The secret of building boxes and drawers that can stand up to everyday use is good, strong corner joints. This is the art of carcass joinery. In this text, craftsmen explain how to choose, make and use every kind of carcass joint in both solid wood and plywood, using hand tools and machine methods.
Back by popular demand, these classic woodworking titles from Fine Woodworking magazine are filled with first-rate information that is as timeless now as it was when first published. There's a secret to building boxes and drawers that can stand up to everyday use: it's making good, strong corner joints to hold the sides together. This is the art of carcase joinery. In this collection of 39 articles from Fine Woodworking magazine, authors who are also craftsmen tell you how to choose, make and use every kind of carcase joint, in both solid wood and plywood, using hand tools and machine methods, with particular emphasis on the classic dovetail. Since it began publication in 1975, Fine Woodworking has written about practically every aspect of the craft. The "Fine Woodworking on..." series organizes many of the articles from the magazine's first ten years into individual volumes by subject. Each book in this series offers an in-depth look at a particular aspect of woodworking, from the perspective of skilled professional and dedicated amateur woodworkers.
Design advice from Fine Woodworking. Written by the country's most respected designers and builders, each article is packed with practical, down-to-earth advice and toughtful insights into the design process.The furniture types include tables, casework, cabinets and chairs, plus a selection of special-purpose furniture.
J. Paul Getty began to collect French decorative arts in the 1930s and continued to do so until his death in 1976. The Museum’s collection has continued to grow since then at a rapid pace and contains over three hundred individual pieces at the time this book is published. This volume illustrates fifty of them. The selection represents a cross section of the collection, which covers the period from approximately 1660 to 1800. In the eighteenth century it became fashionable in Parisian society to decorate the interiors of houses with Far Eastern materials such as lacquer and porcelain. This taste was catered to by the marchands-merciers, members of a guild who combined the functions of the modern interior decorator, the antique dealer, and the picture dealer. These men devised highly ingenious settings for Far Eastern porcelains to adapt their exotic character to the French interiors of the period. Information about them and their clientele has been used in cataloguing the Getty Museum’s collection of mounted oriental porcelain, which is large and of high quality. This book is not a catalogue, nor is it a mere picture book or checklist. Each piece has been chosen because it represents a particular aspect of the crafts involved in the production of objects that were made by Parisian craftsmen for the crown, the nobility, and the rich bourgeoisie. The pieces are arranged in chronological order. Translations of the French archival extracts, an index, and a concise bibliography have been provided.