This volume examines the concept of rhapsody through a broad lens. Beginning with a discussion of the meaning(s) of the term itself, it then traces the history and reception of the genre and its significance in European culture. It argues for a close relationship between the idea of rhapsody and the concept of Gypsiness by demonstrating that 'rhapsody' and 'Gypsiness' can be seen as manifestations of the same types of influence and preferences for certain aesthetic categories. The book pays special attention to the seminal role of Franz Liszt in its discussion of the instrumental rhapsody. Ultimately, it reveals the consequences of historiographical representations of the rhapsody (e.g. the ossification of the image of the European Gypsy musician as a bard/rhapsode, the fossilization of presumptions concerning the nature of so-called 'Gypsies') as well as unexpected similarities and differences between the rhapsody and the ballad as romantic genres with national implications.
Winner of the 2007 Welty Prize In 1960, Jon Edgar and Louise “Gypsy Lou” Webb founded Loujon Press on Royal Street in New Orleans's French Quarter. The small publishing house quickly became a giant. Heralded by the Village Voice and the New York Times as one of the best of its day, the Outsider, the press's literary review, featured, among others, Charles Bukowski, Allen Ginsberg, Lawrence Ferlinghetti, Robert Creeley, Denise Levertov, and Walter Lowenfels. Loujon published books by Henry Miller and two early poetry collections by Bukowski. Bohemian New Orleans traces the development of this courageous imprint and examines its place within the small press revolution of the 1960s. Drawing on correspondence from many who were published in the Outsider, back issues of the Outsider, contemporary reviews, promotional materials, and interviews, Jeff Weddle shows how the press's mandarin insistence on production quality and its eclectic editorial taste made its work nonpareil among peers in the underground. Throughout, Bohemian New Orleans reveals the messy, complex, and vagabond spirit of a lost literary age. Learn about Director Wayne Ewing's documentary film The Outsiders of New Orleans: Loujon Press and watch a trailer at http://www.loujonpress.com/
New York Times bestseller In their first book, the Junk Gypsies—sisters and stars of the popular Texas-born brand and HGTV show—combine big dreams, stories of roadside treasures found, and down-home design projects inspired by epic makeovers for friends like Miranda Lambert, Billie Joe Armstrong, and Sadie Robertson. Amie and Jolie Sikes, the Thelma and Louise of the design world, are the Junk Gypsies: a family with an addiction to flea markets, wanderlust, and Americana inspired design. In their world, cowgirls are heroes, road trips last forever, and junk is treasured. Beginning with a little bit of faith and a whole lot of heart and soul, the sisters travelled the back roads of America like gypsies, collecting roadside trinkets and tattered treasures while meeting kindred spirits and lively characters along the way. With a mix of hippie, rock n’ roll, southern charm, and big dreams, these small-town Texas girls became restless wanderers and owners and operators of their dream business and bohemian brand, Junk Gypsy. Filled with stories from their unique journey as well as DIY projects and bohemian inspired designs, Junk Gypsy is a tribute to all the rowdy gypsies, crafty junkers, free-spirited romantics, and true-blue rebels who have ever dared to dream big.
Bohemia in America, 1858–1920 explores the construction and emergence of "Bohemia" in American literature and culture. Simultaneously a literary trope, a cultural nexus, and a socio-economic landscape, la vie bohème traveled to the United States from the Parisian Latin Quarter in the 1850s. At first the province of small artistic coteries, Bohemia soon inspired a popular vogue, embodied in restaurants, clubs, neighborhoods, novels, poems, and dramatic performances across the country. Levin's study follows la vie bohème from its earliest expressions in the U.S. until its explosion in Greenwich Village in the 1910s. Although Bohemia was everywhere in nineteenth- and twentieth-century American culture, it has received relatively little scholarly attention. Bohemia in America, 1858–1920 fills this critical void, discovering and exploring the many textual and geographic spaces in which Bohemia was conjured. Joanna Levin not only provides access to a neglected cultural phenomenon but also to a new and compelling way of charting the development of American literature and culture.
The iconoclastic ingenuity of bohemians, from Gerard de Nerval to Allen Ginsberg, continually captivates the popular imagination; the worlds of fashion, advertising, and even real estate all capitalize on the alternative appeal of bohemian style. Persistently overlooked, however, is bohemians' distinctive relationship to work. In this book, sociologist Judith R. Halasz examines the fascinating junctures between bohemian labor and life. Weaving together historiography, ethnography, and personal experiences of having been raised amidst downtown New York's bohemian communities, Halasz deciphers bohemians' unconventional behaviors and attitudes towards employment and the broader work world. From the nineteenth-century harbingers on Paris' Left Bank to the Beats, Underground, and more recent bohemian outcroppings on New York's Lower East Side, The Bohemian Ethos traces the embodiment of a politically charged yet increasingly precarious form of cultural resistance to hegemonic social and economic imperatives.
Bohemianism is a way of life, a state of mind, an atmosphere. It is not a trend, its a timeless movement. It is about living beyond convention. BOHEMIAN MANIFESTO explores and joyfully celebrates the creativity, the originality, and the splendor of a lifestyle and spirit shared by free-thinking, free-living artists, poets, writers, sculptors, musicians, and intellectuals. This is the first book to distill and categorize all the ingredients of Bohemian life. In a witty and engaging style, Laren Stover examines the contents of a Bohemians closet, bathroom, and bookshelf. She explains the allure of absinthe, why it isnt wise to leave a Bohemian unattended in your home--you could return to find nude nymphs painted on your lamp shades--and how to identify what type of Bohemian you might be.
