Flowers are a hugely important part of Indian culture, used in everything from temple rituals to festivals and parties - and Malik Ghat flower market is the largest of its kind in India. Located in Calcutta, next to the Hooghly river, it attracts more than 2,000 sellers each day, who flock to peddle their blooms amid frantic scenes. After having visited Calcutta and its flower market for the first time, Danish photographer Ken Hermann decided to take portraits of the sellers, their magnificent garlands often appearing in stark contrast to their own dusty and sweat-soaked attire.
The violent coup that toppled Chilean president Salvador Allende in 1973 serves as the backdrop for this dramatic story about the experiences of a rookie CIA offi cer. Having just graduated from Yale, his ability to speak Spanish lands him in the capital of Chile just weeks before the revolution. His adventures there lead him to wrestle with ethical questions involving America's clandestine role in the destabilization of the Chilean government. When a kindly fl ower merchant and his wife are captured by military forces during the attack on the presidential palace, the young offi cer must make a diffi cult and dangerous decision that could change their lives forever.
In the 1930s Dr Edward Bach found that restoring emotional balance to his patients drove out ill-health and unhappiness. Bach Flower Remedies for Men shows how his 38 flower-and-plant-based remedies apply to the particular emotional problems of men, and how a system that heals the whole person can win freedom from the pressure to conform and perform. Topics covered include bullying, falling in love, sexuality, job-hunting, redundancy and fatherhood, and specific problems from acne and hair loss to heart disease and prostate trouble are described in a practical, non-technical way. Bach Flower Remedies for Men is written with men in mind. But it will prove invaluable to therapists, healers, lovers, wives, sisters, daughters and mothers - anyone, in fact, who has a man's welfare at heart.
A revised and updated edition of the internationally bestselling classic Anna Pavord's now classic, internationally bestselling sensation, The Tulip, is not a gardening book. It is the story of a flower that has driven men mad. Greed, desire, anguish and devotion have all played their part in the development of the tulip from a wild flower of the Asian steppes to the worldwide phenomenon it is today. No other flower carries so much baggage; it charts political upheavals, illuminates social behaviour, mirrors economic booms and busts, plots the ebb and flow of religious persecution. Why did the tulip dominate so many lives through so many centuries in so many countries? Anna Pavord, a self-confessed tulipomaniac, spent six years looking for answers, roaming through eastern Turkey and Central Asia to tell how a humble wild flower made its way along the Silk Road and eventually took the whole of Western Europe by storm. Sumptuously illustrated from a wide range of sources, this irresistible volume has become a bible, a unique source book, a universal gift and a joy to all who possess it. This beautifully redesigned edition features a new Preface by the author, a revised listing of the best varieties of this incomparable flower to choose for your garden and a reorganised listing of tulip species to reflect the latest thinking by taxonomists.
This final volume in the four-volume series Habits of Being shows how the dialectic between everyday appearance and outrageous acts is mediated through clothing and accessories. It considers how clothing and accessories can move quickly from the ordinary to the extravagant. Employing many different approaches, these essays explore how wearing an object—a crown, a flower, an earring, a corsage, a veil, even a length of material—can stray beyond the bounds of the body on which it is placed into the discrepant territory of flagrantly excessive public signs of love, status, honor, prestige, power, desire, and display. The varied contributions of scholars (historians, ethnographers, literary and film critics) and artists (photographers, sculptors, writers, weavers, and embroiderers) take up the threads of these forays into history, psyche, and aesthetics in surprising and useful ways. With examples from around the world, contributors address how the simple action of ornamenting the body, even with something as common as a button, are open to elaborate interpretations—which themselves offer new understandings of human behavior and artistic endeavor. When our “habits of being” receive close scrutiny, they seem anything but habitual. Contributors: Mariapia Bobbiobi; Camilla Cattarulla, U of Rome Three; Paola Colaiacomo, Sapienza, U of Rome; Maria Damon, Pratt Institute of Art; Joanne B. Eicher, U of Minnesota; Maria Giulia Fabi, U of Ferrara; Margherita di Fazio; Adeena Karasick, Fordham U; Tarrah Krajnak, Pitzer College; Charlotte Nekola, William Paterson U; Victoria R. Pass, Maryland Institute College of Art; Amanda Salvioni, U of Macerata; Maria Anita Stefanelli, U of Rome Three.
