Bringing the skills of a literary historian to the subject, Brian Moloney considers the genesis of Saint Francis of Assisi's Canticle of Brother Sun to show how it works as a carefully composed work of art. The study examines the saint's life and times, the structure of the poem, the features of its style, and the range of its possible meanings.
Franciscans and the Elixir of Life makes new connections between alchemy, ritual life, apocalypticism, and the particular commitment of the Franciscan Order to the natural world.
Bringing the skills of a literary historian to the subject, Brian Moloney considers the genesis of Saint Francis of Assisi's Canticle of Brother Sun to show how it works as a carefully composed work of art. The study examines the saint's life and times, the structure of the poem, the features of its style, and the range of its possible meanings.
This timely book brings together the stories of St Francis - his preaching to birds, rejection of wealth, caring for lepers, befriending animals and living simply, his poetry and hymnody in praise of creation that is still sung today - and the influential writings and examples of inspiring Franciscans who have followed him such as Clare, Bonaventure, Duns Scotus and Angela of Foligno, and draws them into conversation with contemporary concerns for our planet. It gathers 800 years of accumulated wisdom and practical examples of how Franciscans have found ways to live at home and at peace with creation. It explores that long tradition and experience to ask what lessons can be drawn for today to challenge and enable readers to re-visit their own relationship with creation.
This timely book brings together the stories of St Francis – his preaching to birds, rejection of wealth, caring for lepers, befriending animals and living simply, his poetry and hymnody in praise of creation that is still sung today – and the influential writings and examples of inspiring Franciscans who have followed him such as Clare, Bonaventure, Duns Scotus and Angela of Foligno, and draws them into conversation with contemporary concerns for our planet. It gathers 800 years of accumulated wisdom and practical examples of how Franciscans have found ways to live at home and at peace with creation. It explores that long tradition and experience to ask what lessons can be drawn for today to challenge and enable readers to re-visit their own relationship with creation.
The Italian Renaissance was a period of intense cultural transformations when the ancient world was being rediscovered and a New World had been literally discovered. Between the thirteenth and the seventeenth centuries, traditional beliefs were being challenged as people across the Italian Peninsula explored new ways of thinking about religion, politics, and society and introduced startling innovations in the arts. This book contains more than hundred selections of primary sources—the historian’s raw material in the form of memoirs, letters, treatises, sermons, stories, poems, drawings, paintings, and sculpture. Here are eyewitness accounts of cold-blooded murders, lavish court pageants, the Sack of Rome, and the Black Death; first views of Michelangelo’s Sistine frescoes and glimpses of the surface of the moon through Galileo’s telescope. These sources bring the reader into direct contact with the creators of the great Renaissance works of art, literature, philosophy, and science, as well as lesser-known people, who in their own words express emotions of love, loss, and spiritual yearning. Selected to accompany and supplement A Short History of Renaissance Italy, the primary sources in this book make it an ideal course reader for students of history or art history. Yet this volume can be equally read well on its own; each selection is clearly introduced, annotated, and provided with references for further reading. These sources reach out to an audience beyond the classroom—the general reader, or the traveler to Italy—anyone curious to learn more about the Italian Renaissance will find themselves swept into conversation with these vibrant voices from the past.
Franciscan spirituality, with its characteristic simplicity, joy, openness and welcome to all, compassionate action and love for creation - all undergirded by prayer and study, offers as compelling a vision for today’s world as when Francis of Assisi first responded to God’s call over 800 years ago. For all seeking inspiration for living the Franciscan charism today, this lively and informed guide introduces its key figures and essential writings. The author, an Anglican Franciscan friar and theologian, draws out the movement’s core teachings from its founding figures and its earliest texts: · Francis and the essence of prayer and reconciliation with all created things; · Clare of Assisi and contemplative practice; · Giles of Assisi, solitude, storytelling and spiritual direction; · Bonaventure, study and spiritual wisdom · Angela of Foligno and mystical experience; · Jacapone da Todi and praise in poetry and song. Intended as an introduction to living the Franciscan charism today, this also includes a reader’s guide with questions for personal or group discussion.
This is an imaginative exploration of the art of David Jones which addresses Christian teaching through engagement with selected artistic works: a poem, a painted inscription and a wood engraving. Elizabeth R. Powell's study does not just enable readers to understand Jones but also to use his kind of loving attention in their own lives – which, Jones would argue, is theology's most important task. Through close readings of material objects, Powell draws the reader into the participatory, performative and dialogical possibilities of the craft of theology. She frames an older style of theology in a distinctive and modern way, as a graced human practice and a place of transforming relation with the divine. Powell argues that Jones's art works offer places of beauty in which to 'become beauty' along the way. Located at the cross-section of theology, literature and the arts, this volume shows that being interdisciplinary is nothing less than finding ways for theology and humanity to be more richly itself.
For generations, early Franciscan thought has been widely regarded as unoriginal: a mere attempt to systematize the longstanding intellectual tradition of Augustine in the face of the rising popularity of Aristotle. This volume brings together leading scholars in the field to undertake a major study of the sources and context of the so-called Summa Halensis (1236-45), which was collaboratively authored by the founding members of the Franciscan school at Paris, above all, Alexander of Hales, and John of La Rochelle, in an effort to lay down the Franciscan intellectual tradition or the first time. The contributions will highlight that this tradition, far from unoriginal, laid the groundwork for later Franciscan thought, which is often regarded as formative for modern thought. Furthermore, the volume shows the role this Summa played in the development of the burgeoning field of systematic theology, which has its origins in the young university of Paris. This is a crucial and groundbreaking study for those with interests in the history of western thought and theology specifically.
