Film Firsts
Film Firsts

Author: Ethan Alter

Publisher: Bloomsbury Publishing USA

Published: 2014-02-17

Total Pages: 394

ISBN-13:

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This forward-looking exploration of contemporary American film across the last 40 years identifies and examines the specific movies that changed the film industry and shaped its present and future. Since the mid-1970s, American cinema has gone through enormous changes, such as the birth of the modern summer blockbuster, the rise of the independent film industry, ongoing technological advancements in special effects, and the ever-evolving models for film distribution. Written by a professional film critic and film buff, this book tells the story of contemporary American cinema in a unique and engaging way: by examining 25 key movies that demonstrated a significant creative, technological, or business innovation that impacted the industry at large. Each chapter in this chronological survey of contemporary film is divided into two sections: "The Film," which offers a critical overview of the film in question; and "The First," which describes the specific innovation achieved by that film and places that achievement in the larger historical context. Two additional appendices in each chapter explore other significant aspects of both the film and its groundbreaking nature. The broad coverage—ranging from action movies to horror films to science fiction favorites—ensures the work's appeal to all film fans.

My First Movie
My First Movie

Author: Stephen Lowenstein

Publisher: Pantheon

Published: 2000

Total Pages: 498

ISBN-13:

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Nobody forgets their first time--and film directors are no exception. In these vivid and revealing interviews, a collection of filmmakers as diverse as the Coen brothers and Ken Loach, Ang Lee and Kevin Smith, Anthony Minghella and Gary Oldman, Neil Jordan and Mira Nair talk in extraordinary detail and with amazing candor about making their first films. Each chapter focuses on a director's celebrated debut--be it "Angel or "Blood Simple, "Clerks or "Diner, "Muriel's Wedding or "Truly, Madly, Deeply--and tells the inside story: from writing the script to raising the money, from casting the actors to assembling the crew, from shooting to editing, from selling the movie to screening it. Along the way, every aspect of the movie industry is explored: from dealing with agents and moguls for the first time to pitching your movie as a debutante director, from languishing in development hell to confronting test audiences from hell. The questions have been posed by Stephen Lowenstein, a young director with two acclaimed short films to his credit. Remembering the struggle to launch their careers, the directors have opened up about their first films and themselves to an unprecedented degree. Each chapter is not only a memoir of a particular movie, but also an emotional journey in which the director relives the pain and elation, the comedy and tragedy, of making a first feature. For anyone who wants to direct movies, these tales of triumph and disaster, of sleepless nights and nail-biting days, will be enthralling and terrifying in equal measure. For all other film fans, the interviews provide fascinating and entertaining insights into filmmakers who have become household names.

Trailblazers of Tinseltown: 70 The Firsts in Hollywood Film Industry
Trailblazers of Tinseltown: 70 The Firsts in Hollywood Film Industry

Author: Zahid Ameer

Publisher: Zahid Ameer

Published: 2023-08-30

Total Pages: 29

ISBN-13:

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Welcome to "70 The Firsts in Hollywood Film Industry," an exploration of the pioneering moments that shaped the world of cinema as we know it. In the realm of entertainment, few industries have had as profound and far-reaching an impact as Hollywood. This eBook delves into the groundbreaking accomplishments, visionary creators, and watershed innovations that laid the foundation for the glittering realm of Hollywood. The journey through Hollywood's history is captivating. From the flickering black-and-white screens of the past to the immersive and technologically advanced spectacles of today, the evolution of the film industry is a testament to human creativity, ingenuity, and the relentless pursuit of excellence. Within these digital pages, we will traverse the decades, uncovering the firsts that reshaped storytelling, visual effects, acting, and so much more. Each page of this eBook unveils a different 'first' that left an indelible mark on the industry. We'll relive the magic of the first feature-length film that captured the world's imagination, witness the birth of the talkies that revolutionized sound in cinema, and explore the first steps into the realm of color and special effects that transported audiences to fantastical worlds. We'll celebrate the trailblazing actors who shattered boundaries and the directors who transformed the way stories are told. But it's not just the successes that define Hollywood; it's the setbacks, the challenges, and the unwavering determination to overcome them. We'll also glimpse behind the curtain, discovering the struggles and triumphs of those who dared to dream big and reshape the industry against all odds. As we navigate through these pivotal moments, it's important to remember that Hollywood's journey is a reflection of our own collective history. The film industry's evolution mirrors societal changes, technological advancements, and cultural shifts. What began as a novel experiment over a century ago has blossomed into a global phenomenon that continues to captivate and inspire millions around the world. "70 Firsts in the Hollywood Film Industry" invites you to immerse yourself in the stories of visionaries, risk-takers, and pioneers. It's a celebration of creativity and a tribute to the power of imagination. So, let's embark on this cinematic odyssey together, as we pay homage to the trailblazers who dared to dream and forever transformed the landscape of Hollywood. Lights, camera, history! Zahid Ameer August 30, 2023

