From the bestselling author of Agent Zigzag and Double Cross the true story of Friedrich Nietzsche's bigoted, imperious sister who founded a 'racially pure' colony in Paraguay together with a band of blond-haired fellow Germans.
“A fascinating, provocative, and highly eccentric volume” (The New York Times) exploring the true story of Elisabeth Nietzsche’s maniacal attempt to found a utopian colony in the jungles of Paraguay in the late nineteenth century—from the bestselling author of Prisoners of the Castle. In 1886, Elisabeth Nietzsche, the bigoted, imperious sister of the famous philosopher, founded a “racially pure” colony in Paraguay with her husband, anti-Semitic agitator Bernhard Förster, and a band of fair-skinned fellow Germans. More than a century later, Ben Macintyre tracked down the survivors of Nueva Germania to discover the remains of this bizarre colony, and found a strange, tight-lipped people, still interbreeding to the point of genetic deterioration. Digging into recently opened German archives, Macintyre unfolds how Elisabeth, who returned to Germany in 1893, grafted her anti-Semitic, nationalist ideas onto her brother’s philosophy, building a mythic cult around him, and how she later became a mentor to Hitler—her stately funeral in 1935 attended by a tearful Führer. Laced with mordant irony, Macintyre’s brilliant piece of investigative journalism explores how the Nazis perverted Friedrich Nietzsche’s ideas to justify their evil deeds, and unearths a rich and disturbing vein of the twentieth century’s dark history.
“A fascinating, provocative, and highly eccentric volume” (The New York Times) exploring the true story of Elisabeth Nietzsche’s maniacal attempt to found a utopian colony in the jungles of Paraguay in the late nineteenth century—from the bestselling author of Prisoners of the Castle. In 1886, Elisabeth Nietzsche, the bigoted, imperious sister of the famous philosopher, founded a “racially pure” colony in Paraguay with her husband, anti-Semitic agitator Bernhard Förster, and a band of fair-skinned fellow Germans. More than a century later, Ben Macintyre tracked down the survivors of Nueva Germania to discover the remains of this bizarre colony, and found a strange, tight-lipped people, still interbreeding to the point of genetic deterioration. Digging into recently opened German archives, Macintyre unfolds how Elisabeth, who returned to Germany in 1893, grafted her anti-Semitic, nationalist ideas onto her brother’s philosophy, building a mythic cult around him, and how she later became a mentor to Hitler—her stately funeral in 1935 attended by a tearful Führer. Laced with mordant irony, Macintyre’s brilliant piece of investigative journalism explores how the Nazis perverted Friedrich Nietzsche’s ideas to justify their evil deeds, and unearths a rich and disturbing vein of the twentieth century’s dark history.
Bad Faith tells the story of one of history's most despicable villains and conmen - Louis Darquier, Nazi collaborator and 'Commissioner for Jewish Affairs', who dissembled his way to power in the Vichy government and was responsible for sending thousands of children to the gas chambers. After the war he left France, never to be brought to justice. Early on in his career Louis married the alcoholic Myrtle Jones from Tasmania, equally practised in the arts of fantasy and deception, and together they had a child, Anne whom they abandoned in England. Her tragic story is woven through the narrative. In Carmen Callil's masterful, elegiac and sometimes darkly comic account, Darquier's rise during the years leading up to the Second World War mirrors the rise of French anti-Semitism. Epic, haunting, the product of extraordinary research, this is a study in powerlessness, hatred and the role of remembrance. Shortlisted for the Samuel Johnson Prize.
In My Father’s Books, the first volume in Luan Starova’s multivolume Balkan Saga, he explores themes of history, displacement, and identity under three turbulent regimes—Ottoman, Fascist, and Stalinist—in the twentieth century. Weaving a story from the threads of his parents’ lives from 1926 to 1976, he offers a child’s-eye view of personal relationships in shifting political landscapes and an elegiac reminder of the enduring power of books to sustain a literate culture. Through lyrical waves of memory, Starova reveals his family’s overlapping religious, linguistic, national, and cultural histories. His father left Constantinople as the Ottoman Empire collapsed, and the young family fled from Albania to Yugoslav Macedonia when Luan was a boy. His parents, cosmopolitan and well-traveled in their youth, and steeped in the cultures of both Orient and Occident, find themselves raising their children in yet another stagnant and repressive state. Against this backdrop, Starova remembers the protected spaces of his childhood—his mother’s walled garden, his father’s library, the cupboard holding the rarest and most precious of his father’s books. Preserving a lost heritage, these books also open up a world that seems wide, deep, and boundless.
