Bauhaus Bodies

Bauhaus Bodies

Author: Elizabeth Otto

Publisher: Bloomsbury Publishing USA

Published: 2019-01-24

Total Pages: 405

ISBN-13: 1501344803

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A century after the Bauhaus's founding in 1919, this book reassesses it as more than a highly influential art, architecture, and design school. In myriad ways, emerging ideas about the body in relation to health, movement, gender, and sexuality were at the heart of art and life at the school. Bauhaus Bodies reassesses the work of both well-known Bauhaus members and those who have unjustifiably escaped scholarly scrutiny, its women in particular. In fourteen original, cutting-edge essays by established experts and emerging scholars, this book reveals how Bauhaus artists challenged traditional ideas about bodies and gender. Written to appeal to students, scholars, and the broad public, Bauhaus Bodies will be essential reading for anyone interested in modern art, architecture, design history, and gender studies; it will define conversations and debates during the 2019 centenary of the Bauhaus's founding and beyond.


Live Form

Live Form

Author: Jenni Sorkin

Publisher: University of Chicago Press

Published: 2016-07-26

Total Pages: 311

ISBN-13: 022630325X

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Ceramics had a far-reaching impact in the second half of the twentieth century, as its artists worked through the same ideas regarding abstraction and form as those for other creative mediums. Live Form shines new light on the relation of ceramics to the artistic avant-garde by looking at the central role of women in the field: potters who popularized ceramics as they worked with or taught male counterparts like John Cage, Peter Voulkos, and Ken Price. Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others. Far from being an isolated field, ceramics offered a sense of community and social engagement, which, Sorkin argues, crucially set the stage for later participatory forms of art and feminist collectivism.


Tourists and Trade

Tourists and Trade

Author: Bruce A. Austin

Publisher: State University of New York Press

Published: 2023-06-01

Total Pages: 337

ISBN-13: 1438493304

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Amid the economic turmoil of the Great Depression, in 1929, Clarence Wemett, an upstate New York petroleum merchant, underwrote a craft shop bordering U.S. Route 20 and, a few years later, a different one 15 miles away. At precisely the wrong time for such things to happen, the improbable idea of selling discretionary goods targeted to a consumer market characterized by 25 percent unemployment at a rural highway's roadside achieved traction: the first shop was in business for a quarter century, the second for nearly 40 years. More significant than their surprising longevity is the shops' long-lasting contribution to a nascent, national movement that spans crafts personally created for individual use to the commercial work that sees craft elevated to a fine art—craft objects moved from pantry shelves to museum vitrines and craftworkers from hobbyists to professionals. The roadside shops introduced a business model that, 70 years later, is widely experienced on a very different but equally "super" highway, the Internet, and their story is a chapter in the pre-history of the modern crafts movement.


Frans Wildenhain, 1950-75

Frans Wildenhain, 1950-75

Author: Bruce A. Austin

Publisher:

Published: 2012-01-01

Total Pages: 245

ISBN-13: 9780615645278

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Steeped in modernist ceramic aesthetics, Frans Wildenhain studied under Gerhard Marcks and Max Krehan at the Bauhaus pottery workshop in Dornburg, Germany. There, Wildenhain met another potter, Marguerite Friedlaender, his future wife. Following World War II, Wildenhain emigrated to the U.S. Earning prizes for his art at the 1939 International Exposition in Paris and the 1958 Brussels World's Fair, Wildenhain also received a Guggenheim Fellowship in 1958, became a Fellow of the American Crafts Council and his work is in the collections of the Smithsonian Institution, Everson Museum and the Art Institute of Chicago.This book features archival images as well as more than 150 rich, color photographs of the ceramics exhibited in 2012 at the Rochester Institute of Technology, NY. Six chapters offer contributions to scholarship on the artist, mid-century studio pottery and modern design, monetizing and commercial acceptance of mid-century handcrafted art at an innovative artists' cooperative, university education at the School for American Craftsmen, and an interview with collector Robert Johnson who donated his Wildenhain collection to RIT. The book is an essential document of the exhibition and an excellent reference for those interested in ceramics, crafts, mid-century design and art entrepreneurship.


A Chosen Path

A Chosen Path

Author: Karen Karnes

Publisher: Univ of North Carolina Press

Published: 2010

Total Pages: 193

ISBN-13: 0807834270

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Presents the artistic accomplishments of the American potter Karen Karnes, discussing her early works produced during communial living in North Carolina and New York, her mature work produced in Vermont, and her status as an international artist.


A Century of Ceramics in the United States, 1878-1978

A Century of Ceramics in the United States, 1878-1978

Author: Garth Clark

Publisher: New York : E. P. Dutton

Published: 1979

Total Pages: 430

ISBN-13:

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From the Inside Cover: The history of American ceramics from the celebration of the Centennial (1876) to the present day is rich, varied, and relatively undocumented. It is a period studded with men and women of genius, uncompromising ethical standards, and engaging eccentricity. The purpose of the exhibition at the Everson Museum of Art, Syracuse, New York, and this book based on it is to present the history of American ceramics, its aesthetic and its influence, and so provide a perspective. Comprised of over 400 pieces, the majority of which are illustrated in this book, the exhibition and book span one hundred years of creative endeavor. In the decade-by-decade presentation, a variety of styles, philosophies, and techniques of ceramic artists is shown in this first study focusing on the role of ceramics in the modern, decorative, and fine arts of the United States. The journey of self-discovery and purpose that is surveyed here is an extraordinary one. It takes the ceramic medium in the United States from an imitative, exploratory stance in the late nineteenth century to a vanguardist role in the 1950s and beyond. The achievement is twofold. On the one hand, the American ceramists had established a beachhead for a traditional craft medium in the fine arts, redefining the vessel aesthetic and presenting ceramic sculpture as an intimate and meaningful alternative to the cerebral quality of postwar metal sculpture. More broadly, however, it reflects the triumph of a nation that has been able to achieve a cultural voice and identity through the arts in the brief space of one hundred years.


The Design Encyclopedia

The Design Encyclopedia

Author: Mel Byars

Publisher: Museum of Modern Art

Published: 2004

Total Pages: 838

ISBN-13:

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Design has an increasingly high profile - figures like Philippe Starck are as venerated and well known as more traditional artists. But where the literature on fine art is vast, design is still conparatively ill-served. This encyclopedia provides an account of the still largely unknown story of design.