The Work Examines Adoption Of Handicrafts As An Occupation By Artisan Women Of Kashmir To Contribute Significantly To Their Families And The Society In Spite Of Problems Of Earning Livelihood In A Patriarchal Society. Based On Empirical Data, It Deals With Their Socio-Economic Background, The Way They Cope With Their Duties At Home And Those Of Their Profession, And Their Aspirations And Rights.
On a dark road in South Carolina, a New Jersey housewife's minivan hits a patch of sand and crashes into a tree, leaving her unconscious. When she awakens, she is surrounded by strangers thousands of miles away. Yet, she is a stranger, even to herself. Her memory is gone, and the man who claims to be her father, a famous physician, tells her she is his beloved daughter, Susan Kline. Recovering in the Beverly Hills mansion, Susan tries to trigger a memory or recognition of the people caring for her. Only to be left with the haunting feeling that she is not whom they say she is. Scars prove she may have a family but forges a life with the man who claims to be her father. Her path is chosen, her memories gone. Will the past dictate her future?
What role does race, geography, religion, orthography and nationalism play in the crafting of identities? What are the origins of Singlish? This book offers a thorough investigation of old and new identities in Asia's most global city, examined through the lens of language.
In August 1942, French parents were faced with a horrible choice: watch their children die, or abandon them forever. Fifty years later, it becomes one woman’s mission to match the abandoned names with the people they belong to. Five years after the highly publicized trial of Klaus Barbie, the “Butcher of Lyon,” law student Valérie Portheret began her doctoral research into the 108 children who disappeared from Vénissieux fifty years earlier, children who somehow managed to escape deportation and certain death in the German concentration camps. She soon discovers that their rescue was no unexplainable miracle. It was the result of a coordinated effort by clergy, civilians, the French Resistance, and members of other humanitarian organizations who risked their lives as part of a committee dedicated to saving those most vulnerable innocents. Theirs was a heroic act without precedent in Nazi-occupied Europe, made possible due to a loophole in the Nazi agenda to deport all Jewish immigrants from the country: a legally recognized exemption for unaccompanied minors. Therefore, to save their children, the Jewish mothers of Vénissieux were asked to make the ultimate sacrifice of abandoning them forever. Told in dual timelines, The Forgotten Names is a reimagined account of the true stories of the French men and women who have since been named Righteous Among the Nations, the children they rescued, the stifled cries of shattered mothers, and a law student, whose twenty-five-year journey allowed those children to reclaim their heritage and remember their forgotten names. World War II historical fiction inspired by true events Includes discussion questions for book clubs, a historical timeline, and notes from the author Book length: 70,000 words Also by author: Auschwitz Lullaby, Children of the Stars, Remember Me, The Librarian of Saint-Malo, The Teacher of Warsaw, The Swiss Nurse
In an age where the world is perpetually captivated by the ceaseless march of technological marvels, there remains an enduring enchantment with the fairy tales of old. These ageless narratives, brimming with stories of love, heroism, and profound lessons, have traversed centuries, resonating deeply within the souls of both the young and the seasoned. The inception of "AI Fairytales for the Curious Mind - Stories of Innovation, Invention, and the Future of Humanity" emerges from an insatiable curiosity: a desire to weave the ageless wisdom and magnetic allure of these tales with the expansive horizons of tomorrow. It is an audacious endeavour, spotlighting our cherished narratives from the past and transposing them into the electrifying and occasionally uncharted realms of a future moulded by artificial intelligence. This compendium strives to breathe new life into the heart of classic fairy tales, relocating them to a sphere where AI isn't just a fleeting concept but an intrinsic thread in the tapestry of daily existence. Through these stories, my ambition has been to explore the multifaceted relationship between humanity and artificial intelligence deeply. I have endeavoured to paint a world where this coexistence's challenges, triumphs, and philosophical dilemmas come to the fore. Every tale within these pages propels readers into a future where the known lands of tradition intersect with the unknown, where age-old parables and lessons converge and often conflict with the vast potentialities and predicaments of groundbreaking technological advancements. Penning "AI Fairytales For the Curious Mind" has been a journey. It is a bridge that arches gracefully over the past's nostalgic rivers, leading to the towering skyscrapers of an imagined tomorrow. This collection encapsulates a dream, a vision, and, most importantly, a conversation between epochs. As you immerse yourself in these tales, may they evoke the enchantment of ancient fables while simultaneously stirring contemplation about humanity's evolving narrative in this exhilarating era of machines and digital wonders.
