The psychoanalytic encounter of Sigmund Freud, at mid-life, and Dora, an emotionally troubled adolescent suffering from hysteria, provides a glimpse into the private lives of upper-middle-class Jews in fin-de-siecle Vienna - their professional concerns, familial relations, sexual undercurrents, and responses to the social forces of anti-semitism and the derogation of women. Decker places the treatment of Dora in a larger social and historical context and pursues the lives of the two protagonists before and after their meeting.
Freud’s Dora case and contemporary debates on gender, sexuality and queer theory ‘Dora’ is one the most important and interesting case studies Sigmund Freud conducted and later described. It constitutes a key text in his oeuvre and finds itself at the crossroads of his studies in hysteria, the theory of sexuality and dream interpretation. The Dora case is both a literary and theoretically ground-breaking text and an account of a ‘failed’ treatment. In Dora, Hysteria and Gender renowned Freud scholars reflect on the Dora case, presenting various innovative and controversial perspectives and elaborating the significance of the text for contemporary debates on gender, sexuality and queer theory. This volume is of interest for psychoanalysts and scholars working on psychoanalysis, sexuality, gender, queer theory, philosophical anthropology and literary studies. Contributors: Rachel B. Blass (Heythrop College, University of London), Daniela Finzi (Sigmund Freud Foundation), Esther Hutfless (University of Vienna), Ulrike Kadi (Medical University of Vienna), Ilka Quindeau (Frankfurt University of Applied Sciences), Beatriz Santos (University Paris VII Diderot), Philippe Van Haute (Radboud University Nijmegen), Herman Westerink (Radboud University Nijmegen), Jeanne Wolff-Bernstein (Sigmund Freud University in Vienna)
An appealing and intelligent eighteen-year-old girl to whom Freud gives the pseudonym "Dora" is the subject of a case history that has all the intrigue and unexpected twists of a first-rate detective novel. Freud pursues the secrets of Dora's psyche by using as clues her nervous mannerisms, her own reports on the peculiarities of her family, and the content of her dreams. The personalities involved in Dora's disturbed emotional life were, in their own ways, as complex as she: an obsessive mother, an adulterous father, her father's mistress, Frau K., and Frau K.'s husband, who had made amorous advances toward Dora. Faced with the odd behavior of her family and friends, and unable to confront her own forbidden sexual desires, Dora falls into the destructive pattern of a powerful hysteria. in this influential and provocative case history, Freud uses all his analytic genius and literary skill to reveal Dora's inner life and explain the motives behind her fixation on her father's mistress. -- from back cover.
When a young woman's body is discovered in the summer of 1910 Vienna, the Inspector's wife is certain the figs found in her stomach during the autopsy are the clue to the identity of the murderer -- for there are no fresh figs in Vienna at this time of year.
Freud's 17-year-old case study "Dora" is well known in the literature of psychoanalysis. Yet few know the full story--told here for the first time--of this notable woman, who walked out on Freud after three months and, in a sense, cured herself. Born into an important Jewish-Austrian family, Ida Bauer Adler suffered from "petite hysteria"--loss of voice, difficulty breathing, migraines, fainting spells--brought on by the overt sexuality of her relatives. Growing up in a home beset with syphilis and tuberculosis, she overcame her father's marital infidelity, her mother's so-called housewife psychosis and her own seduction by the husband of her father's mistress. She married, raised a son, started a small business, stayed close with her brother, Otto, leader of the Austrian Socialist party, and survived Hitler's invasion of Vienna. Eventually, she made her way to the U.S. to rejoin her famous son, maestro of the San Francisco Opera House.
