Freeman’s: Family is the second literary anthology in the series reviewers are calling ‘bold’ (Minneapolis Star-Tribune) and ‘refreshing’ (Chicago Literati). Following a debut issue on the theme of ‘Arrival’, Freeman circles a new topic whose definition is constantly challenged by the best of our writers: family. The issue opens with Aminatta Forna musing on the legacy of slavery as she settles her family in Washington, DC, where she is constantly accused of cutting in line whenever she stands next to her white husband. Award-winning novelist Claire Vaye Watkins delivers a stunning portrait of a woman in the throes of postpartum depression. Helen Garner’s diary extracts offer insight into the ways we relate to one another. Booker Prize–winner Marlon James turns his attention away from distant fathers to write about his mother, who calls to sing him happy birthday every year. Even in the darkest moments, humour abounds: in Claire Messud’s home there are two four-legged tyrants; Aleksandar Hemon’s father declares war on raccoons; and Sandra Cisneros writes about her extended family of past lovers. With outstanding, never-before-published pieces of fiction, non-fiction and poetry from literary heavyweights and up-and-coming writers, Freeman's: Family collects the most amusing, heartbreaking and probing stories about family life emerging today. John Freeman is an award-winning writer and book critic who has written for numerous publications, including the New York Times Book Review, Los Angeles Times, Guardian and Wall Street Journal. He is the former editor of Granta and the author of Shrinking the World and a collection of author interviews How to Read a Novelist. He lives in New York City. ‘John Freeman is a literary bowerbird; he has an eye for treasure...[Freeman’s: Family] is less an anthology than a conversation, the sense of intimacy that sharing family stories invites in real life, captured on the page.’ Australian
Learn how you and your partner can fight smarter, communicate like pros, and handle any challenge as a team! You know that feeling right after an argument you’ve had with your partner? You feel kind of sick to your stomach, your head is buzzing, and you're zoned out. You regret what you said or how you said it, and you're hurt by their actions as well. Almost like a food or alcohol hangover, right? Aaron and Jocelyn Freeman, your new favorite relationship mentors, call this "the argument hangover." In this relatable, no b.s. book for couples, the Freemans explain what an argument hangover is, what causes it, and how to clearly communicate your needs to feel understood, without having to change each other. This modern guide includes step-by-step tools and exercises you can implement right away, so you can handle the challenges that so many couples face today. Topics include: Why conflict doesn’t have to be something you avoid How to keep arguments from escalating How to resolve those nagging two or three disagreements that keep coming up Embrace conflict and grow from it with the right communication skills―and say goodbye to argument hangovers once and for all.
A FINALIST FOR THE 2016 CENTER FOR FICTION FIRST NOVEL PRIZE AND THE 2017 YOUNG LIONS AWARD “A terrifically auspicious debut.” —Janet Maslin, The New York Times “Smart, timely and powerful . . . A rich examination of America’s treatment of race, and the ways we attempt to discuss and confront it today.” —The Huffington Post The Freeman family--Charles, Laurel, and their daughters, teenage Charlotte and nine-year-old Callie--have been invited to the Toneybee Institute to participate in a research experiment. They will live in an apartment on campus with Charlie, a young chimp abandoned by his mother. The Freemans were selected because they know sign language; they are supposed to teach it to Charlie and welcome him as a member of their family. But when Charlotte discovers the truth about the institute’s history of questionable studies, the secrets of the past invade the present in devious ways. The power of this shattering novel resides in Greenidge’s undeniable storytelling talents. What appears to be a story of mothers and daughters, of sisterhood put to the test, of adolescent love and grown-up misconduct, and of history’s long reach, becomes a provocative and compelling exploration of America’s failure to find a language to talk about race. “A magnificently textured, vital, visceral feat of storytelling . . . [by] a sharp, poignant, extraordinary new voice of American literature.” —Téa Obreht, author of The Tiger’s Wife
Annie Freeman, left one final request, a traveling funeral, and she wants the most important women in her life as pallbearers. From Sonoma to Manhattan, Katherine, Laura, Rebecca, Jill, and Marie will carry Annie's ashes to the special places in her life. At every stop there's a surprise encounter and a small miracle waiting, and as they whoop it up across the country, attracting interest wherever they go, they share their deepest secrets--tales of broken hearts and second chances, missed opportunities and new beginnings. And as they grieve over what they've lost, they discover how much is still possible if only they can unravel the secret Annie left them.
Two brothers turn from Jehovah’s Witnesses in Allentown, PA, to neo-Nazi murderers in this true crime investigation from the author of Lobster Boy. Raised as Jehovah’s Witnesses and frustrated with their parents’ repressive rules, Bryan and David Freeman rebelled as teenagers. Encouraged by an acquaintance he met while institutionalized at a reform school, Bryan became a neo-Nazi. Bryan then indoctrinated David, and their flare for defiance took a dark turn. After callously murdering their father, mother, and younger brother, the skinhead brothers took flight across America, with police from three states in hot pursuit. They were eventually captured in Michigan and returned to Pennsylvania for trial. During the trial, author Fred Rosen uncovered evidence that one of the brothers might not have been as culpable as authorities claimed, and divulged the history of a family torn apart by stringent religious beliefs.
From the voices of protesters to the encroachment of a new fascism, everywhere we look power is revealed. Spouse to spouse, soldier to citizen, looker to gazed upon, power is never static: it is either demonstrated or deployed. Its hoarding is itself a demonstration. This thought-provoking issue of the acclaimed literary annual Freeman's explores who gets to say what matters in a time of social upheaval. Many of the writers are women. Margaret Atwood posits it is time to update the gender of werewolf narratives. Aminatta Forna shatters the silences which supposedly ensured her safety as a woman of colour walking in public space. Power must often be seized. The narrator of Lan Samantha Chang's short story finally wrenches control of the family's finances from her husband only to make a fatal mistake. Meanwhile the hero of Tahmima Anam's story achieves freedom by selling bull semen. Australian novelist Josephine Rowe recalls a gallery attendee trying to take what was not offered when she worked as a life-drawing model. Violence often results from power imbalances - Booker Prize winner Ben Okri watches power stripped from the residents of Grenfell Tower by ferocious neglect. But not all power must wreak damage. Barry Lopez remembers fourteen glimpses of power, from the moment he hitched a ride on a cargo plan in Korea to the glare he received from a bear traveling with her cubs in the woods, asking - do you plan me harm? Featuring work from brand new writers Nicole Im, Jaime Cortez and Nimmi Gowrinathan, as well as from some of the world's best storytellers, including US poet laureate Tracy K. Smith, Franco-Moroccan writer Leïla Slimani, and Turkish novelist Elif Shafak, Freeman's: Power escapes from the headlines of today and burrows into the heart of the issue.