The acclaimed second collection of poetry by Patricia Lockwood, Booker Prize finalist author of the novel No One Is Talking About This and the memoir Priestdaddy SELECTED AS A BEST BOOK OF THE YEAR: The New York Times * The Boston Globe * Powell’s * The Strand * Barnes & Noble * BuzzFeed * Flavorwire “A formidably gifted writer who can do pretty much anything she pleases.” – The New York Times Book Review Colloquial and incantatory, the poems in Patricia Lockwood’s second collection address the most urgent questions of our time, like: Is America going down on Canada? What happens when Niagara Falls gets drunk at a wedding? Is it legal to marry a stuffed owl exhibit? Why isn’t anyone named Gary anymore? Did the Hatfield and McCoy babies ever fall in love? The steep tilt of Lockwood’s lines sends the reader snowballing downhill, accumulating pieces of the scenery with every turn. The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.
Jussi Jalonen’s On Behalf of the Emperor, On Behalf of the Fatherland approaches the Russian suppression of the Polish Uprising in 1830-1831 from a new transnational perspective. The Russian mobilization involved people from the farthest reaches of the Empire, and one notable group was the Finnish Battalion of the Imperial Guard. For the Finnish elites, the war was a demonstration of loyalty to the Tsar, and the service of young Finnish gentlemen in the Russian Guards produced a sense of militarized patriotism. Relying on a rich variety of original sources, this study places the campaign in Poland in the context of the development of Finnish national awareness, providing a unique portrayal of 19th century war experience and nationalism.
ONE OF THE NEW YORK TIMES BOOK REVIEW'S 10 BEST BOOKS OF THE YEAR NAMED ONE OF THE 50 BEST MEMOIRS OF THE PAST 50 YEARS BY THE NEW YORK TIMES SELECTED AS A BEST BOOK OF THE YEAR BY: The Washington Post * Elle * NPR * New York Magazine * Boston Globe * Nylon * Slate * The Cut * The New Yorker * Chicago Tribune WINNER OF THE THURBER PRIZE FOR AMERICAN HUMOR “Affectionate and very funny . . . wonderfully grounded and authentic. This book proves Lockwood to be a formidably gifted writer who can do pretty much anything she pleases.” – The New York Times Book Review From Booker Prize finalist Patricia Lockwood, author of the novel No One Is Talking About This, a vivid, heartbreakingly funny memoir about balancing identity with family and tradition. Father Greg Lockwood is unlike any Catholic priest you have ever met—a man who lounges in boxer shorts, loves action movies, and whose constant jamming on the guitar reverberates “like a whole band dying in a plane crash in 1972.” His daughter is an irreverent poet who long ago left the Church’s country. When an unexpected crisis leads her and her husband to move back into her parents’ rectory, their two worlds collide. In Priestdaddy, Lockwood interweaves emblematic moments from her childhood and adolescence—from an ill-fated family hunting trip and an abortion clinic sit-in where her father was arrested to her involvement in a cultlike Catholic youth group—with scenes that chronicle the eight-month adventure she and her husband had in her parents’ household after a decade of living on their own. Lockwood details her education of a seminarian who is also living at the rectory, tries to explain Catholicism to her husband, who is mystified by its bloodthirstiness and arcane laws, and encounters a mysterious substance on a hotel bed with her mother. Lockwood pivots from the raunchy to the sublime, from the comic to the deeply serious, exploring issues of belief, belonging, and personhood. Priestdaddy is an entertaining, unforgettable portrait of a deeply odd religious upbringing, and how one balances a hard-won identity with the weight of family and tradition.
In this provocative, bitingly funny debut collection, people attempt to use technology to escape their uncontrollable feelings of grief or rage or despair, only to reveal their most flawed and human selves An architect draws questionable inspiration from her daughter’s birth defect. A content moderator for “the world’s biggest search engine,” who spends her days culling videos of beheadings and suicides, turns from stalking her rapist online to following him in real life. At a camp for recovering internet trolls, a sensitive misfit goes missing. A wounded mother raises the second incarnation of her child. In You Will Never Be Forgotten, Mary South explores how technology can both collapse our relationships from within and provide opportunities for genuine connection. Formally inventive, darkly absurdist, savagely critical of the increasingly fraught cultural climates we inhabit, these ten stories also find hope in fleeting interactions and moments of tenderness. They reveal our grotesque selfishness and our intense need for love and acceptance, and the psychic pain that either shuts us off or allows us to discover our deepest reaches of empathy. This incendiary debut marks the arrival of a perceptive, idiosyncratic, instantly recognizable voice in fiction—one that could only belong to Mary South.