Film as a Subversive Art
Author: Amos Vogel
Publisher: Distributed Art Publishers (DAP)
Published: 2005
Total Pages: 0
ISBN-13: 9781933045276
DOWNLOAD EBOOKBy Amos Vogel. Foreword by Scott MacDonald.
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Author: Amos Vogel
Publisher: Distributed Art Publishers (DAP)
Published: 2005
Total Pages: 0
ISBN-13: 9781933045276
DOWNLOAD EBOOKBy Amos Vogel. Foreword by Scott MacDonald.
Author: Jack Hunter
Publisher: Fractured Eye
Published: 2013-01-31
Total Pages: 0
ISBN-13: 9781840681895
DOWNLOAD EBOOKFRACTUREDe ^EYE is new large-format annual film journal, edited by well-known authors Stephen Barber and Jack Hunter, who between them have produced around 50 books on global cinema and cultural history. FRACTUREDe ^EYE does not concern itself with either "mainstream" or "cult" cinema, but rather takes its cue from Amos Vogel's seminal 1974 study Film As A Subversive Art. Subjects covered by FRACTUREDe ^EYE Volume One include illegal film pornography in the 1970s, execution film documents of WW2, film documents of extreme performance art, subversive film documentaries, unfilmed surrealist film scenarios, revolutionary Japanese cinema of 1969, the origins of film projection technology, films of urban demolition, surgical films, and various works of renegade, politically prohibited or transgressive cinema. The book is heavily illustrated with unusual and often disquieting photographs, and is recommended for adult readers only. Subjects covered include Vienna Aktion Cinema, Tokyo 1969, Tatsumi Hijikata, Pierre Guyotat, Koji Wakamatsu, Cosey Fanni Tutti, Skladanowsky Brothers, Georges Franju, and much more.
Author: Carol Becker
Publisher: Psychology Press
Published: 1994
Total Pages: 284
ISBN-13: 9780415905923
DOWNLOAD EBOOKFirst Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Robert Stam
Publisher: John Wiley & Sons
Published: 2015-09-08
Total Pages: 324
ISBN-13: 1118288939
DOWNLOAD EBOOKKeywords offers a conversational journey through the overlying terrains of politically engaged art and artistically engaged politics, combining a major statement on subversive aesthetics, a survey of radical film strategies, and a lexicon of over a thousand terms and concepts. No other book combines an ambitious essay on radical politics and aesthetics in film with a lexicon of terms and ideas, many of which are new and innovative Creates and illustrates over a thousand terms and concept, drawing its examples from a wide range of media Provides a broad timespan, covering the very ancient (Ramayana, Aristotle) to the most current (digital mashups, memes) Uniquely discusses the areas of film, television and the internet within one book No other book combines an ambitious essay on radical politics and aesthetics in film with a lexicon of terms and ideas, many of which are new and innovative
Author: Paul Cronin
Publisher: Austrian Film Museum
Published: 2014
Total Pages: 0
ISBN-13: 9783901644597
DOWNLOAD EBOOKAmos Vogel was one of America's most innovative film historians and curators. An émigré from Austria who arrived in New York just before the Second World War, in 1947 he created Cinema 16, a pioneering film club aimed at audiences thirsty for work "that cannot be seen elsewhere," and in 1963 was instrumental in establishing the New York Film Festival. He later embarked on an ambitious teaching career, synthesizing decades of experience and directing his ideas towards students and, eventually, the wider public. In 1974 he published the culmination of his thoughts - along with an extraordinary collection of stills - in Film as a Subversive Art. On his death, the New York Times wrote that Vogel "exerted an influence on the history of film that few other non-filmmakers can claim." Be Sand, Not Oil is the first book about Vogel, and includes uncollected writings, an unpublished interview, and new essays documenting his never-ending quest for what Werner Herzog, his friend of many decades, has described as "adequate imagery."
Author: Mary Wiseman
Publisher: BRILL
Published: 2011-03-21
Total Pages: 477
ISBN-13: 9004187952
DOWNLOAD EBOOKHow contemporary Chinese art is creating “a philosophy of life, a philosophy of politics, and a natural philosophy,” as artist Qiu Zhijie says it must, is explored in this collection of essays by philosophers and art historians from America and China.
