Two rival clans. Two sacred pearls, the Tide Jewels, that can summon the Tide Dragons to protect the empire.Two young men, Kaito and Naoki, one a Black Crane healer, the other a Red Kite shinobi, are sucked into anancient, unresolved conflict between the gods of land and sea, when the exiled Red Kites steal the Tide Jewelsand re-ignite a bitter clan war. Kaito must find a way to restore the emperor's jewels - but how can it be donewithout betraying his own clan or angering the gods?
Three kingdoms. One man. A destiny written in blood. An epic fantasy series begins . . .Seemingly always the outsider, Gavril Andar - an impoverished young painter - yearns to join the privileged circles of Muscobar polite society. However, unknownto him, he does have royal blood in his veins: the dark and powerful blood of a father he never knew.
In this third novel in her acclaimed Tears of Artamon saga, Sarah Ash once again transports readers to a realm where sorcery collides with political intrigue . . . and where one man haunted by a dark legacy is locked in a fierce struggle between the forces of good and evil battling for supremacy within him. . . . Gavril Nagarian is believed dead—perished in the heat of battle. But the Lord Drakhaon of Azhkendir lives on. Now he is entrusted with a sacred mission: to rescue the aged Magus, who has been kidnapped and in whose possession are the five priceless rubies that compose the fabled Tears of Artamon. Ancient law decrees that whoever possesses the coveted stones has the power to impose his rule over the five princedoms in the Empire of New Rossiya. But the task exacts a cost. The Drakhaoul that destroyed his forebears has penetrated Gavril’s psyche and is gaining power over his soul. With the dark forces inside him seeking immortality, Gavril must feed on the blood of innocents—or die. Toppled by the loss of the Tears of Artamon, Emperor Eugene of Tielen is tormented by his own daemon. Now he must defend his lands against King Enguerrand of Francia, who claims ownership of the Tears. But both men share a common goal: to destroy Gavril Nagarian and the Drakhaoul that lives within him once and for all. Ingenious and unforgettable, Children of the Serpent Gate delivers a thrilling conclusion to the epic trials of a man of honor in a world run amok—a calamity that can be laid to rest only by an Emperor’s Tears.
'The emperor's tears will unlock the gate...' Eugene of Tielen has won the five Tears of Artamon, the legendary rubies which entitle him to be crowned ruler of the ancient empire of Rossiya. But on the eve of his coronation, as the rubies are brought together for the first time in the imperial crown, a strange phenomenon occurs: a beacon of crimson light shoots up from the crown into the night sky. Is it a good portent - or an evil omen? While sinister forces infiltrate Eugene's new empire, stirring the defeated peoples to revolt, Eugene is obsessed with enslaving a Drakhaoul, the daemon spirit that made his arch enemy, Gavril Nagarian, such a formidable opponent. Craving the arcane knowledge that will lead him to his goal, Eugene seeks out Kiukirilya, the Spirit Singer, forcing her to undertake a perilous journey into the world of the dead. And what of Gavril, imprisoned and tortured in the dread Ironsea Tower? His dreams are of escape. But the opportunity, when it comes, faces him with an impossible choice. He longs to return to his earlier, simpler life but he knows that only one man can stop Eugene in his quest for daemonic powers. And that man is Gavril Nagarian...
R.F. Kuang, Kate Elliott, Ken Liu, Todd McCaffrey, Garth Nix, Peter S. Beagle, and other modern masters of fantasy and science fiction put their unique spin on the greatest of mythical beasts—the dragon—in never-before-seen works written exclusively for this fantasy anthology compiled by award-winning editor Jonathan Strahan and with art by Rovina Cai! Here there be dragons . . . From China to Europe, Africa to North America, dragons have long captured our imagination in myth and legend. Whether they are rampaging beasts awaiting a brave hero to slay or benevolent sages who have much to teach humanity, dragons are intrinsically connected to stories of creation, adventure, and struggle beloved for generations. Bringing together nearly thirty stories and poems from some of the greatest science fiction and fantasy writers working today— Garth Nix, Scott Lynch, R.F. Kuang, Ann Leckie & Rachel Swirsky, Daniel Abraham, Peter S. Beagle, Beth Cato, Zen Cho, C. S. E Cooney, Aliette de Bodard, Amal El-Mohtar, Kate Elliott, Theodora Goss, Ellen Klages, Ken Liu, Seanan Maguire, Patricia A McKillip, K. J. Parker, Kelly Robson, Michael Swanwick, Jo Walton, Elle Katharine White, Jane Yolen, Kelly Barnhill, Brooke Bolander, Sarah Gailey, and J. Y. Yang—and illustrated by award-nominated artist Rovina Cai with black-and-white line drawings specific to each entry throughout, this extraordinary collection vividly breathes fire and life into one of our most captivating and feared magical creatures as never before and is sure to become a treasured keepsake for fans of fantasy, science fiction, and fairy tales.
I can cover the sun and the moon with my heart! The color of the mountains and rivers changed! The Heavens had no eyes, but they were able to defy the heavens and turn into a demon! The heaven and earth were moved! Blood flowed like a river, washing away the muddy water! The universe was turned upside down! Close]
The legendary Pluto had mysteriously fallen. The direct son of Pluto, Yan Ming, possessed the orthodox bloodline of Pluto, but was trapped in the Nine Hells Abyss by his younger brother. What they didn't know was that Xiao Zhu, who had the innate Netherworld Ghost Body, had the good fortune to obtain the Obsidian Stone, and Yan Ming, who was hiding in the Obsidian Stone, was her chosen one ...
coincidence, zhou yi seventeen years old, miss the girls, you still want to run? this world, will be able to stop the killing, god to kill god! this world, only willing to live up to the dust not qing, the sky again!
"Batto argues persuasively that biblical authors, like other ancient Near Eastern authors, used mythic traditions in composing their new syntheses. . . . His bold argument is impressive".--Richard J. Clifford, Professor of Old Testament, Weston School of Theology, Cambridge, Massachusetts.