Bohemia has been variously defined as a mythical country, a state of mind, a tavern by the wayside on the road of life. The editors of this volume prefer a leaner definition: an attitude of dissent from the prevailing values of middle-class society, one dependent on the existence of caf life. But whatever definition is preferred, this rich and long overdue collective portrait of Bohemian life in a large variety of settings is certain to engage and even entrance readers of all types: from the student of culture to social researchers and literary figures n search of their ancestral roots. The work is international in scope and social scientific in conception. But because of the special nature of the Bohemian fascination, the volume is also graced by an unusually larger number of exquisite literary essays. Hence, one will find in this anthology writings by Malcolm Cowely, Norman Podhoretz, Norman Mailer, Theophile Gautier, Honore de Balzac, Mary Austin, Stefan Zweig, Nadine Gordimer, and Ernest Hemingway. Social scientists are well represented by Cesar Grana, Ephraim Mizruchi, W.I. Thomas, Florian Znaniecki, Harvey Zorbaugh, John R. Howard, and G. William Domhoff, among others.The volume is sectioned into major themes in the history of Bohemia: social and literary origins, testimony by the participants, analysis by critics of and crusaders for the bohemian life, the ideological characteristics of the bohemians, and the long term prospect as well as retrospect for bohemenianism as a system, culture and ideology. The editors have provided a framework for examining some fundamental themes in social structure and social deviance: What are the levels of toleration within a society? Do artists deserve and receive special treatment by the powers that be? And what are the connections between bohemian life-styles and political protest movements?This is an anthology and not a treatise, so the reader is free to pick and choose not only wha
“The remarkable Veronica Varlow seizes life with both hands and bends it to her will. Learn from her.” —Neil Gaiman In Bohemian Magick, Veronica Varlow, the last daughter in a line of Bohemian witches, weaves together witchcraft knowledge and ancient secret spells with an exotic rock-and-roll magick style that has earned her a devoted following worldwide. This beguiling grimoire-style guide is filled with potent, never-before-revealed spells, hand-written rituals, magick ephemera, hand-drawn sigils, potions, charms, and rhyming incantations that will call your power back to you and electrify your life! With more than 150 illustrations—drawings, photography, and vintage art—and text written in her own hand, this sumptuous companion is brimming with spells for everlasting confidence, radiant self-love, healing, manifesting your dreams, and love with a desired partner. Veronica calls upon the ancient and hidden Czech-Romani magic passed down to from her grandmother Helen’s lineage and infuses it with her own signature sorcery to help you awaken and amplify your truest self. Each spell that you cast, each potion that you brew, and each chant you speak into the universe will rouse the most powerful part of your being! In Part I, The School of Spectaculus, Veronica reveals, step by step, her personally crafted steps to spellcasting with power. She shares her secrets regarding writing and preparing for spells, calling on ancestors to give your spells oomph, and writing your own badass spells. She also provides information on when to cast spells and other basics that you need to know to perform the mind-blowing rituals she introduces in Part II. In Part II, Initiations, she introduces you to the hidden magick of Bohemia. She leads you on five initiations, each focused on specific themes including self-love, sizzling confidence, healing, juicy mojo, and love. Each initiation begins with an experiential journey of discovery, a story in which you are the protagonist, whether following a trail of candles through a dark wood to a river filled with tiny message-filled paper boats or venturing into a tarot parlor on a hot, sultry night to meet a Witch who has come back from the Afterlife to help you find true love. And, of course, each initiation includes spells with a rock and roll vibe, such as: Hello, I Love You: Use mirror magick to boost your confidence and magnetism. Return to Sender: Create a magick candle and burn it upside down to protect you and send bad vibes back to where they came from. Search and Destroy: Literally pulverize the false stories you tell yourself by writing them on china plates and smash those poisonous words to bits with a hammer! Bohemian Rhapsody: A secret knot-tying spell to do with a partner to increase passion and intimacy For each badass bewitching enchantment, Veronica explains its importance, the purpose of practice, and the necessary tools and preparation you’ll need to cast it correctly. With Bohemian Magick, you’ll discover your adventurous side and your own unique magick. Get ready to rise up, call your power back to you, realize your purpose, and make your life story truly legendary!
What do works of art teach us from their period of creation? What do they teach us about human interaction, about social groups? The Council of Europe is a key player in the fight to respect the rights and equal treatment of Roma and Travellers. As such, it implements various actions aimed at combating discrimination: facilitating the access of Roma and Travellers to public services and justice; giving visibility to their history, culture and languages; and ensuring their participation in the different levels of decision making. Another aspect of the Council of Europe’s work is to improve the wider public’s understanding of the Roma and their place in Europe. Knowing and understanding Roma and Travellers, their customs, their professions, their history, their migration and the laws affecting them are indispensable elements for interpreting the situation of Roma and Travellers today and understanding the discrimination they face. This publication focuses on what the works exhibited at the Louvre Museum tell us about the place and perception of Roma in Europe from the15th to the 19th centuries. Students aged 12 to 18, teachers, and any other visitor to the Louvre interested in this theme, will find detailed worksheets on 15 paintings representing Roma and Travellers and a booklet to foster reflection on the works and their context, while creating links with our contemporary perception of Roma and Travellers in today’s society.
