This collection of pithy, brilliantly acerbic pieces is a companion to Sixty Stories, Barthelme's earlier retrospective volume. Barthelme spotlights the idiosyncratic, haughty, sometimes downright ludicrous behavior of human beings, but it is style rather than content which takes precedence.
Maurits Cornelis Escher (Leeuwarden, June 17, 1898--March 27, 1972 in Laren) was a Dutch mathematical artist known for his woodcuts, lithographs and mezzotints which feature impossible constructions, explorations of infinity, and tessellations. This book has numerous examples of how his extraordinary pictures of logic fool the brain into believing the impossible--water can run uphill and steps that go upwards.
"Seventeen-year-old Abby Craig died last year. But after breaking through the ice on a frozen mountain lake and having no vital signs for nearly an hour, she somehow came back to life. But she work into a world she barely recognizes. And just when she thinks it can't get any worse, the visions begin. In them, she seems a faceless serial killer roaming the streets. It's up to her to stop him. But to do so, she'll have to confront more than just the killer. She'll have to face something else that was lost in those dark waters. The truth."--Page 4 of cover.
Winner of the 1999 Scott O’Dell Award for Historical Fiction A CBC Notable Children’s Book in the Field of Social Studies Two recently freed, formerly enslaved brothers work to protect the new life they’ve built during the Reconstruction after the Civil War in this vibrant, illustrated middle grade novel. Maybe nobody gave freedom, and nobody could take it away like they could take away a family farm. Maybe freedom was something you claimed for yourself. Like other ex-slaves, Pascal and his older brother Gideon have been promised forty acres and maybe a mule. With the found family they have built along the way, they claim a place of their own. Green Gloryland is the most wonderful place on earth, their own farm with a healthy cotton crop and plenty to eat. But the notorious night riders have plans to take it away, threatening to tear the beautiful freedom that the two boys are enjoying for the first time in their young lives.
At once funny, wistful and unsettling, Sum is a dazzling exploration of unexpected afterlives—each presented as a vignette that offers a stunning lens through which to see ourselves in the here and now. In one afterlife, you may find that God is the size of a microbe and unaware of your existence. In another version, you work as a background character in other people’s dreams. Or you may find that God is a married couple, or that the universe is running backward, or that you are forced to live out your afterlife with annoying versions of who you could have been. With a probing imagination and deep understanding of the human condition, acclaimed neuroscientist David Eagleman offers wonderfully imagined tales that shine a brilliant light on the here and now.
New York Times bestselling author Jana DeLeon brings a humorous, paranormal women’s fiction tale. For many, midlife is only the beginning. It was a day like any other day for Marina Trahan…until she caught her husband in bed with another woman. Before that eye-opening wake-up call, Marina would have described her life as average or uneventful, maybe even boring. But now, chaos and confusion reign supreme. She’d expected to slide through midlife with her unwanted extra pounds, chin hair, and hot flashes and move somewhat gracefully into elastic waist pants and having no verbal filter. But with a wayward husband, a high-maintenance daughter, a lackluster career, and a crazy mother all weighing her down, Marina is ready to wave the white flag of surrender. Then an intriguing stranger named Alexios shows up out of nowhere and insists she is descended from a goddess and is the only person who can save the world from certain destruction. She has roughly a week to do it. Solving a centuries-old mystery seems like a more interesting proposition than the other situations Marina is facing, so she accepts his challenge. But her search for a magical item of power reveals far more about Marina than she ever knew. Maybe enough to save the world. And even herself.
“Family secrets and a transportive Italian setting keep the reader thoroughly immersed, making for a satisfying story of one woman’s coming-of-age.” —Publishers Weekly Nestled into the cliffs in southern Italy’s Amalfi coast, Positano is an artist’s vision, with rows of brightly hued houses perched above the sea and picturesque staircases meandering up and down the hillside. Santina, still a striking woman despite old age and the illness that saps her last strength, is spending her final days at her home, Villa San Vito. The magnificent eighteenth-century palazzo is very different from the tiny house in which she grew up. And as she decides its fate, she must confront the choices that led her here so long ago . . . In 1949, Positano is as yet undiscovered by tourists, a beautiful, secluded village shaking off the dust of war. Hoping to escape poverty, young Santina takes domestic work in London, ultimately becoming a housekeeper to a distinguished British major and his creative, impulsive wife, Adeline. When they move to Positano, Santina returns with them, raising their daughter as Adeline’s mental health declines. With each passing year, Santina becomes more deeply enmeshed within the family, trying to navigate her complicated feelings for a man who is much more than an employer—while hiding secrets that could shatter the only home she knows . . . “Pick up this book to be swept away like a frothy Mediterranean wave, with its melodic writing style that’s richly filled with beautiful imagery in a setting so sunny and beautiful you will be transported!” —Beachcombing Magazine
A collection of confessional, hilarious, heartbreaking notes written anonymously on a public typewriter for fans of PostSecret and Other People's Love Letters. When Michael Gustafson and his wife Hilary opened Literati Bookstore in Ann Arbor, Michigan, they put out a typewriter for anyone to use. They had no idea what to expect. Would people ask metaphysical questions? Write mean things? Pour their souls onto the page? Yes, no, and did they ever. Every day, people of all ages sit down at the public typewriter. Children perch atop grandparents' knees, both sets of hands hovering above the metal keys: I LOVE YOU. Others walk in alone on Friday nights and confess their hopes: I will find someone someday. And some leave funny asides for the next person who sits down: I dislike people, misanthropes, irony, and ellipses ... and lists too. In Notes From the Public Typewriter Michael and designer Oliver Uberti have combined their favorite notes with essays and photos to create an ode to community and the written word that will surprise, delight, and inspire.