Author: Jeffrey Sconce
Publisher: Duke University Press
Published: 2007-10-24
Total Pages: 356
ISBN-13: 9780822339649
DOWNLOAD EBOOKDIVCollection of essays on the impact that non-mainstream and middlebrow film genres have had on popular culture--including sexploitation, horror, cult, XXX, and indie films./div
Author: Marco Mazzi
Publisher: punctum books
Published: 2022-01-26
Total Pages: 365
ISBN-13: 1685710581
DOWNLOAD EBOOKBroken Narrative provides an extensive reflection on history, politics, and contemporary art, revolving around the cornerstones of the artistic practice of Albanian artist Armando Lulaj. The core of the book is formed by and extended interview of Lulaj by Italian artist and writer Marco Mazzi. This inquiry starts in the year 1997, a year of social and political upheaval in Albania, of anarchy, controversies and emigration, of toxic seeds of neoliberalism sprouting in an already wounded country, and continues to the present day, where politics, hidden behind art forms, has practically destroyed (again) every different and possible future of the country. This book also sketches out a connection between the recent Albanian political context and contemporary art by considering the realities of Albania as essential for an understanding of the dynamics of international power in contemporary art and architecture, and the role of politics therein. Broken Narrative comes in a bilingual English-Japanese edition, in part as homage to the subtle esthetics of Japanese poetry, which has inspired many of the Lulaj's works, while equally evoking the subversive films of the Red Army, active in Japan at the turn of the 1960s and '70s. Broken Narrative contains a double preface in English by Albanian scholar Jonida Gashi and in Japanese by photographer Osamu Kanemura. Armando Lulaj was born in Tirana in 1980. He is a writer of plays, texts on risk territories, filmmaker, and producer of conflict images. He's research is orientated towards accentuating the border between economical power, fictional democracy, and social disparity in a global context. His main topics of interest remain power, corruption and institutional critique. Lulaj has participated in many international exhibitions and film festivals. His works are part of various important private and public collections. Armando Lulaj is one of the founders of DebatikCenter of Contemporary Art. Marco Mazzi (1980) is an Italian photographer and writer living and working between Florence, Tokyo, and Tirana. Mazzi studied Contemporary Literature at the University of Florence and has also studied Japanese avant-garde art and visual poetry in Japan. In 2008, Mazzi founded the non-profit organization Relational Cinema Association within the University of Waseda in Tokyo. Mazzi was photographer-in-residence at The Department of Eagles (Tirana, Albania) during the conference Pedagogies of Disaster and for the project Lapidari, and he was the stage and still photographer for Armando Lulaj's Recapitulation (2015), commissioned by the 2015 Venice Biennale' s Albanian Pavilion.
Author: Lauren Rabinovitz
Publisher: University of Illinois Press
Published: 2003
Total Pages: 276
ISBN-13: 9780252071249
DOWNLOAD EBOOKIn detailing the relationship of three women filmmakers' lives and films to the changing institutions of the post-World War II era, Lauren Rabinovitz has created the first feminist social history of the North American avant-garde cinema. At a time when there were few women directors in commercial films, the postwar avant-garde movement offered an opportunity. Rabinovitz argues that avant-garde cinema, open to women because of its marginal status in the art world, included women as filmmakers, organizers, and critics. Focusing on Maya Deren, Shirley Clarke, and Joyce Wieland, Rabinovitz illustrates how women used bold physical images to enhance their work and how each provided entrée to her subversive art while remaining culturally acceptable. She combines archival materials with her own interviews to show how the women's labor and films, even their identities as women filmmakers, were produced, disseminated, and understood. With a new preface and an updated bibliography, Points of Resistance simultaneously demonstrates the avant-garde's importance as an organizational network for women filmmakers and the processes by which women remained marginal figures within that network.
Author: Marguerite Duras
Publisher:
Published: 2020-10
Total Pages: 148
ISBN-13: 9780999468364
DOWNLOAD EBOOK"The two demonstrate a profound shared passion, a way of literally being one with a medium and speaking about it with a dazzling lyricism interspersed with dryly ironic remarks, fueled by a conviction that inspires them to traverse history. Their point of intersection is obvious. Duras, a writer, is also a filmmaker, and Godard, a filmmaker, has maintained a distinctive relationship with literature, writing and speech."--Cyril Béghin, back cover.