On March 1, 1894, two African American men broke into a home in rural Franklin Park and murdered a white woman and her daughter before her husband fought and killed the attackers. The newspapers called it the "Franklin Park Tragedy," and the story captivated public attention nationally and abroad. Another tragedy came afterward, with the racist forced expulsion of many local African American residents. Author Brian Armstrong tells the shocking story of this "sundown town" and how it evolved into the diverse community that exists today.
More than 20 pages of maps show paths, roadways, natural and historic spots, and other treasures. You’ll find the locations of public services in every park and garden. There’s an illustrated history of Boston Common, 180 historic and color photos, and 12 walking tours to enjoy. “This beautiful guide is both detailed and compact—the magic formula for a successful take-along in the backpack.”—Booklist.
Franklin Park was meant to be the crown jewel of the Emerald Necklace, Boston's famed park system. It was also meant to be the epitome of Frederick Law Olmsted's distinguished career as the father of American landscape architecture. Its 527 acres of open space have been a salvation from urban plight and also the center of urban controversy. Today the community around the park remains strong and depends upon the work of volunteers, advocacy groups, and the City of Boston. The photographs in Franklin Park have been collected from a variety of personal collections and public archives in an effort to illustrate the park's history from its inception in the 1880s through its rebirth in the 1990s.
William Parks: The Colonial Printer in the Transatlantic World of the Eighteenth Century is a cultural biography that traces the important early American printer and newspaper publisher&’s path from the rural provinces of England to London and then to colonial Maryland and Virginia. While incorporating much new biographical information, the book widens the lens to take in the print culture on both sides of the Atlantic&—as well as the societal pressures on printing and publishing in England and colonial America in the early to mid-eighteenth century, with the printer as a focal point. After a struggling start in England, William Parks became a critical figure for both Annapolis and Williamsburg. He provided the southern United States with its first newspapers as well as civic leadership, book printing and selling, paper, and even postal services. Despite Jefferson&’s later dismissal of his Williamsburg newspaper as simply a governmental organ, Parks often pushed the limits of what was expected of a public printer, occasionally getting into trouble and confronting the kind of control and censorship that would eventually make evident the need for press freedoms in the new republic. It has often been asserted that, had Parks not died unexpectedly and relatively young, his reputation would have rivaled that of Franklin as a printer, entrepreneur, and man of affairs.
In 1928, Arthur A. Shurcliff (1870-1957) began what became one of the most important examples of the American Colonial Revival landscape--Colonial Williamsburg, a project that stretched into the 1940s and included town and highway planning as well as residential and institutional gardens. Elizabeth Hope Cushing, in this richly illustrated biography, traces Shurcliff's route from early years and planning work in Boston to his largest and most significant contribution to American landscape architecture.
