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Author: Alexander Doty
Publisher: Routledge
Published: 2002-06-01
Total Pages: 212
ISBN-13: 1134001436
DOWNLOAD EBOOKThis lively, opinionated, and playful look at the movies is a must-read for film buffs, and for anyone interested in gender, sexuality, and popular culture. One thing's for sure. After reading Flaming Classics you'll know you're definitely not in Kansas anymore.
Author: Alexander Doty
Publisher: Psychology Press
Published: 2000
Total Pages: 212
ISBN-13: 9780415923453
DOWNLOAD EBOOKIn his wicked readings of film favorites, Doty takes readers to the queer side of criticism, offering fresh and controversial views of the stars, the plots, and the directors of our best loved and most iconic films. 14 photos.
Author: William H. Phillips
Publisher: Macmillan
Published: 2009-01-02
Total Pages: 780
ISBN-13: 0312487258
DOWNLOAD EBOOKThis clear, well illustrated text takes the reader through the basics of film analysis, drawing on a wide range of film for discussion. Questions of genre and the contexts and meanings of film are considered.
Author: Murray Pomerance
Publisher: SUNY Press
Published: 2004-01-01
Total Pages: 380
ISBN-13: 9780791459409
DOWNLOAD EBOOKExamines the many forms of cinematic "badness" over the past one hundred years, from Nosferatu to The Talented Mr. Ripley.
Author: Daniel Brown
Publisher: Rowman & Littlefield
Published: 2016-02-01
Total Pages: 289
ISBN-13: 1493022016
DOWNLOAD EBOOKOn September 1, 1894 two forest fires converged on the town of Hinckley, Minnesota, trapping over 2,000 people. Daniel J. Brown recounts the events surrounding the fire in the first and only book on to chronicle the dramatic story that unfolded. Whereas Oregon's famous "Biscuit" fire in 2002 burned 350,000 acres in one week, the Hinckley fire did the same damage in five hours. The fire created its own weather, including hurricane-strength winds, bubbles of plasma-like glowing gas, and 200-foot-tall flames. In some instances, "fire whirls," or tornadoes of fire, danced out from the main body of the fire to knock down buildings and carry flaming debris into the sky. Temperatures reached 1,600 degrees Fahrenheit--the melting point of steel. As the fire surrounded the town, two railroads became the only means of escape. Two trains ran the gauntlet of fire. One train caught on fire from one end to the other. The heroic young African-American porter ran up and down the length of the train, reassuring the passengers even as the flames tore at their clothes. On the other train, the engineer refused to back his locomotive out of town until the last possible minute of escape. In all, more than 400 people died, leading to a revolution in forestry management practices and federal agencies that monitor and fight wildfires today. Author Daniel Brown has woven together numerous survivors' stories, historical sources, and interviews with forest fire experts in a gripping narrative that tells the fascinating story of one of North America's most devastating fires and how it changed the nation.
Author: David Greven
Publisher: University of Texas Press
Published: 2010-01-01
Total Pages: 310
ISBN-13: 0292779100
DOWNLOAD EBOOKA struggle between narcissistic and masochistic modes of manhood defined Hollywood masculinity in the period between the presidencies of George H. W. Bush and George W. Bush. David Greven's contention is that a profound shift in representation occurred during the early 1990s when Hollywood was transformed by an explosion of films that foregrounded non-normative gendered identity and sexualities. In the years that have followed, popular cinema has either emulated or evaded the representational strategies of this era, especially in terms of gender and sexuality. One major focus of this study is that, in a great deal of the criticism in both the fields of film theory and queer theory, masochism has been positively cast as a form of male sexuality that resists the structures of normative power, while narcissism has been negatively cast as either a regressive sexuality or the bastion of white male privilege. Greven argues that narcissism is a potentially radical mode of male sexuality that can defy normative codes and categories of gender, whereas masochism, far from being radical, has emerged as the default mode of a traditional normative masculinity. This study combines approaches from a variety of disciplines—psychoanalysis, queer theory, American studies, men's studies, and film theory—as it offers fresh readings of several important films of the past twenty years, including Casualties of War, The Silence of the Lambs, Fight Club, The Passion of the Christ, Auto Focus, and Brokeback Mountain.
