The text is complemented throughout by a wealth of paintings and drawings, 200 of them in full color. Also included are a chronology of important historical events, a listing of noted Florentine families, and a genealogy of the famed Medici family.
In Living on the Edge in Leonardo's Florence, an internationally renowned master of the historian's craft provides a splendid overview of Italian history from the Black Death to the rise of the Medici in 1434 and beyond into the early modern period. Gene Brucker explores those pivotal years in Florence and ranges over northern Italy, with forays into the histories of Genoa, Milan, and Venice. The ten essays, three of which have never before been published, exhibit Brucker's graceful intelligence, his command of the archival sources, and his ability to make history accessible to anyone interested in this place and period. Whether he is writing about a case in the criminal archives, about a citation from Machiavelli, or the concept of modernity, the result is the same: Brucker brings the pulse of the period alive. Five of these essays explore themes in the premodern period and delve into Italy's political, social, economic, religious, and cultural development. Among these pieces is a lucid, synoptic view of the Italian Renaissance. The last five essays focus more narrowly on Florentine topics, including a fascinating look at the dangers and anxieties that threatened Florence in the fifteenth century during Leonardo's time and a mini-biography of Alessandra Strozzi, whose letters to her exiled sons contain the evidence for her eventful life.
In this history of Florence, distinguished historian John Najemy discusses all the major developments in Florentine history from 1200 to 1575. Captures Florence's transformation from a medieval commune into an aristocratic republic, territorial state, and monarchy Weaves together intellectual, cultural, social, economic, religious, and political developments Academically rigorous yet accessible and appealing to the general reader Likely to become the standard work on Renaissance Florence for years to come
Quantitative Studies of the Renaissance Florentine Economy and Society is a collection of nine quantitative studies probing aspects of Renaissance Florentine economy and society. The collection, organized by topic, source material and analysis methods, discusses risk and return, specifically the population’s responses to the plague and also the measurement of interest rates. The work analyzes the population’s wealth distribution, the impact of taxes and subsidies on art and architecture, the level of neighborhood segregation and the accumulation of wealth. Additionally, this study assesses the competitiveness of Florentine markets and the level of monopoly power, the nature of women’s work and the impact of business risk on the organization of industrial production.
A new history explores how one of Renaissance ItalyÕs leading cities maintained its influence in an era of global exploration, trade, and empire. The Grand Duchy of Tuscany was not an imperial power, but it did harbor global ambitions. After abortive attempts at overseas colonization and direct commercial expansion, as Brian Brege shows, Tuscany followed a different path, one that allowed it to participate in EuropeÕs new age of empire without establishing an empire of its own. The first history of its kind, Tuscany in the Age of Empire offers a fresh appraisal of one of the foremost cities of the Italian Renaissance, as it sought knowledge, fortune, and power throughout Asia, the Americas, and beyond. How did Tuscany, which could not compete directly with the growing empires of other European states, establish a global presence? First, Brege shows, Tuscany partnered with larger European powers. The duchy sought to obtain trade rights within their empires and even manage portions of other statesÕ overseas territories. Second, Tuscans invested in cultural, intellectual, and commercial institutions at home, which attracted the knowledge and wealth generated by EuropeÕs imperial expansions. Finally, Tuscans built effective coalitions with other regional powers in the Mediterranean and the Islamic world, which secured the duchyÕs access to global products and empowered the Tuscan monarchy in foreign affairs. These strategies allowed Tuscany to punch well above its weight in a world where power was equated with the sort of imperial possessions it lacked. By finding areas of common interest with stronger neighbors and forming alliances with other marginal polities, a small state was able to protect its own security while carving out a space as a diplomatic and intellectual hub in a globalizing Europe.
Few philosophers are more often referred to and more often misunderstood than Machiavelli. He was truly a product of the Renaissance, and he was as much a revolutionary in the field of political philosophy as Leonardo or Michelangelo were in painting and sculpture. He watched his native Florence lose its independence to the French, thanks to poor leadership from the Medici successors to the great Lorenzo (Il Magnifico). Machiavelli was a keen observer of people, and he spent years studying events and people before writing his famous books. Descended from minor nobility, Machiavelli grew up in a household that was run by a vacillating and incompetent father. He was well educated and smart, and he entered government service as a clerk. He eventually became an important figure in the Florentine state but was defeated by the deposed Medici and Pope Julius II. He was tortured but eventually freed by the restored Medici. No longer employed, he retired to his home to write the books for which he is remembered. Machiavelli had seen the best and the worst of human nature, and he understood how the world operated. He drew his observations from life, and he was appropriately cynical in his writing, given what he had personally experienced. He was an outstanding writer, and his work remains fascinating nearly 500 years later.
First published in 2004, Medieval Italy: An Encyclopedia provides an introduction to the many and diverse facets of Italian civilization from the late Roman empire to the end of the fourteenth century. It presents in two volumes articles on a wide range of topics including history, literature, art, music, urban development, commerce and economics, social and political institutions, religion and hagiography, philosophy and science. This illustrated, A-Z reference is a cross-disciplinary resource and will be of key interest not only to students and scholars of history but also to those studying a range of subjects, as well as the general reader.
Everybody knows her smile, but no one knows her story: Meet the flesh-and-blood woman who became one of the most famous artistic subjects of all time—Mona Lisa. A genius immortalized her. A French king paid a fortune for her. An emperor coveted her. Every year more than nine million visitors trek to view her portrait in the Louvre. Yet while everyone recognizes her smile, hardly anyone knows her story. “Combining history, whimsical biography, personal travelogue, and love letter to Italy...Mona Lisa is an entertaining” (Publishers Weekly) book of discovery about the world’s most recognized face. Who was she? Why did the most renowned painter of her time choose her as his model? What became of her? And why does her smile enchant us still? Dianne Hales, author of La Bella Lingua, became obsessed with finding the real Mona Lisa on repeated trips to Florence. In Mona Lisa: A Life Discovered, she takes readers with her to meet Lisa’s descendants; uncover her family’s long and colorful history; and explore the neighborhoods where she lived as a girl, a wife, and a mother. In the process, we can participate in Lisa’s daily rituals; understand her personal relationships; and see, hear, smell, and taste “her” Florence. Hales brings to life a time poised between the medieval and the modern, a vibrant city bursting into fullest bloom, and a culture that redefined the possibilities of man—and of woman. Mona Lisa is “a readable and affectionate my-search-for-story for art lovers and anyone interested in glorious and gory Florence in the fifteenth to sixteenth centuries, and in the divine Leonardo in particular…Hales’s assiduous research has made it possible for us to know Mona Lisa just a bit, enough to wonder if this otherwise ordinary Florentine housewife could ever have imagined her portrait enchanting millions for centuries” (USATODAY.com).