First published in the US in 1991 by the Hemlock Society, it discusses the practicalities of suicide and assisted suicide for those terminally ill, and is intended to inform mature adults suffering from a terminal illness. It also gives guidance to those who may support the option of suicide under those circumstances. The Australian edition was prepared by Dr Helga Kuhse. The author is a US journalist who has written or co-authored books on civil liberties, racial integration and euthanasia and is a past president of the World Federation of Right to Die societies. Sales of the book are category one restricted: not available to persons under 18.
From the author of the phenomenal #1 national bestseller Final Exit, a collection of moving, true stories about terminally ill people who chose to die on their own terms. Humphry, founder of the National Hemlock Society, provides valuable information on the proper use of lethal drugs to accomplish a death with dignity.
“A remarkably nuanced, empathetic, and well-crafted work of journalism, [The Inevitable] explores what might be called the right-to-die underground, a world of people who wonder why a medical system that can do so much to try to extend their lives can do so little to help them end those lives in a peaceful and painless way.”—Brooke Jarvis, The New Yorker More states and countries are passing right-to-die laws that allow the sick and suffering to end their lives at pre-planned moments, with the help of physicians. But even where these laws exist, they leave many people behind. The Inevitable moves beyond margins of the law to the people who are meticulously planning their final hours—far from medical offices, legislative chambers, hospital ethics committees, and polite conversation. It also shines a light on the people who help them: loved ones and, sometimes, clandestine groups on the Internet that together form the “euthanasia underground.” Katie Engelhart, a veteran journalist, focuses on six people representing different aspects of the right to die debate. Two are doctors: a California physician who runs a boutique assisted death clinic and has written more lethal prescriptions than anyone else in the U.S.; an Australian named Philip Nitschke who lost his medical license for teaching people how to end their lives painlessly and peacefully at “DIY Death” workshops. The other four chapters belong to people who said they wanted to die because they were suffering unbearably—of old age, chronic illness, dementia, and mental anguish—and saw suicide as their only option. Spanning North America, Europe, and Australia, The Inevitable offers a deeply reported and fearless look at a morally tangled subject. It introduces readers to ordinary people who are fighting to find dignity and authenticity in the final hours of their lives.
The deafening noise in the Wankhede turns to silence so complete that you’d swear you can hear Tendulkar’s footsteps as he begins the walk back to the pavilion. It’s the end of an era, they said. No more switching off televisions when he got out; no more resounding chants of ‘Sa-chi-i-i-n, Sa-chin!’ In November 2013, Sachin Tendulkar played his final Test. Dilip D’Souza builds on close and detailed observation of those two and a half days, capturing all the hysteria it spawned, the love and adulation that showered from the rafters at the Wankhede, the choking emotion, and yes, there was a match on too, against the West Indies. Final Test discusses cricket from the old to the new, as Sachin takes to the pitch one final time.
TEN YEARS AGO,TRAGEDY TORE THEM APART… But when FBI special agent Carolyn Monahanwalks back into the life of homicide lieutenantConor Rafferty, the sizzle is undeniable. They areback together, albeit reluctantly, to find the serialkiller who is terrorizing Boston. Caro has made a successful career of puttinghomicidal maniacs behind bars, and Rafferty isa good cop who’s been handed the case of alifetime. Amid bureaucratic red tape and amounting body count, they uncover evidencethat points to a decade-old unsolved homicide.The tension escalates when the killer developsa psychotic preoccupation with Caro herself. As the pressure builds to solve the murders, sodoes the attraction between Caro and Rafferty.But the question remains: Who will get to Carofirst, the killer or the cop?
Praise for Jamaal May: "Linguistically acrobatic [and] beautifully crafted. . . . [Jamaal May's] poems, exquisitely balanced by a sharp intelligence mixed with earnestness, makes his debut a marvel."—Publishers Weekly Following Jamaal May's award-winning debut collection, Hum (2013), these new poems explore parallel landscapes of the poet's interior and an insidious American condition. Using dark humor that helps illuminate the pains of maturity and loss of imagination, May uncovers language like a skilled architect—digging up bones of the past to expose what lies beneath the surface of the fragile human condition. From: "Ask Where I've Been": Ask about the tornado of fists. The blows landed. If you can watch it all—the spit and blood frozen against snow, you can probably tell I am the too-narrow road winding out of a crooked city built of laughter, abandon, feathers and drums. Ask only if you can watch streetlights bow, bridges arc, and power lines sag, and still believe what matters most is not where I bend but where I am growing. Jamaal May is a poet, editor, and filmmaker from Detroit, Michigan, where he taught poetry in public schools and worked as a freelance audio engineer and touring performer. His poetry won the 2013 Indiana Review Poetry Prize and appears in journals such as Poetry, Ploughshares, the Believer, NER, and the Kenyon Review. May has earned an MFA from Warren Wilson College as well as fellowships from Cave Canem and The Stadler Center for Poetry at Bucknell University. He founded the Organic Weapon Arts Chapbook Press.
