With Fred D'Aguiar and Caribbean Literature: Metaphor, Myth, Memory, Leo Courbot offers the first research monograph entirely dedicated to a comprehensive reading of the verse and prose works of Fred D'Aguiar, prized American author of Anglo-Guyanese origin. "Postcolonial" criticism, when related to the history of the African diaspora, regularly inscribes itself in the wake of Sartrean philosophy. However, Fred D'Aguiar's both typical and untypical Caribbean background, in addition to the singularity of his diction, call for a different approach, which Leo Courbot convincingly carries out by reading literature in the light of Jacques Derrida and Édouard Glissant's less conventional sense of the intrinsically metaphorical and cross-cultural nature of language.
With Fred D'Aguiar and Caribbean Literature: Metaphor, Myth, Memory, Leo Courbot offers the first research monograph entirely dedicated to a comprehensive reading of the verse and prose works of Fred D'Aguiar, prized American author of Anglo-Guyanese origin.
A literary venture into the economic shadow that slavery cast, Feeding the Ghosts, based on a true story, lays bare the raw business of the slave trade. The Zong, a slave ship packed with captive African “stock,” is headed to the New World. When illness threatens to disable all on board and cut potential profits, the ship’s captain orders his crew to throw the sick into the ocean. After being hurled overboard, Mintah, a young female slave taken from a Danish mission, is able to climb back onto the ship. From her hiding place, she rouses the remaining slaves to rebel and stirs unease among the crew with a voice and conscience they seem unable to silence. Mintah’s courage and others’ reactions to it unfold in a suspenseful story of the struggle to live even when threatened by oblivion.
Every once in a while, a new poet appears who makes us feel that the contours of contemporary poetry have been significantly changed. Fred D'aguiar is such a poet. Although still in his early twenties, he already has a wholly independent voice, and a powerful grasp of original and strange subjects. Many of these arise from his childhood in Guyana: the first section of Mama Dot comprises a series in which these early years are recalled with a passionately lyrical evocation of landscapes, incidents and family relations. They are sensuous celebrations, but are nevertheless touched with melancholy and nostalgia – qualities which are more fully evident elsewhere in the book, in poems which address the life D’Aguiar now leads in England, and which concentrate on themes of exile. In the final section, ‘Guyanese Days’, he returns once again to the scenes and memories of his childhood. Mama Dot is one of the most exciting first collections to have been published for many years: exhilarating, haunting and restlessly inventive.
The author tells the story of a rebellious young slave who, in 1810, attempts to flee a Virginia plantation, and of his father who inadvertently betrays him.
Through the story of the broken Caribbean family of Red Head--a disconcertingly prescient child growing up in a small unnamed island nation--award-winning novelist Fred D'Aguiar creates a world rich in magic, color, and beauty, a place at once breathtaking and nightmarish, ruled by a dangerous political despot whose corrupt madness splinters and destroys even far-flung lives.
Two sisters are suddenly sent from their home in Brooklyn to Barbados to live with their grandmother, in Naomi Jackson’s stunning debut novel This lyrical novel of community, betrayal, and love centers on an unforgettable matriarchal family in Barbados. Two sisters, ages ten and sixteen, are exiled from Brooklyn to Bird Hill in Barbados after their mother can no longer care for them. The young Phaedra and her older sister, Dionne, live for the summer of 1989 with their grandmother Hyacinth, a midwife and practitioner of the local spiritual practice of obeah. Dionne spends the summer in search of love, testing her grandmother’s limits, and wanting to go home. Phaedra explores Bird Hill, where her family has lived for generations, accompanies her grandmother in her role as a midwife, and investigates their mother’s mysterious life. This tautly paced coming-of-age story builds to a crisis when the father they barely know comes to Bird Hill to reclaim his daughters, and both Phaedra and Dionne must choose between the Brooklyn they once knew and loved or the Barbados of their family. Naomi Jackson’s Barbados and her characters are singular, especially the wise Hyacinth and the heartbreaking young Phaedra, who is coming into her own as a young woman amid the tumult of her family. Praise for The Star Side of Bird Hill: “Once in a while, you’ll stumble onto a book like this, one so poetic in its descriptions and so alive with lovable, frustrating, painfully real characters, that your emotional response to it becomes almost physical. . . . The dual coming-of-age story alone could melt the sternest of hearts, but Jackson’s exquisite prose is a marvel too. . . . A gem of a book.” —Entertainment Weekly (A)
A New Statesman Book of the Year 2021 In this piercing and unforgettable memoir, the award-winning poet reflects on a year of turbulence, fear and hope. For acclaimed British-Guyanese writer Fred D'Aguiar, 2020 was a year of personal and global crisis. The world around him was shattered by the impact of the Covid-19 pandemic, Black Lives Matter protests erupted across the United States, California burned, and D'Aguiar was diagnosed with stage-4 cancer. Year of Plagues is an intimate, multifaceted exploration of these seismic events, which trouble and alienate D'Aguiar from community, place and body. Combining personal reminiscence and philosophy, drawing on music and on poetry, D'Aguiar confronts profound questions about the purpose of pursuing a life of writing and teaching in the face of overwhelming upheavals; the imaginative and artistic strategies a writer can bring to bear as his sense of self and community are severely tested; and the quest for strength and solace necessary to help forge a better future. Drawn from distinct cultural perspectives - his Caribbean upbringing, London youth and American lifestyle - D'Aguiar's beautiful and challenging memoir is a paean of resistance to despotic authority and life-threatening disease. In his first work of non-fiction, D'Aguiar subverts the traditional memoir with highly charged language that shifts from the quotidian to the lyrical, from the personal to the metaphysical. Both tender and ferocious, Year of Plagues is a harrowing yet uplifting genre-bending memoir of existence, protest, and survival.
In the opening pages of this novel, an accident brings a young girl to the attention of the Preacher, the all-powerful leader of a religious cult secluded in the jungle. Trina has only dim memories of the life she lived with her mother before they joined the community and the closed, close society is all she knows. When she is singled out for special favour, it becomes clear that the gaze of the Preacher can be a dangerous thing. As the Preacher's behaviour and the demands he places on his followers become more extreme, Trina's mother begins to question her faith in the charismatic but fatally flawed leader and to dream of an escape from his control.