Author: Nicholas Haeffner
Publisher: Routledge
Published: 2015-02-11
Total Pages: 136
ISBN-13: 1317874889
DOWNLOAD EBOOKNicholas Haeffner provides a comprehensive introduction to Alfred Hitchcock's major British and Hollywood films and usefully navigates the reader through a wealth of critical commentaries. One of the acknowledged giants of film, Hitchcock's prolific half-century career spanned the silent and sound eras and resulted in 53 films of which Rear Window (1954), Vertigo (1958) and Psycho (1960) are now seen as classics within the suspense, melodrama and horror genres. In contrast to previous works, which have attempted to get inside Hitchcock's mind and psychoanalyse his films, this book takes a more materialist stance. As Haeffner makes clear, Hitchcock was simultaneously a professional film maker working as part of a team in the film factories of Hollywood, a media celebrity, and an aspiring artist gifted with considerable entrepreneurial flair for marketing himself and his films. The book makes a case for locating the director's remarkable body of work within traditions of highbrow, middlebrow and lowbrow culture, appealing to different audience constituencies in a calculated strategy. The book upholds the case for taking Hitchcock's work seriously and challenges his popular reputation as a misogynist through detailed analyses of his most controversial films.
Author: Caetlin Benson-Allott
Publisher: University of California Press
Published: 2021-04-06
Total Pages: 353
ISBN-13: 0520300408
DOWNLOAD EBOOKFilm and television create worlds, but they are also of a world, a world that is made up of stuff, to which humans attach meaning. Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind—all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume television and film influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s—including video marketing, branded merchandise, drugs and alcohol, and even gun violence—and shows how objects considered peripheral to film and television culture are in fact central to its past and future.
Author: Mr Michael O'Rourke
Publisher: Ashgate Publishing, Ltd.
Published: 2012-12-28
Total Pages: 964
ISBN-13: 1409492060
DOWNLOAD EBOOKThis Companion provides an interdisciplinary and international overview of the increasingly important field of queer studies. The team of respected and experienced scholars and activists foregrounds and promotes the many intersections of queer studies in an accessible, clear and engaging style to produce an indispensable tool for scholars and students alike.
Author: David Greven
Publisher: Oxford University Press
Published: 2017-02-13
Total Pages: 297
ISBN-13: 0190658347
DOWNLOAD EBOOKIntimate Violence explores the consistent cold war in Hitchcock's films between his heterosexual heroines and his queer characters, usually though not always male. Decentering the authority of the male hero, Hitchcock's films allow his female and queer characters to vie for narrative power, often in conflict with one another. These conflicts eerily echo the tense standoff between feminism and queer theory. From a reparative psychoanalytic perspective, David Greven merges queer and feminist approaches to Hitchcock. Using the theories of Melanie Klein, Greven argues that Hitchcock's work thematizes a constant battle between desires to injure and to repair the loved object. Greven develops a theory of sexual hegemony. The feminine versus the queer conflict, as he calls it, in Hitchcock films illuminates the shared but rivalrous struggles for autonomy and visibility on the part of female and queer subjects. The heroine is vulnerable to misogyny, but she often gains an access to agency that the queer subject longs for, mistaking her partial autonomy for social power. Hitchcock's queer personae, however, wield a seductive power over his heterosexual subjects, having access to illusion and masquerade that the knowledge-seeking heroine must destroy. Freud's theory of paranoia, understood as a tool for the dissection of cultural homophobia, illuminates the feminine versus the queer conflict, the female subject position, and the consistent forms of homoerotic antagonism in the Hitchcock film. Through close readings of such key Hitchcock works as North by Northwest, Psycho, Strangers on a Train, Spellbound, Rope, Marnie, and The Birds, Greven explores the ongoing conflicts between the heroine and queer subjects and the simultaneous allure and horror of same-sex relationships in the director's films.