While currently identitarian ideologies and essentialist notions of identity that tend to simplify and reduce life experience to simple factors are globally regaining massive attention, it becomes inevitable to recollect the thorough discussions of identity concepts of the past three decades. It also calls for an ever keener awareness of and capacity to deal with the complexity and diversity of the world we live in. Artists play a major role in the potential reflection and transformation of perceptions and conceptions of the world – musicians, dancers, choreographers, spoken word artists, performance artists, actors, also fine art, installation, media artists or photographers alike. “Performing critical identity” points to performative practices of artists that bring to the fore a critical (self-)awareness and (self-)positioning concerning identification and belonging. Social identities such as gender, sexuality, race, class, dis/ability, age or non/religiosity are closely linked to the historical, social, regional and political dimensions of their formation. From this perspective, identities are hardly one-dimensional but complex and intersectional, and are rather to be thought of as a process of identification and belonging than as a consistent essence. As different, maybe contradictory among themselves, as they are, the performative works of artists such as Lerato Shadi, Liad Hussein Kantorowicz, Nora Chipaumire, Shu Lea Cheang, Zanele Muholi, Ohno Kazuo, Anohni Hegarty, Neo Hülcker, “We’re Muslim. Don’t Panic” or of theatre collectives such as RambaZamba and Thikwa Theater in Berlin or Theater Hora in Zurich, to name but a very small quite random selection of artists, share a critical approach towards hegemonic norms or stereotyping of identities and their representations, and empower diversity. This edition puts a specific focus on the performativity of the aesthetic practices, and wants to explore different artistic approaches, strategies, tactics and perspectives of artists when they address identity issues, when they target power relations and structures of oppression and inequality, when they empower concepts of diversity. This Call for Papers invites academic as well as artistic contributions that delve into case studies of artists performing critical identity or into more general theoretical reflections on the subject. Contributions can relate to, but are not limited to following topics: - intersectionality - subversion - (self-)empowerment - resistance - subalternity - exploitation - manipulation - (anti-)feminism - appropriation - cultural globalisation - transculturality - hybrid identities - collectives - body - stage - audience - de-/construction of the difference of aesthetic genres and of high/popular culture - capitalism - colonialism - (re-)production of exclusion Dr. Marie-Anne Kohl Editor
The collection of chapters in this book brings together researchers working in paradoxes and complexities of cultural identities through uses of language and literature from varied perspectives. This volume is an important step towards achieving the goal of reaching out to many who have been looking at the complexities of identity formation from linguistic, cultural, social and political perspectives. Please note: This title is co-published with Aakar Books, New Delhi. Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh, Maldives and Sri Lanka.
The Western tradition, with its well-worn tropes, readily identifiable characters, iconic landscapes, and evocative soundtracks, is not limited to the United States. Western, or Western-inspired films have played a part in the output of numerous national film traditions, including Asia, Central and Eastern Europe, and Latin America. In International Westerns: Re-Locating the Frontier, Cynthia J. Miller and A. Bowdoin Van Riper have assembled a collection of essays that explore the significance and meanings of these films, their roots in other media, and their reception in the national industries which gave them form. Among the questions that the volume seeks to answer are: What do Westerns not made in the U.S. reveal? In what ways do they challenge or support the idea of national literatures and cinemas? How do these films negotiate nation, narrative, and genre? Divided into five sections, the twenty essays in this volume look at films from a wide range of national cinemas, such as France (The Adventures of Lucky Luke), Germany (Der Schuh des Maitu), Brazil (O Cangaceiro), Eastern Europe (Lemonade Joe), and of course, Asia (Sukiyaki Western Django). Featuring contributions from a diverse group of international scholars—often writing about Westerns adapted to their own national traditions—these essays address such matters as competing national film traditions, various forms of satire and comedy based on the Western tradition, the range of cultural adaptations of the traditional Western hero, the ties between the nation-state and the outlaw, and Westerns in a variety of unanticipated guises. Representing a broader look at global Westerns than any other single volume to date—and featuring more than 70 illustrations—International Westerns will be of interest to scholars of film, popular culture, and cultural history.
The relationship between culture and urbanism has been the focus of much discussion and debate in recent years. While globalisation tends towards a homogeneity, successful 'global cities' have a strong individual - and particularly cultural - identity. The economic value of the culture of cities lies not only in the arts taking place there but also in the city’s fabric, its architecture, and in its cultural heritage. This volume brings together a team of leading specialists to examine the policies of image and city marketing which have developed over the past 15 years and whether these are a continuity of earlier strategies. Featuring case studies which illustrate diverse perspectives on linking culture, urbanism and history, the book reviews heritage and planning culture, looking at the experience of urbanism in the 'Old Historic City'. The book also assesses the increasingly important issue of urban images and their influence on planning strategies.
This timely study examines the Indian-Pakistani conflict over Kashmir as this long-standing confrontation between regional rivals became inflamed. It focuses on the period from the effective nuclearization of the dispute in 1998 to the introduction of U.S. troops into the region in connection with the war in Afghanistan. Four chapters take on key problems illustrated by this case: Regional rivalry, Intervention, Religious conflicts, Conflict resolution. The author is an advocate of international intervention in regional conflicts and does not think that leaving the contesting parties to settle their dispute (a sort of benign neglect) is a responsible U.S. policy.