The Rise of Central American Film in the Twenty-First Century
The Rise of Central American Film in the Twenty-First Century

Author: Mauricio Espinoza

Publisher: University Press of Florida

Published: 2023-08-29

Total Pages: 266

ISBN-13: 1683403959

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How an overlooked film industry became a cinematic force The first book in English dedicated to the study of Central American film, this volume explores the main trends, genres, and themes that define this emerging industry. The seven nations of the region have seen an unprecedented growth in film production during the twenty-first century with the creation of over 200 feature-length films compared with just one in the 1990s. This volume provides a needed overview of one of the least explored cinemas in the world. In these essays, various scholars of film and cultural studies from around the world provide insights into the continuities and discontinuities between twentieth- and twenty-first-century cinematic production on the Isthmus. They discuss how political, social, and environmental factors, along with new production modes and aesthetics, have led to a corpus of films that delve into issues of the past and present such as postwar memory, failed revolutions, trauma, migration, popular culture, minority populations, and gender disparities. From Salvadoran documentaries to Costa Rican comedies and Panamanian sports films, the movies analyzed here demonstrate the region’s flourishing film industry and the diversity of approaches found within it. The Rise of Central American Film in the Twenty-First Century pays homage to an overlooked cultural phenomenon and shows the importance of regional cinema studies. Contributors: Liz Harvey-Kattou | Daniela Granja Núñez | Carolina Sanabria | Juan Carlos Rodríguez | María Lourdes Cortés | Júlia González de Canales Carcereny | Arno Jacob Argueta | Tomás Arce Mairena | Dr. Mauricio Espinoza | Lilia García Torres | Dr. Jared List | Patricia Arroyo Calderón | Esteban E. Loustaunau | Héctor Fernández L'Hoeste | Juan Pablo Gómez Lacayo | Jennifer Carolina Gómez Menjívar A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Books Into Film
Books Into Film

Author: Robin H. Smiley

Publisher:

Published: 2003

Total Pages: 292

ISBN-13:

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From the beginning, the movie industry has looked to literature for source material. Many of the Twentieth century's finest writers were brought to the movie-making centers -- especially Hollywood -- to adapt their own books into screenplays. More often, another writer or writers would be given the assignment of turning a book into a workable film script. Sometimes the result was a creative leap that expanded and illuminated the original work. Frequently, it wasn't. In the 60-plus essays collected in Books into Film, Robin H. Smiley explores the creative process that puts words together into a book, then translates those words into speech and image and action on film. Drawing upon his experience as a writer and screenwriter and a lifelong student and fan of the movies, the author thoughtfully considers a wide range of books -- from high comedy to darkest noir, from science fiction to melodrama -- and the films made from them. Book jacket.

Filming History from Below
Filming History from Below

Author: Efrén Cuevas

Publisher: Columbia University Press

Published: 2022-01-11

Total Pages: 187

ISBN-13: 0231551576

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Traditional historical documentaries strive to project a sense of objectivity, producing a top-down view of history that focuses on public events and personalities. In recent decades, in line with historiographical trends advocating “history from below,” a different type of historical documentary has emerged, focusing on tightly circumscribed subjects, personal archives, and first-person perspectives. Efrén Cuevas categorizes these films as “microhistorical documentaries” and examines how they push cinema’s capacity as a producer of historical knowledge in new directions. Cuevas pinpoints the key features of these documentaries, identifying their parallels with written microhistory: a reduced scale of observation, a central role given to human agency, a conjectural approach to the use of archival sources, and a reliance on narrative structures. Microhistorical documentaries also use tools specific to film to underscore the affective dimension of historical narratives, often incorporating autobiographical and essayistic perspectives, and highlighting the role of the protagonists’ personal memories in the reconstruction of the past. These films generally draw from family archives, with an emphasis on snapshots and home movies. Filming History from Below examines works including Péter Forgács’s films dealing with the Holocaust such as The Maelstrom and Free Fall; documentaries about the Israeli-Palestinian conflict; Rithy Panh’s work on the Cambodian genocide; films about the internment of Japanese Americans during the Second World War such as A Family Gathering and History and Memory; and Jonas Mekas’s chronicle of migration in his diary film Lost, Lost, Lost.

