This updated edition to this classic manual for young filmmakers includes numerous additions reflecting the enormous changes impacting the world of digital video
Today's digital technology allows teens to produce short films with enviable accessibility. But there is a darker side to today's technology, too: the expectation to live and share your life online, to become an instant success with your first creations. Imagine being free to experiment and play with the medi-um, with a mentor beside you helping you craft solid, professional work that never looks like a home movie. Industry pro Deborah Patz is that mentor. Much like writers pen journals they don't publish (aka "writing practice," as taught by Natalie Gold-berg), Write! Shoot! Edit! mentors teens in "first film-making" -- crafting complete, scripted movies in a safe place free from public exhibition and scrutiny, experimenting with the medium, and discovering one's own visual storytelling voice. You want to direct and edit, but your friend wants to write? Not a problem. Don't read the book in order! Just follow the path. Write! Shoot! Edit! is written in three distinct and intertwining paths, so you can experience the book as you want to: as a writer, director / DOP, or editor. Start making scripted films today so that you can be the overnight success of tomorrow!
With the advent of digital filmmaking and critical recognition of the relevance of self expression, first-person narratives, and personal practices of memorialization, interest in the amateur moving image has never been stronger. Bringing together key scholars in the field, and revealing the rich variety of amateur filmmaking-from home movies of Imperial India and film diaries of life in contemporary China, to the work of leading auteurs such as Joseph Morder and Péter Forgács-Amateur Filmmaking highlights the importance of amateur cinema as a core object of critical interest across an array of disciplines. With contributions on the role of the archive, on YouTube, and on the impact of new technologies on amateur filmmaking, these essays offer the first comprehensive examination of this growing field.
Families with boys often find the world reacts to them in mock horror. Even though parents love their sons, privately they admit that boys can be a handful to raise--they are boisterous, competitive, reckless, distractable. The challenge of wills between parent and son starts early, and the quest to civilize young bulls may seem hopeless some days. Yet believers know that God has given them children as a gift of heaven, specially chosen for their particular families and marked as a blessing. If that's so, why does it seem so hard? How can we prepare these boys to serve God when it's all we can do to make it through another day? Isn't there a better way? Raising Real Men: Surviving, Teaching and Appreciating Boys shows the answer is emphatically yes. Written by the parents of six boys, Raising Real Men provides hope and encouragement to families with sons. Starting from the premise that God made boys to become men, Hal and Melanie Young offer Biblical principles and tested, practical ideas for training the manly virtues that can drive parents and teachers up the wall. This is a practical guide to equipping the hearts and minds of boys without breaking or losing your own. "...earthy, realistic, humorous, and scriptural ..." -- Douglas Wilson, author, Future Men "This is just what the doctor ordered for parents who want to raise capable Christian men of character." -- John Rosemond, author, Parenting By The Book
Filmmaking is more than just picking up a camera or phone and shooting video. The true art of filmmaking is about understanding the process of telling a story through a visual form. Filmmaking for Kids is a step-by-step activity book to help parents introduce their children to the art of filmmaking and movie creation. This book offers steps on creating fun characters, developing a cool story and how to properly film and edit their video. The text also includes educational tips to help parents and teachers explain each part of the process, so children can comprehend.
Named One of The Hollywood Reporter’s “100 Greatest Film Books of All Time” Famed independent screenwriter and director Robert Rodriguez (Sin City, Once Upon a Time in Mexico, Spy Kids, Machete) discloses all the unique strategies and original techniques he used to make his remarkable debut film El Mariachi on a shoestring budget. This is both one man's remarkable story and an essential guide for anyone who has a celluloid story to tell and the dreams and determination to see it through. Part production diary, part how-to manual, Rodriguez unveils how he was able to make his influential first film on only a $7,000 budget. Also included is the appendix, "The Ten Minute Film Course,” a tell-all on how to save thousands of dollars on film school and teach yourself the ropes of film production, directing, and screenwriting. A perfect gift for the aspiring filmmaker.
(Applause Books). Winner of Best Non-Fiction for 2002 Award from the Los Angeles Times Book Review! Samuel Fuller was one of the most prolific and independent writer-director-producers in Hollywood. His 29 tough, gritty films made from 1949 to 1989 set out to capture the truth of war, racism and human frailties, and incorporate some of his own experiences. His film Park Row was inspired by his years in the New York newspaper business, where his beat included murders, suicides, state executions and race riots. He writes about hitchhiking across the country at the height of the Great Depression. His years in the army in World War II are captured in his hugely successful pictures The Big Red One , The Steel Helmet and Merrill's Marauders . Fuller's other films include Pickup on South Street ; Underworld U.S.A. , a movie that shows how gangsters in the 1960s were seen as "respected" tax-paying executives; Shock Corridor , which exposed the conditions in mental institutions; and White Dog , written in collaboration with Curtis Hanson ( L.A. Confidential ), a film so controversial that Paramount's then studio heads Jeffrey Katzenberg and Michael Eisner refused to release it. In addition to his work in film, Samuel Fuller (1911-1997) wrote eleven novels. He lived in Los Angeles with his wife and their daughter. A Third Face was completed by Jerome Henry Rudes, Fuller's longtime friend, and his wife, Christa Lang Fuller. "Fuller wasn't one for tactful understatement and his hot-blooded, incident-packed autobiography is accordingly blunt ... A Third Face is a grand, lively, rambunctious memoir." Janet Maslin, The New York Times ; "Fuller's last work is a joy and an important addition to film and popular culture literature." Publishers Weekly ; "If you don't like the films of Sam Fuller, then you just don't like cinema." Martin Scorsese, from the book's introduction
Developed by Scott Shaw, the primary premise of Zen Filmmaking is that no screenplay should be used in the creation of a film. There are no rules and no definitions. The spontaneous creative energy of the filmmaker is the only defining factor. This allows for a spiritually pure source of immediate inspiration to be the only guide in the filmmaking process. Within the pages of this book, Scott Shaw leads the reader through all of the elements of Zen Filmmaking -- allowing one to emerge as a competent independent filmmaker, possessing all of the necessary skills to create a feature film, documentary, or music video in the easiest and most expedient manner possible. This book also takes the reader behind-the-scenes on several of Scott Shaw's feature films. This provides a unique insight into the filmmaking process while illustrating how to bypass many of the obstacles of filmmaking.
So, you want to make a movie, but you haven’t got a spare million pounds? Don’t let that stop you! From writing your script and planning a storyboard, to filming with a camera or just a mobile phone, this book leads the way. Breaking a daunting subject into easy-to-manage chunks with insider tips, this book provides a framework for budding directors, camera-operators, and editors. By following each lesson and giving it a go, readers can learn the 10 Super Skills needed to create their very own film. QED are publishing this title in two different formats: Super Skills: Movie Making (Concealed Spiral): 978-1-78493-118-6 Super Skills: Movie Making (Library Bound): 978-1-78493-036-3