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Author: Art Rosenbaum
Publisher: University of Georgia Press
Published: 2013-10-01
Total Pages: 261
ISBN-13: 0820346136
DOWNLOAD EBOOKSampling virtually all of the old-time styles within the musical traditions still extant in north Georgia, Folk Visions and Voices is a collection of eighty-two songs and instrumentals, enhanced by photographs, illustrations, biographical sketches of performers, and examples of their narratives, sermons, tales, and reminiscences.
Author: Art Rosenbaum
Publisher: University of Georgia Press
Published: 2013-10-01
Total Pages: 256
ISBN-13: 0820346497
DOWNLOAD EBOOKSampling virtually all of the old-time styles within the musical traditions still extant in north Georgia, Folk Visions and Voices is a collection of eighty-two songs and instrumentals, enhanced by photographs, illustrations, biographical sketches of performers, and examples of their narratives, sermons, tales, and reminiscences.
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Publisher: University of Georgia Press
Published: 1992-03-01
Total Pages: 325
ISBN-13: 0820323896
DOWNLOAD EBOOKA valuable collection of folk music and lore from the Gullah culture, Slave Songs of the Georgia Sea Islands preserves the rich traditions of slave descendants on the barrier islands of Georgia by interweaving their music with descriptions of their language, religious and social customs, and material culture. Collected over a period of nearly twenty-five years by Lydia Parrish, the sixty folk songs and attendant lore included in this book are evidence of antebellum traditions kept alive in the relatively isolated coastal regions of Georgia. Over the years, Parrish won the confidence of many of the African-American singers, not only collecting their songs but also discovering other elements of traditional culture that formed the context of those songs. When it was first published in 1942, Slave Songs of the Georgia Sea Islands contained much material that had not previously appeared in print. The songs are grouped in categories, including African survival songs; shout songs; ring-play, dance, and fiddle songs; and religious and work songs. In additions to the lyrics and melodies, Slave Songs includes Lydia Parrish's explanatory notes, character sketches of her informants, anecdotes, and a striking portfolio of photographs. Reproduced in its original oversized format, Slave Songs of the Georgia Sea Islands will inform and delight students and scholars of African-American culture and folklore as well as folk music enthusiasts.
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Publisher:
Published:
Total Pages: 210
ISBN-13:
DOWNLOAD EBOOKAuthor: Bruce Jackson
Publisher: University of Georgia Press
Published: 1999
Total Pages: 388
ISBN-13: 9780820321585
DOWNLOAD EBOOKMaking it in Hell, says Bruce Jackson, is the spirit behind the sixty-five work songs gathered in this eloquent dispatch from a brutal era of prison life in the Deep South. Through engagingly documented song arrangements and profiles of their singers, Jackson shows how such pieces as "Hammer Ring," "Ration Blues," "Yellow Gal," and "Jody's Got My Wife and Gone" are like no other folk music forms: they are distinctly African in heritage, diminished in power and meaning outside their prison context, and used exclusively by black convicts. The songs helped workers through the rigors of cane cutting, logging, and cotton picking. Perhaps most important, they helped resolve the men's hopes and longings and allowed them a subtle outlet for grievances they could never voice when face-to-face with their jailers.
Author: John G. McCurry
Publisher:
Published: 2009
Total Pages: 300
ISBN-13: 9780820331515
DOWNLOAD EBOOKOne of the rarest country songbooks, it contains 222 pieces, mostly folktune settings, dating from the time between the Revolution and the Civil War. This facsimile reprinting has appendices useful for the study of its sources and an introduction that throws light on the men who wrote for nineteenth-century American songsters.
Author: Nanci Griffith
Publisher: Three Rivers Press (CA)
Published: 1998
Total Pages: 280
ISBN-13:
DOWNLOAD EBOOKIn a lively celebration of the contemporary folk music scene, Nanci Griffith tells the story of her music evolution and introduces the songwriters and performers who contributed to her Grammy Award-winning album, "Other Voices, Other Rooms" and her new album, "Other Voices, Too: A Trip Back to Bountiful". 100 photos.
Author: Gale Huntington
Publisher:
Published: 1990
Total Pages: 682
ISBN-13:
DOWNLOAD EBOOKThe story of Ireland - its graces and shortcomings, triumphs and sorrows - is told by the ballads, dirges, and humorous songs of its common people. Music is a direct and powerful expression of Irish folk culture and a beloved aspect of Irish life in the rest of the world.
Author: Carol Crown
Publisher: Univ. Press of Mississippi
Published: 2007
Total Pages: 340
ISBN-13: 9781578069163
DOWNLOAD EBOOKA sustained critical assessment of southern folk art and self-taught art and artists
Author: John Minton
Publisher: Univ. Press of Mississippi
Published: 2009-10-08
Total Pages: 299
ISBN-13: 1604733276
DOWNLOAD EBOOKWhen record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key “hillbilly” and “race” records released between the 1920s and World War II. In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and R&B, honky-tonk and western swing, gospel, soul, and rock 'n' roll. These old-time records preserve the work of some of America's greatest musical geniuses such as Jimmie Rodgers, Robert Johnson, Charlie Poole, and Blind Lemon Jefferson. They are also crucial mile markers in the course of American popular music and the growth of the modern recording industry. When these records first circulated, the very notion of recorded music was still a novelty. All music had been created live and tied to particular, intimate occasions. How were listeners to understand an impersonal technology like the phonograph record as a musical event? How could they reconcile firsthand interactions and traditional customs with technological innovations and mass media? The records themselves, several hundred of which are explored fully in this book, offer answers in scores of spoken commentaries and skits, in song lyrics and monologues, or other more subtle means.