The Cinema of Me
The Cinema of Me

Author: Alisa Lebow

Publisher: Columbia University Press

Published: 2012-05-29

Total Pages: 289

ISBN-13: 0231850166

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When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.

Lovers of Cinema
Lovers of Cinema

Author: Jan-Christopher Horak

Publisher: Univ of Wisconsin Press

Published: 1995

Total Pages: 420

ISBN-13: 9780299146849

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Historians and students of American avant-garde cinema often overlook the films of the 1920s through the early 1940s, considering them mere derivatives of their European counterparts. In fact, the American films possess an eclecticism, innovation, and naivete all their own. Marshaling his broad cinematic and cultural knowledge, editor Jan-Christopher Horak has compiled in Lovers of Cinema a ground-breaking group of articles on this neglected film period. With one exception, all are original to this volume, and many are the first to treat comprehensively such early filmmakers as Mary Ellen Bute, Theodore Huff, and Douglass Crockwell.

Film's First Family
Film's First Family

Author: Terry Chester Shulman

Publisher: University Press of Kentucky

Published: 2019-11-12

Total Pages: 279

ISBN-13: 081317810X

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“A fascinating [and] beautifully written portrait of a tempestuous family that played a pivotal role in the development of American film” (Vanda Krefft, author of The Man Who Made the Movies). Adultery, secret marriages, divorce, custody battles, suicide attempts, alcoholism—the trials and tribulations of the Costellos were as riveting as any Hollywood feature film. Written with unprecedented access to the family’s personal documents and artifacts, and interviews with several family members, this riveting study explores the dramatic history of the Costellos and their significance to the stage and screen. This eccentric, tragic, yet talented clan was one of the twentieth century’s most accomplished families of actors—second only to the Barrymores, with whom they intermarried and begat a film dynasty riddled with jealousy, resentment, and heartbreak. Inevitably, the Costellos’ brilliant achievements would be eclipsed by their own immutable penchant for self-destruction. Patriarch Maurice “Dimples” Costello was considered the first screen idol until his career, marked by accusations of spousal abuse, drunkenness, and physical assault, abruptly ended. His daughter Dolores married John Barrymore, arguably the most famous man in Hollywood at the time, and their son would carry on the Barrymore name to successive generations of actors. Costello’s other daughter, Helene, was the first actress to star in an all-talking picture, The Lights of New York. However, her career was wracked by scandal in 1932 during her very public divorce from actor-director Lowell Sherman, who testified that his wife was a drunk and an avid reader of pornography. The original members of this pioneering family may be gone, but the name and legacy of the Costellos will live on through their accomplishments, films, and descendants—most notably, actress Drew Barrymore—and through this sweeping biography with “enough juicy material to have filled several volumes” (Leonard Maltin).

Chinese Film in the Twenty-First Century
Chinese Film in the Twenty-First Century

Author: Corey Schultz

Publisher: Taylor & Francis

Published: 2023-10-13

Total Pages: 244

ISBN-13: 1000986233

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This book examines Chinese film in the twenty-first century. Organized around the themes "movements," "genres," and "intermedia," it reflects on how Chinese cinema has changed, adapted, and evolved over past decades and prognosticates as to its future trajectories. It considers how established film genres in China have adapted and transformed themselves, and discusses current shifts in documentary filmmaking, the ethos and practices of "grassroots intellectual" independent filmmakers, and the adaption of foreign film genres to serve the ideological and political needs of the present. It also explores how film is drawing on the socio-historical and political contexts of the past to create new cinematic discourses and the ways film is providing a voice to previously marginalised ethnic groups. In addition, the book analyses the influences of past aesthetic traditions on the creative and artistic expressions of twenty-first-century films and cinema’s relation to other media forms, including folktales, moving image installations, architecture, and painting. Throughout, the book assesses how Chinese films have been conceptualized, examined, and communicated domestically and abroad and emphasizes the importance of new directions in Chinese film, thus highlighting the plurality, vitality, and hybridity of Chinese cinema in the twenty-first century. Chapter 10 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.