From Lewis Miller, the celebrated floral designer and "Flower Bandit" himself, an intimate and joyous behind-the-scenes look at his signature Flower Flashes as they introduced bright moments of natural beauty into the city when they were needed most. Before dawn one morning in October 2016, renowned New York-based floral designer Lewis Miller stealthily arranged hundreds of brightly colored dahlias, carnations, and mums into a psychedelic halo around the John Lennon memorial in Central Park. The spontaneous floral installation was Miller's gift to the city—an effort to spark joy during a difficult time. Nearly five years and more than ninety Flower Flashes later, these elaborate flower bombs—bursts of jubilant blooms in trash cans, over bus canopies, on construction sites and traffic medians—have brought moments of delight and wonder to countless New Yorkers and flower lovers everywhere, and earned Miller a following of dedicated fans and the nickname the "Flower Bandit." After New York City entered lockdown, Miller doubled down, creating Flower Flashes outside hospitals to express gratitude to frontline health workers and throughout the city to raise spirits. This gorgeous and poignant visual diary traces the phenomenon from the first, spontaneous Flower Flash to the even more profound installations of the pandemic through a kaleidoscopic collage of photos documenting the Flower Flashes, behind-the-scenes snapshots, Miller's inspiration material, fan contributions, and more.
Saudi Arabia: land of oil, terrorism, Islamic fundamentalism, and a crucial American ally. As the only Western journalist to have extensively worked in the Saudi Kingdom, John R. Bradley is uniquely able to expose the turmoil that is shaking the House of Saud to its foundations. From the heart of the secretive Islamic kingdom's urban centers to its most remote mountainous terrain, from the homes of royalty to the slums of its poorest inhabitants, he provides intimate details and reveals underlying regional, religious, and tribal rivalries. Bradley highlights tensions generated by social change, focuses on the educational system, the increasing restlessness of Saudi youth faced with limited opportunities for cultural and political expression, and the predicament of Saudi women seeking opportunities but facing constraints. What are the implications for the Sauds and the West? This book offers a startling look at the present predicament and a troubling view of the future.
An adoption expert and transracial adoptee herself examines the unique perspectives and challenges these adoptees have as they navigate multiple cultures “Your parents are so amazing for adopting you! You should be grateful that you were adopted.” Angela Tucker is a Black woman, adopted from foster care by white parents. She has heard this microaggression her entire life, usually from well-intentioned strangers who view her adoptive parents as noble saviors. She is grateful for many aspects of her life, but being transracially adopted involves layers of rejection, loss, and complexity that cannot be summed up so easily. In “You Should Be Grateful,” Tucker centers the experiences of adoptees to share deeply personal stories, well-researched history, and engrossing anecdotes from mentorship sessions with adopted youth. These perspectives challenge the fairy-tale narrative of adoption, giving way to a fuller story that explores the impacts of racism, classism, family, love, and belonging.
The role of women in church leadership is controversial; however, the Pentecostal tradition, and specifically the Assemblies of God, has held that women can serve at all levels of church leadership. There is no role that is off-limits to women. Citing their distinctive approach to theology, Pentecostals embrace women’s leadership in policy, but in practice, women are often frustrated by the lack of opportunity and representation in leadership roles. By exploring the rhetorical history, how Pentecostals talk about the role of women, the purpose of this book is to expose those rhetorical constraints that create dissonance and discontentment. This book explores how Pentecostals use and are used by language that shapes this dissonance and how that impacts the lived reality of both men and women in the Pentecostal tradition.