Despite much study of Viennese culture and Judaism between 1890 and 1914, little research has been done to examine the role of Jewish women in this milieu. Rescuing a lost legacy, Jewish Women in Fin de Siècle Vienna explores the myriad ways in which Jewish women contributed to the development of Viennese culture and participated widely in politics and cultural spheres. Areas of exploration include the education and family lives of Viennese Jewish girls and varying degrees of involvement of Jewish women in philanthropy and prayer, university life, Zionism, psychoanalysis and medicine, literature, and culture. Incorporating general studies of Austrian women during this period, Alison Rose also presents significant findings regarding stereotypes of Jewish gender and sexuality and the politics of anti-Semitism, as well as the impact of German culture, feminist dialogues, and bourgeois self-images. As members of two minority groups, Viennese Jewish women nonetheless used their involvement in various movements to come to terms with their dual identity during this period of profound social turmoil. Breaking new ground in the study of perceptions and realities within a pivotal segment of the Viennese population, Jewish Women in Fin de Siècle Vienna applies the lens of gender in important new ways.
The case of the patient whom Freud immortalized as Dora is regarded as a landmark in the evolution of psychoanalytic theory and technique, as a graphic demonstration of psychosomatics and the therapeutic significance of dreams. Now, in this brilliant book, Patrick Mahony claims that the case study is not a model of treatment but a remarkable exhibition of the rejection of a patient by a clinician, an inkblot test of Freud's misapprehensions about female sexuality and adolescence. Combining psychoanalytic, historical, and textual approaches, Mahony makes us look at the famous case history in a new way. He maps out in detail how Freud neglected much significant data, and he traces the clinical impact of Freud's undigested friendship with Fliess. Mahony also sheds fresh light on Dora's bisexuality, transference, trauma, and symptoms and uncovers the deeper, problematic meaning of Dora's dreams. Through his close textual analysis, Mahony shows that this case history is a specimen of symptomatic writing and evidence of Freud's countertransferential impasse. Mahony's book testifies to the fact that any serious study of Freud must not be limited to the Standard Edition of his works.
Sigmund Freud (1856-1939) developed the theory and practice of psychoanalysis, one of the twentieth century's most influential schools of psychology. He also made profound insights into the psychology and understanding of human beings. In this brilliant and long-awaited introduction, Jonathan Lear--one of the most respected writers on Freud--shows how Freud also made fundamental contributions to philosophy and why he ranks alongside Plato, Aristotle, Marx and Darwin as a great theorist of human nature. Freud is one of the most important introductions and contributions to understanding this great thinker to have been published for many years, and will be essential reading for anyone in the humanities, social sciences and beyond with an interest in Freud or philosophy.
Cesare Romano revisits Dora's clinical case in light of Freud's own seduction theory. His central thesis is that Freud failed to follow through with his initial proposition of confirming his theories on the traumatic aetiology of hysteria. He also suggests a new dating for the duration of Dora's therapy, placing the beginning of the analysis within the context of Freud's concurrent and recent life events. A detailed analysis of Dora's first dream shows that Freud did not go back to Dora's first infantile traumas, but stopped instead at the period of her infantile masturbation. In analysing this dream, Romano's theory begins to take shape around the idea that Dora suffered an early trauma: possibly, a sexual abuse inflicted by her father. Drawing on Ferenczi, the author uses the notion of the 'traumatolytic function of the dream' to show that Dora, through her two dreams, was elaborating her early sexual trauma. Dora's analysis is investigated alongside what was happening in Freud's life at the time of the therapy.
"She's hysterical." For centuries, the term "hysteria" has been used by physicians and laymen to diagnose and dismiss the extreme emotionality and mysterious physical disorders presumed to bedevil others—especially women. How did this medical concept assume its power? What cultural purposes does it serve? Why do different centuries and different circumstances produce different kinds of hysteria? These are among the questions pursued in this absorbing, erudite reevaluation of the history of hysteria. The widely respected authors draw upon the insights of social and cultural history, rather than Freudian psychoanalysis, to examine the ways in which hysteria has been conceived by doctors and patients, writers and artists, in Europe and North America, from antiquity to the early years of the twentieth century. In so doing, they show that a history of hysteria is a history of how we understand the mind. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.
