Francisco Tarrega (1852 - 1909) and Ferdinando Carulli (1770 - 1841) were two ofthe foundational classical guitar composers. Their works are studied and to this day performed by guitarists worldwide. This book presents 9 of the post popularTarrega guitar compositions and 11 of Carulli's most famous short pieces. Thesepieces were transcribed and adapted for the intermediate level guitar student. The book features large notes, carefully edited fingering and important historical and performance notes
This unique series features a collection of the most famous pieces from the classical guitar repertoire, and includes music scores, tablature and accompanying video. Great care has been taken to verify the fingerings of both hands in the material. Innovative tablature combines left-hand finger positions with rhythmic notation, allowing the reader to tackle very complex musical repertoire and polyphony. Therefore, this system provides an opportunity for anyone to learn pieces from these great composers, regardless of reading ability.Ferdinando Carulli was a prolific and influential composer for the classical guitar. He is not as well-known as Guiliani, Carcassi, Sor or Aguado, mainly because his most famous pieces are short studies for the guitar. However, Carulli composed over 300 pieces during his life, including duets and full-fledged compositions. Nonetheless, Carulli achieved his greatest success through his simple studies, which continue to provide beginners with an excellent approach to the classical guitar.
The premise of Kitharologus is that Guitar technique is made up of a limited number of procedures with an unlimited number of applications. Therefore, a sound technical methodology is not one that tries to cover all possible forms of a given procedure, but rather one that identifies and trains the essential mechanism which makes the procedure, in all its forms, possible. Covering all grades from novice to expert, this book is certain to be enthusiastically embraced by any classical guitarist wishing to maximize his technique.
Explains how to select a guitar, understand chords and melodies, how to read notes, explore different musical styles, and details how guitar music is written.
As guitar instruction increases in popularity in secondary schools, many band, choir, and orchestra teachers are asked to teach guitar. In one helpfully concise volume, Teaching Beginning Guitar Class: A Practical Guide provides all of the practical tools that are necessary to teach guitar in the classroom, especially for music instructors who are not guitar specialists. Formatted to follow the school year from summer planning to opening weeks of the fall semester to a week-to-week timeline for the full school year, Teaching Beginning Guitar Class encompasses all possible needs for a non-guitar playing music instructor navigating the world of guitar instruction in a classroom setting. In twelve expertly organized chapters, author and veteran guitar teacher Bill Swick gives hard and fast guides for instruction, providing reassurance alongside invaluable tips for novice guitar educators. This book addresses questions such as 'I Do Not Play Guitar, Why Do I have to Teach Guitar?'; 'What is the Classroom Lifespan of a Guitar?'; and 'New Students in January?' while also providing practical solutions including basic setup, how to select the correct method book, and equipment maintenance.
The guitar lessons of Julio Sagreras are among the most universally used collections of guitar music and represent a milestone in didactic guitar literature. This book, which includes the first three volumes of the original six-volume series, is an ideal introduction to classical guitar playing as well as to LatinAmerican guitar music. Text written in English and Spanish with French and German translations in an appendix at the back of the book
The Classical Guitar Companion is an anthology of guitar exercises, etudes, and pieces organized according to technique or musical texture. Expert author Christopher Berg, a veteran guitar instructor, bring together perspectives as an active performing artist and as a teacher who has trained hundreds of guitarists to encourages students to work based on their own strengths and weaknesses. The book opens with "Learning the Fingerboard", a large section devoted to establishing a thorough knowledge of the guitar fingerboard through a systematic and rigorous study of scales and fingerboard harmony, which will lead to ease and fluency in sight-reading and will reduce the time needed to learn a repertoire piece. The following sections "Scales and Scale Studies", "Repeated Notes", "Slurs", "Harmony", "Arpeggios", "Melody with Accompaniment", "Counterpoint" and "Florid or Virtuoso Studies" each contain text and examples that connect material to fingering practices of composers and practice strategies to open a path to interpretive freedom in performance. The Classical Guitar Companion will serve as a helpful companion for many years of guitar study.
Not a "method" in the traditional sense, this book explains what happens in the finest classical guitar playing and what in turn the student can do to mold his or her playing to that ideal.
It is my hope that this carefully selected set of pieces will offer guidance and clarity to both students and teachers of classical guitar. Now that music is available in such quantity and ease it is more important than ever to have a clear path laid out that will offer the possibility to explore the repertoire without putting up walls of frustration along the way.After working with several thousand guitarists online it has become clear that studying a piece of music that is too difficult can be one of the biggest impediments to learning and also the joy of music making. More often than not, students who experience struggle will put themselves at fault. However, I believe that a curated selection of music that is arranged in a progressive manner can avert frustration, foster steady progress, and make for a joyful learning experience.At the heart of this collection is a desire to foster joy and a sense of accomplishment. It is that joy that most likely brought you to the classical guitar in the first place. Each piece has been chosen because of musical, technical, and pedagogical reasons. The collection as a whole makes up the repertoire component of the curriculum at Classical Guitar Corner Academy and has been worked on diligently by a dedicated community of guitarists around the world.This edition is in standard notation and contains 123 pages. There are 52 pieces in total. Each grade is clearly marked and each piece has a brief set of instruction to help with study and focus. Composers include: Fernando Sor, Francisco Tarrega, J.S. Bach, Napoleon Coste, Matteo Carcassi, Ferdinando Carulli, Agustin Barrios, Mauro Giuliani, Robert De Visee, Domenico Scarlatti, Gaspar Sanz and more.
Here in a single volume is the original guitar method of Mateo Carcassi (1792-1853) translated to ENGLISH and SPANISH and published with his famous "25 Studies". Although regarded as moderately archaic in terms of modern guitar technique, Carcassi's time- proven method is second to none in its presentation of a graded learning system featuring scales, exercises, and engaging compositions in various keys. Written in standard notation only.
