This is my life story, growing up as the son of a modest family in Haiti's countryside where I attended grade and medical school, and helped alleviate my compatriots’ suffering. My public health education at the University of Miami (UM) inched me closer to my career goals: I became health systems administrator in Haiti and in Florida, and a faculty member of UM medical school. The book describes my personal tragedies and professional struggles, and relates Haiti’s recent major sociopolitical events to the larger issues facing the country today. It ends with advice for young readers grounded on my experience.
'She is Cuba' traces the history of the Cuban mulata and her association with hips, sensuality and popular dance. Combining literary and personal narratives with historical and theoretical accounts of Cuban popular dance history, religiosity and culture, this work investigates the power of embodied exchanges: bodies watching, looking, touching and dancing with one another.
As modern Caribbean politics and literature emerged in the first half of the twentieth century, Haiti, as the region's first independent state, stood as a source of inspiration for imagining decolonization and rooting regional identity in Africanness. Yet at precisely the same moment that anticolonialism was spreading throughout the Caribbean, Haiti itself was occupied by U.S. marines, a fact that regional political and cultural histories too often overlook. In American Imperialism’s Undead, Raphael Dalleo examines how Caribbean literature and activism emerged in the shadow of the U.S. military occupation of Haiti (1915-34) and how that presence influenced the development of anticolonialism throughout the region. The occupation was a generative event for Caribbean activists such as C. L. R. James, George Padmore, and Marcus and Amy Jacques Garvey as well as for writers such as Claude McKay, Eric Walrond, and Alejo Carpentier. Dalleo provides new ways of understanding these luminaries, while also showing how other important figures such as Aimé Césaire, Arturo Schomburg, Claudia Jones, Frantz Fanon, Amy Ashwood Garvey, H. G. De Lisser, Luis Palés Matos, George Lamming, and Jean Rhys can be contextualized in terms of the occupation. By examining Caribbean responses to Haiti’s occupation, Dalleo underscores U.S. imperialism as a crucial if unspoken influence on anticolonial discourses and decolonization in the region. Without acknowledging the significance of the occupation of Haiti, our understanding of Atlantic history cannot be complete.
Despite its avowed commitment to liberalism and democracy internationally, the United States has frequently chosen to back repressive or authoritarian regimes in parts of the world. In this comprehensive examination of American support of right-wing dictatorships, David Schmitz challenges the contention that the democratic impulse has consistently motivated U.S. foreign policy. Compelled by a persistent concern for order and influenced by a paternalistic racism that characterized non-Western peoples as vulnerable to radical ideas, U.S. policymakers viewed authoritarian regimes as the only vehicles for maintaining political stability and encouraging economic growth in nations such as Nicaragua and Iran, Schmitz argues. Expediency overcame ideology, he says, and the United States gained useful--albeit brutal and corrupt--allies who supported American policies and provided a favorable atmosphere for U.S. trade. But such policy was not without its critics and did not remain static, Schmitz notes. Instead, its influence waxed and waned over the course of five decades, until the U.S. interventions in Vietnam marked its culmination.
In contrast to later imperial pursuits in Mexico, Cuba, and the Philippines, the early United States extended its boundaries through less sensational modes of territorialization: land deals, slavery expansion, treaty diplomacy, immigration and settlement, and the addition of new states on the border. Never the exclusive top-down product of any single strategic plan, empire building relied rather on a hazy, ever-shifting boundary between state and non-state action. Territories of Empire examines the border writings of U.S. explorers, politicians, travelers, novelists, merchants, newspapermen, and other eye-witnesses to the rapid expansion of the United States in the aftermath of the Louisiana Purchase. It traces how different authors and texts imagined the relations between nation-state and border and reveals how continental ambitions were achieved through the uneven and unpredictable process of territorialization. Andy Doolen looks to writings as dissimilar as Kentucky newspaper accounts of the Aaron Burr conspiracy, the explorer Zebulon Pike's 1810 account of making peace with the Santee Sioux before becoming terribly lost near the upper Rio Grande, and Timothy Flint's 1826 novel about a young New Englander who fights in the Mexican independence struggle in showing how national sentiments were galvanized in support of greater territorial and commercial growth. To this end, Doolen makes clear how both private citizens and government officials collectively authored the spatial logic of a continental republic. Combining textual analysis with theories of transnationalism and empire, Territories of Empire reconstructs the development of a continental imaginary highly attuned to the objectives of U.S. imperialism, while often betraying an unsettling awareness of resistance and diversity beyond the border.
Black Women and Energies of Resistance in Nineteenth-Century Haitian and American Literature intervenes in traditional narratives of 19th-century American modernity by situating Black women at the center of an increasingly connected world. While traditional accounts of modernity have emphasized advancements in communication technologies, animal and fossil fuel extraction, and the rise of urban centers, Mary Grace Albanese proposes that women of African descent combated these often violent regimes through diasporic spiritual beliefs and practices, including spiritual possession, rootwork, midwifery, mesmerism, prophecy, and wandering. It shows how these energetic acts of resistance were carried out on scales large and small: from the constrained corners of the garden plot to the expansive circuits of global migration. By examining the concept of energy from narratives of technological progress, capital accrual and global expansion, this book uncovers new stories that center Black women at the heart of a pulsating, revolutionary world.
Brassroots Democracy recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation. Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today.
Atmospheric Violence grapples with the afterlife of environmental disasters and armed conflict and examines how people attempt to flourish despite and alongside continuing violence. Departing from conventional approaches to the study of disaster and conflict that have dominated academic studies of Kashmir, Omer Aijazi’s ethnography of life in the borderlands instead explores possibilities for imagining life otherwise, in an environment where violence is everywhere, or atmospheric. Drawing on extensive fieldwork in the portion of Kashmir under Pakistan’s control and its surrounding mountainscapes, the book takes us to two remote mountainous valleys that have been shaped by recurring environmental disasters, as well as by the landscape of no-go zones, army barracks, and security checkpoints of the contested India/Pakistan border. Through a series of interconnected scenes from the lives of five protagonists, all of whom are precariously situated within their families or societies and rarely enjoy the expected protections of state or community, Aijazi reveals the movements, flows, and intimacies sustained by a landscape that enables alternative modes of life. Blurring the distinctions between story, theory, and activism, he explores what emerges when theory becomes a project of seeing and feeling from the non-normative standpoint of those who, like the book’s protagonists, do not subscribe to the rules by which most others have come to know the world. Bringing the critical study of disaster into conversation with a radical humanist anthropology and the capaciousness of affect theory, held accountable to Black studies and Indigenous studies, Aijazi offers a decolonial approach to disaster studies centering not on trauma and rupture but rather on repair—the social labor through which communities living with disaster refuse the conditions of death imposed upon them and create viable lives for themselves, even amidst constant diminishment and world-annihilation.
