections on what it has meant to be a Muslim in America after September 11 . . . A fascinating multicultural coming-of-age story."--"Booklist."
Feast of Excess is an engaging and accessible portrait of "The New Sensibility," as it was named by Susan Sontag in 1965. The New Sensibility sought to push culture in extreme directions: either towards stark minimalism or gaudy maximalism. Through vignette profiles of prominent figures-John Cage, Patricia Highsmith, Allen Ginsberg, Andy Warhol, Anne Sexton, John Coltrane, Bob Dylan, Erica Jong, and Thomas Pynchon, to name a few-George Cotkin presents their bold, headline-grabbing performances and places them within the historical moment.
Ever since the scientist-turned-novelist C. P. Snow clashed with literary critic F. R. Leavis in the early 1960s, it has been a commonplace to lament that intellectual life is divided between 'two cultures', the arts and sciences. Yet why did a topic that had long been discussed inspire such ferocious controversy at this particular moment? This book answers that question by recasting this dispute as an ideological conflict between competing visions of Britain's past, present, and future. It then connects the controversy to simultaneous arguments about the mission of the university, the methodology of social history, the reasons for 'national decline', and the fate of the former empire. By excavating the political stakes of the 'two cultures' controversy, this book explains the workings of cultural politics during the 1960s more generally, while also revising the meaning of a term that continues to be evoked to this day.