Folklife and Museums

Folklife and Museums

Author: C. Kurt Dewhurst

Publisher: Rowman & Littlefield

Published: 2016-12-15

Total Pages: 479

ISBN-13: 1442272937

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This cutting-edge new book is the replacement for Folklife and Museums: Selected Readings which was published nearly thirty years ago in 1987. The editors of that volume, Patricia Hall and Charlie Seemann, are now joined by C. Kurt Dewhurst as a third editor, for this book which includes updates to the still-relevant and classic essays and articles from the earlier text and features new pioneering pieces by some of today’s most outstanding scholars and practitioners, to provide a more current overview of the field and addressing contemporary issues. Folklife and Museums: Twenty-First Century Perspectives is a brand new collection of cutting-edge essays that combine theoretical insights, practical applications, topical case studies (focusing on particular subject matter areas and specific cultural groups), accompanied by up-to-date “resources” and “suggested readings” sections. Each essay is preceded by an explanatory headnote contextualizing the essay and includes illustrative photographs.


Spirit of Folk Art

Spirit of Folk Art

Author: Henry Glassie

Publisher: Harry N. Abrams

Published: 1995-02-01

Total Pages: 276

ISBN-13: 9780810924383

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A truly international treatment of its subject, The Spirit of Folk Art draws upon the vast resources of the Girard Collection, amassed by Alexander and Susan Girard and housed at the Museum of International Folk Art in Santa Fe. Distinguished folklorist and scholar Henry Glassie offers a vigorous and often lyrical discussion of the nature of folk art. More than 345 illustrations, including 285 in full color and 50 field photographs showing the various artists at work, provide a rich complement to Glassie's insights.


Destination Culture

Destination Culture

Author: Barbara Kirshenblatt-Gimblett

Publisher: Univ of California Press

Published: 1998-09-05

Total Pages: 352

ISBN-13: 9780520209664

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With the question, "What does it mean to show?", the author explores the agency of display in museums and tourist attractions. She looks at how objects are made to perform their meaning by being collected and how techniques of display, not just the things shown, convey a powerful message.


Cultural History and Material Culture

Cultural History and Material Culture

Author: Thomas J. Schlereth

Publisher: University of Virginia Press

Published: 1992

Total Pages: 440

ISBN-13: 9780813913964

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This profusely illustrated collection of essays, winner of the Elsie Clews Parsons Prize as the best folklore book of 1990, should engage anyone with an interest in how the humble devices and relics of everyday American life have influenced, and will continue to influence, our cultural history.


Folklore and Folklife

Folklore and Folklife

Author: Richard M. Dorson

Publisher: University of Chicago Press

Published: 1972

Total Pages: 574

ISBN-13: 0226158713

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Describes the characteristics of folk cultures and discusses the procedures used by social scientists to study folklife.


Ethnomimesis

Ethnomimesis

Author: Robert S. Cantwell

Publisher: Univ of North Carolina Press

Published: 2000-11-09

Total Pages: 346

ISBN-13: 0807860697

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Wide-ranging and provocative, this book will fascinate all those intrigued by how we create and perpetuate our representations of folklife and culture. Ethnomimesis is Robert Cantwell's word for the process by which we take cultural influences, traditions, and practices to ourselves and then manifest them to others. Ethnomimesis is an element of ordinary social communication, but springing out of it, too, is that extraordinary summoning up that produces our literature, our art, and our music. In the broadest sense, ethnomimesis is the representation of culture. Using such diverse cultural artifacts as King Lear and an eighteenth-century English manor garden to deepen our understanding of ethnomimesis, Cantwell then explores at length the representation of culture in our national museum, the Smithsonian, focusing especially on the Festival of American Folklife. Like many other such exhibitions, the Festival enacts presentations of culture across the boundaries of rank and class, race and ethnicity, gender and the life cycle. Like the concept of 'folklife' itself, Cantwell argues, the Festival stands where ethnomimesis finds its creative source, at the cultural frontier between self and other. That boundary, and the energy that accumulates there, runs through the many, varied 'exhibits' of this book.


Pussy Hats, Politics, and Public Protest

Pussy Hats, Politics, and Public Protest

Author: Rachelle Hope Saltzman

Publisher: Univ. Press of Mississippi

Published: 2020-10-21

Total Pages: 250

ISBN-13: 1496831586

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Co-winner of the 2021 Elli Köngäs-Maranda Prize awarded by the Women's Section of the American Folklore Society Contributions by Susan Eleuterio, Andrea Glass, Rachelle Hope Saltzman, Jack Santino, Patricia E. Sawin, and Adam Zolkover The 2016 US presidential campaign and its aftermath provoked an array of protests notable for their use of humor, puns, memes, and graphic language. During the campaign, a video surfaced of then-candidate Donald Trump’s lewd use of the word “pussy”; in response, many women have made the issue and the term central to the public debate about women’s bodies and their political, social, and economic rights. Focusing on the women-centered aspects of the protests that started with the 2017 Women’s March, Pussy Hats, Politics, and Public Protest deals with the very public nature of that surprising, grassroots spectacle and explores the relationship between the personal and the political in the protests. Contributors to this edited collection use a folkloristic lens to engage with the signs, memes, handmade pussy hats, and other items of material culture that proliferated during the march and in subsequent public protests. Contributors explore how this march and others throughout history have employed the social critique functions and features of carnival to stage public protests; how different generations interacted and acted in the march; how perspectives on inclusion and citizenship influenced and motivated participation; how women-owned businesses and their dedicated patrons interacted with the election, the march, and subsequent protests; how popular belief affects actions and reactions, regardless of some objective notion of truth; and how traditionally female crafts and gifting behavior strengthened and united those involved in the march.


Curatorial Conversations

Curatorial Conversations

Author: Olivia Cadaval

Publisher: Univ. Press of Mississippi

Published: 2016-05-05

Total Pages: 538

ISBN-13: 1496805992

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Since its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Festival curators play a major role in interpreting the Festival's principles and shaping its practices. Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival's curatorial staff—past and present—in examining the Center for Folklife and Cultural Heritage’s representation practices and their critical implications for issues of intangible cultural heritage policy, competing globalisms, cultural tourism, sustainable development and environment, and cultural pluralism and identity. In the volume, edited by the staff curators Olivia Cadaval, Sojin Kim, and Diana Baird N’Diaye, contributors examine how Festival principles, philosophical underpinnings, and claims have evolved, and address broader debates on cultural representation from their own experience. This book represents the first concerted project by Smithsonian staff curators to examine systematically the Festival’s institutional values as they have evolved over time and to address broader debates on cultural representation based on their own experiences at the Festival.