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Author: Nabil Boudraa
Publisher: Focus
Published: 2013-10-15
Total Pages: 0
ISBN-13: 9781585103119
DOWNLOAD EBOOKAn engaging, content-based book that uses fifteen easily accessible feature films from all regions of the Francophone world, helping classrooms incorporate Francophone cinema and culture into advanced French Language or Francophone Studies courses.
Author: Sarah Walkley
Publisher: Springer
Published: 2018-09-22
Total Pages: 286
ISBN-13: 3319969234
DOWNLOAD EBOOKThis is the first book to examine whether France’s ongoing defence of the cultural exception as a means to maintain cultural policies and defend cultural diversity is justifiable in the digital age. It questions whether the arrival of new players such as Apple and Netflix makes defence impossible, and whether an explosion in the number of films available makes policies for cultural promotion increasingly unnecessary. The book takes a critical look at French film policy to establish whether it promotes cultural diversity across cinema and video on demand and the implications for ongoing defence of the cultural exception. Sarah Walkley ultimately makes the case for a more disciplined approach to discussion of the cultural exception and cultural diversity in France supporting ideological arguments about competition, freedom of expression, consumer choice and national identity with concrete evidence of the success of French policies in countering US film market dominance.
Author: K. Martial Frindéthié
Publisher: McFarland
Published: 2014-01-10
Total Pages: 272
ISBN-13: 0786453567
DOWNLOAD EBOOKSetting the stage for a critical encounter between Francophone African cinema and Continental European critical theory, this book offers a transnational and interdisciplinary analysis of 16 Francophone African films, including Bassek Ba Kobhio's The Great White Man of Lambarene, Cheick Oumar Sissoko's Guimba the Tyrant, and Amadou Seck's Saaraba. The author invites readers to study these films in the context of transnational conversations between African filmmakers and the conventional theorists whose works are more readily available in academia. The book examines black French filmmakers' treatments of a number of cross-cultural themes, including intercontinental encounters and reciprocity, ideology and subjective freedom, governance and moral responsibility, sexuality and social order, and globalization. Throughout the work, the presentation of literary theory is accessible by both beginning and advanced students of film and culture. Instructors considering this book for use in a course may request an examination copy here.
Author: Cybelle McFadden Wilkens
Publisher: Peter Lang
Published: 2010
Total Pages: 166
ISBN-13: 9781433108037
DOWNLOAD EBOOK"Francophone Women: Between Visibility and Invisibility underscores the writing of authors who foreground the female body and who write across geographical borders, as part of a global literary movement that has the French language as its common denominator. This edited collection exposes how female authors portray the tensions that exist between visibility and invisibility, public and private, presence and absence, and excess and restraint when it is linked to femininity and the female body." --Book Jacket.
Author: Zsuzsanna Fagyal
Publisher: Cambridge Scholars Publishing
Published: 2014-07-03
Total Pages: 410
ISBN-13: 1443863440
DOWNLOAD EBOOKThis collection of original essays challenges French-centered conceptions of francophonie as the shaping force of the production and study of the French language, literature, culture, film, and art both inside and outside mainland France. The traditional view of francophone cultural productions as offshoots of their hexagonal avatar is replaced by a pluricentric conception that reads interrelated aspects of francophonie as products of specific contexts, conditions, and local ecologies that emerged from post/colonial encounters with France and other colonizing powers. The twenty-one papers grouped into six thematic parts focus on distinctive literary, linguistic, musical, cinematographic, and visual forms of expression in geographical areas long defined as the peripheries of the French-speaking world: the Caribbean, the Indian Ocean, the Maghreb, sub-Saharan Africa, Quebec, and hexagonal cities with a preponderance of immigrant populations. These contested sites of French collective identity offer a rich formulation of distinctly local, francophone identities that do not fit in with concepts of linguistic and ethnic exclusiveness, but are consistent with a pluralistic demographic shift and the true face of Frenchness that is, indeed, plural.
Author: NABIL. BOUDRAA
Publisher:
Published: 2020-01-15
Total Pages: 250
ISBN-13: 9781621965008
DOWNLOAD EBOOKThis study explains how Merzak Allouache broke away from Algerian state-run cinema to create an original style that makes him both unique and extremely interesting. This book provides context and analysis of his films.
Author: Lieve Spaas
Publisher: Manchester University Press
Published: 2000
Total Pages: 312
ISBN-13: 9780719058615
DOWNLOAD EBOOKCovering the rich film production of Belgium, Switzerland, Quebec, the Caribbean, North Africa, and Sub-Saharan Africa, this book brings together films that might otherwise be divided by questions of race, gender, genre, period, or nation, in a valuable comparative study of a diverse corpus. Individual countries, film-makers, and films are treated separately in order to emphasize their specific identities or those which are represented in their films, and key films are examined within a well-developed historical context. Clearly written and accessible to the specialist and general reader alike, this informative book is a valuable reference source.
Author: Helena Chadderton
Publisher: University of Wales Press
Published: 2017-11-08
Total Pages: 248
ISBN-13: 1786831198
DOWNLOAD EBOOKIn the face of the contested legacy of engagement in the Francophone context, this interdisciplinary collection demonstrates that French and Francophone writers, artists, intellectuals and film-makers are using their work to confront unforeseen and unprecedented challenges, campaigns and causes in a politically uncertain post-9/11 world. Composed of eleven essays and a contextualising introduction, this volume is interdisciplinary in its treatment of engagement in a variety of forms, as it reassesses the relationship between different types of cultural production and society as it is played out in the twenty-first century. With a focus on both the development of different cultural forms (Part 1) and on the particular crises that have attracted the attention of cultural practitioners (Part 2), this volume maps and analyses some of the ways in which cultural texts of all kinds are being used to respond to, engage with and challenge crises in the contemporary Francophone world.
Author: Hugo Frey
Publisher: Berghahn Books
Published: 2014-07-01
Total Pages: 250
ISBN-13: 1782383662
DOWNLOAD EBOOKIt is often taken for granted that French cinema is intimately connected to the nation’s sense of identity and self-confidence. But what do we really know about that relationship? What are the nuances, insider codes, and hidden history of the alignment between cinema and nationalism? Hugo Frey suggests that the concepts of the ‘political myth’ and ‘the film event’ are the essential theoretical reference points for unlocking film history. Nationalism and the Cinema in France offers new arguments regarding those connections in the French case, examining national elitism, neo-colonialism, and other exclusionary discourses, as well as discussing for the first time the subculture of cinema around the extreme right Front National. Key works from directors such as Michel Audiard, Jean-Luc Godard, Jean-Pierre Melville, Marcel Pagnol, Jean Renoir, Jacques Tati, François Truffaut, and others provide a rich body of evidence.
Author: Romain Chareyron
Publisher: Edinburgh University Press
Published: 2019-05-14
Total Pages: 264
ISBN-13: 1474449441
DOWNLOAD EBOOKYouth has been represented on screen for decades and has informed many directors' visual, narrative and social perspectives, but there has not been a body of work addressing the richness and complexity of this topic in a French and Francophone context. This volume offers new insights into the works of emerging and well-established directors alike, who all chose to place youth at the heart of their narrative and aesthetic concerns. Showing how the topic of 'youth' has inspired filmmakers to explore and reinvent common tropes associated with young people, the book also addresses how the representation of youth can be used to mirror the tensions - political, social, religious, economic or cultural - that agitate a society at a given time in its history.
