This early collection of eight short stories and a novella is vintage Wendt. Stories convey the unease of traditional island community caught up in the rapid changes of the modern world. Wendt writes with enviable directness and with deep feeling: comedy and tragedy are often hard to distinguish as his characters struggle to come to terms with their changing world.
Albert Wendt is the leading writer and exponent of Pacific literature. His work is consistently different in style, politically challenging, and ranges across essays, plays, poems, stories and novels, two of which have been filmed. This book is the first full-length study of his work. There is an introduction to Pacific literature as a whole and Wendt's Samoan background. Chapters offer readings of all Wendt's major texts in chronological sequence, relating them to his essays, to literary movements of the time and to key motifs from Polynesian culture. There is an extensive bibliography of works by and about Wendt.
Post-Colonial Literatures in English, together with English Literature and American Literature, form one of the three major groupings of literature in English, and, as such, are widely studied around the world. Their significance derives from the richness and variety of experience which they reflect. In three volumes, this Encyclopedia documents the history and development of this body of work and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.
Oceania has a rich and growing literary tradition. The imaginative literature that emerged in the 1960s often reflected the forms and structures of European literature, though the ideas expressed were typically anticolonial. After three decades, the literature of Oceania has become much more complex, in terms of style as well as content; and authors write in a multiplicity of styles and voices. While the written literature of Oceania is continuously gaining more critical attention, questions about the imposition of European literary standards and values as a further extension of colonialism in the Pacific have become a central issue. This book is a detailed survey of the expanding amount of critical and interpretive material written about the imaginative literature of authors from Oceania. It focuses on commentary and scholarship concerned with the poetry, fiction, and drama written in English by indigenous peoples of the Pacific Islands, New Zealand, and Australia. The criticisms have appeared in academic books and journals since the mid-1960s. They have developed to the point at which critical issues, related to decolonization and the expression of ideas without having to first satisfy foreign expectations, often determine the direction of such discussions. Entries are grouped in topical chapters, and each entry includes an extensive annotation. An introductory essay summarizes the evolution of Pacific literature.
Bats have been maligned in the West for centuries. Unfair associations with demons have seen their leathery wings adorn numerous evil characters, from the Devil to Bram Stoker’s Dracula. But these amazing animals are ecological superheroes. Nectar-feeding bats pollinate important crops like agave; fruit-eating bats disperse seeds and encourage reforestation; and insect-eating bats keep down mosquito populations and other pests, saving agricultural industries billions of dollars. Ranging in size from a bumblebee to creatures with a wingspan the length of an adult human, found on all continents except Antarctica, and displaying extraordinary abilities like echolocation—a built-in sonar system that enables many bats to navigate in the dark—these incredibly diverse mammals are as surprising as they are misunderstood. In Bat, Tessa Laird challenges our preconceptions as she combines fascinating facts of bat biology with engaging portrayals of bats in mythology, literature, film, popular culture, poetry, and contemporary art. She also provides a sobering reminder of the threats bats face worldwide, from heatwaves and human harassment to wind turbines and disease. Illustrated with incredible photographs and artistic representations of bats from many different cultures and eras, this celebration of the only mammals possessing true flight will enthrall batty fans, skeptics, and converts alike.
This book will be the first study to focus exclusively on presentations of the antipodes. Taking into account maps, letters, book illustrations, travel writing, poetry, and drama, Goldie reveals that the history of the idea of the antipodes might be seen as different modes or discourses: mathematical and geographical in the earliest era, cartographical and kinetic in the medieval period, social and sexual in the Early Modern, sartorial and littoral in the eighteenth and nineteenth centuries, and bodily and humorous in the latest era.
In a time of dynamism and contradiction in Pacific cultural production, a time of 'turning things over' and 'writing from the inside out, ' this far-reaching volume provides a comprehensive set of essays and interviews on the emergent literatures of the New Pacific. With its dynamic combination of important position papers, polemics, and decolonizing critiques by noted authors and of analysis by new and established post-colonial scholars, this volume exposes 'the maze and mix of literatures and cultural identities breaking down and building up across the Pacific Ocean.' This pioneering work will be the definitive resource for anyone researching or teaching Pacific literature and will be invaluable for bringing Pacific culture to readers outside the region
