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Author: Patrick O'Neill
Publisher: University of Toronto Press
Published: 1994-01-01
Total Pages: 206
ISBN-13: 9780802079480
DOWNLOAD EBOOKO'Neill investigates the extent to which narrative discourse subverts the story it tells in foregrounding its own performance.
Author: Seymour Chatman
Publisher: Cornell University Press
Published: 2019-06-30
Total Pages: 279
ISBN-13: 1501741616
DOWNLOAD EBOOK"For the specialist in the study of narrative structure, this is a solid and very perceptive exploration of the issues salient to the telling of a story—whatever the medium. Chatman, whose approach here is at once dualist and structuralist, divides his subject into the 'what' of the narrative (Story) and the 'way' (Discourse)... Chatman's command of his material is impressive."—Library Journal
Author: Monika Fludernik
Publisher: Routledge
Published: 2003-12-16
Total Pages: 548
ISBN-13: 1134872879
DOWNLOAD EBOOKMonika Fludernik presents a detailed analysis of free indirect discourse as it relates to narrative theory, and the crucial problematic of how speech and thought are represented in fiction. Building on the insights of Ann Banfield's Unspeakable Sentences, Fludernik radically extends Banfield's model to accommodate evidence from conversational narrative, non-fictional prose and literary works from Chaucer to the present. Fludernik's model subsumes earlier insights into the forms and functions of quotation and aligns them with discourse strategies observable in the oral language. Drawing on a vast range of literature, she provides an invaluable resource for researchers in the field and introduces English readers to extensive work on the subject in German as well as comparing the free indirect discourse features of German, French and English. This study effectively repositions the whole area between literature and linguistics, opening up a new set of questions in narrative theory.
Author: Susan D. Cohen
Publisher: Univ of Massachusetts Press
Published: 1993
Total Pages: 254
ISBN-13: 9780870238284
DOWNLOAD EBOOKA comprehensive study of Marguerite Duras fiction, with a focus on language, representation, and difference, which Duras explores on every structural level.
Author: Richard Ambrosini
Publisher: Cambridge University Press
Published: 1991-07-26
Total Pages: 274
ISBN-13: 9780521403498
DOWNLOAD EBOOKJoseph Conrad's comments about his works have commonly been dismissed as theoretically unsophisticated, while the critical notions of James, Woolf and Joyce have come to shape our understanding of the modern novel. Richard Ambrosini's study of Conrad's Fiction as Critical Discourse makes an original claim for the importance of his theoretical ideas as they are formed, tested, and eventually redefined in Heart of Darkness and Lord Jim. Setting the narrator's discourse in these tales in the context of the dynamic interplay of Conrad's fictional with his non-fictional writings, and of the transformations in his narrative forms, Ambrosini defines Conrad's view of fiction and the artistic ideal underlying his commitment as a writer in a new and challenging way. Conrad's innovatory techniques as a novelist are shown in the continuity of his theoretical enterprise, from the early search for an artistic prose and a personal novel form, to the later dislocations of perspective achieved by manipulation of conventions drawn from popular fiction. This reassessment of Conrad's critical thought offers a new perspective on the transition from the Victorian novel to contemporary fiction.
Author: Stefano Predelli
Publisher: Oxford University Press
Published: 2020-01-30
Total Pages: 193
ISBN-13: 0192595962
DOWNLOAD EBOOKFictional Discourse: A Radical Fictionalist Semantics combines the insight of linguistic and philosophical semantics with the study of fictional language. Its central idea is familiar to anyone exposed to the ways of narrative fiction, namely the notion of a fictional teller. Starting with premises having to do with fictional names such as 'Holmes' or 'Emma', Stefano Predelli develops Radical Fictionalism, a theory that is subsequently applied to central themes in the analysis of fiction. Among other things, he discusses the distinction between storyworlds and narrative peripheries, the relationships between homodiegetic and heterodiegetic narrative, narrative time, unreliability, and closure. The final chapters extend Radical Fictionalism to critical discourse, as Predelli introduces the ideas of critical and biased retelling, and pauses on the relationships between Radical Fictionalism and talk about literary characters.
Author: Hans J. Lind
Publisher: Routledge
Published: 2020-04-14
Total Pages: 244
ISBN-13: 0429887612
DOWNLOAD EBOOKDrawing on insights from literary theory and analytical philosophy, this book analyzes the intersection of law and literature from the distinct and unique perspective of fictional discourse. Pursuing an empirical approach, and using examples that range from Victorian literature to the current judicial treatment of rap music, the volume challenges the prevailing fact–fiction dichotomy in legal theory and practice by providing a better understanding of the peculiarities of legal fictionality, while also contributing further material to fictional theory’s endeavor to find a transdisciplinary valid criterion for a definition of fictional discourse. Following the basic presumptions of the early law-as-literature movement, past approaches have mainly focused on textuality and narrativity as the common denominators of law and literature, and have largely ignored the topic of fictionality. This volume provides a much needed analysis of this gap. The book will be of interest to scholars of legal theory, jurisprudence and legal writing, along with literature scholars and students of literature and the humanities.
Author: Edie Meidav
Publisher: MIT Press
Published: 2023-02-28
Total Pages: 306
ISBN-13: 1949597210
DOWNLOAD EBOOKA lyric novel about the play of grief, empathy, new and old love, and the quest to overcome blindness in human relations. Caught in the cross-currents of a fraught divorce and a new love, the death of her mother, and a global pandemic, a writer plunges into an obsession with the work of 1960s French philosopher Roland Barthes. Her struggles to make sense of his work and life—and of what can happen to a woman's settled life in a single harrowing year—result in an engrossing, funny, earthy, and innovative lyric work. The quest for authenticity in motherhood, sexuality, and tenancy on the earth and in the home, as well as the unusual lyric form, make the novel unified in spirit yet transdisciplinary in approach.
Author: Gérard Genette
Publisher: Cornell University Press
Published: 1980
Total Pages: 292
ISBN-13: 9780801492594
DOWNLOAD EBOOKGenette uses Proust's Remembrance of Things Past as a work to identify and name the basic constituents and techniques of narrative. Genette illustrates the examples by referring to other literary works. His systemic theory of narrative deals with the structure of fiction, including fictional devices that go unnoticed and whose implications fulfill the Western narrative tradition.
Author: Robert S. Dombroski
Publisher:
Published: 1994
Total Pages: 232
ISBN-13:
DOWNLOAD EBOOKMany of the great writers of modern Italian fiction--Manzoni, Verga, D'Annunzio, and others--share a strong belief in the transformational power of the written word. According to Robert Dombroski, each embraces literature as an institution and convention, and each adopts the novel form as a means of affirming life in the face of troubled reality. In Properties of Writing, Dombroski explores their work and the social, political, and historical issues that have emerged in recent Italian fiction. In each of nine critical readings, Dombroski offers an original interpretation, reconsiders past assumptions, and redefines unresolved critical problems. The result is the first book in English to focus on the Italian novel from the perspective of ideological criticism. "Such an informed and comprehensive history of the modern Italian novel has simply not been available in English. Properties ofWriting is well documented, extremely convincing, and takes into account all of the useful recent criticism. This is not surprising, since Dombroski is one of the leading U.S. experts in the field of modern Italian fiction--indeed, an expert whose recognition is international."--Anthony Oldcorn, Brown University
