It is said the land level of Ireland rises a few feet every March because so many people have left for the National Hunt Festival at Cheltenham. English-Irish rivalry at this pinnacle of jump racing has always been keen but it has risen to new levels in the 21st Century, with many Irish winners across all the races, including the Gold Cup, Queen Mother Chase, Champion Hurdle and Stayers Hurdle. But Festival Fever, The Irish At Cheltenham is about more than the winners, it is the whole atmosphere, the mix of ex-pat and visiting Irish among the thronging crowds, the craic; what goes on behind the scenes; many surprising stories are told. It is also about the fascinating history – racing was banned at Cheltenham for a period during the 19th century; and the 1980s saw a dearth of Irish runners which led to enterprising attempts by the racecourse to woo them back.
“A wonderful nightmare of a book: tender and frightening, disturbing but compassionate. Fever Dream is a triumph of Schweblin’s outlandish imagination.” –Juan Gabriel Vasquez, author of The Sound of Things Falling and Reputations A young woman named Amanda lies dying in a rural hospital clinic. A boy named David sits beside her. She’s not his mother. He's not her child. Together, they tell a haunting story of broken souls, toxins, and the power and desperation of family. Fever Dream is a nightmare come to life, a ghost story for the real world, a love story and a cautionary tale. One of the freshest new voices to come out of the Spanish language and translated into English for the first time, Samanta Schweblin creates an aura of strange psychological menace and otherworldly reality in this absorbing, unsettling, taut novel.
The importance of design for festival posters is becoming increasingly relevant when they are displayed in different cities. Their communication techniques are extremely effective, seeking a relationship between art and modernity, directly focusing on their target. The key point in the advertising and communication of different festivals centers on the corporate image and on its advertising. In recent years, advertisers, copywriters, and illustrations have teamed up to offer within an image all the information needed to catch the attention of the public. This volume highlights the works of: Paula Bonet, Studio Muti, Invisible Creature, Alexis Bukowski, Studio Fnt, Quim Marin, Yeji Yun, and Lawerta.
"These poems know a great deal about beauty and violence: 'twenty years / was about as much good as / circling / a black eye'. Kylie Gellatly shows us what vividness is, how it lives in our shapes, our pain, our imaginary (and real) selves: 'man taken / to be a trench / that might have been a cannon ball'. This poetry composes musics with silences. It is both a song and whisper, an erasure and exhalation. It is both a journey across us, and inward: 'the ship was the rib of reason / [...] the ship was beginning to be an alarm / the ship was right there on the floor while this book was written.' Herein history is envious of a dreamscape. And yet: the dream aspires to be dailiness, and fears it. Which is to say: this is a book of fevers the likes of which you feel most familiar with, yet have not seen before. Recognize yourself in them." -Ilya Kaminsky, author of Deaf Republic "Musical and deeply felt, these poems-untitled and running wild-chase down the heart. No tangible space is without the immaterial here. The Elements are resilient, and I feel pushed and pulled by them. Gellatly's debut book is beautiful, haunted and mystical. Her poems are like 'the strange contrast between death and dawn, ' and 'the fool's divine spark / forever coming loose' in the reader's hands." -Bianca Stone, author of The Möbius Strip Club of Grief "In Kylie Gellatly's The Fever Poems, water is silk that rubs against the night. Events are figments of the speaker's imagination and graves shape time. Extremely contemporary in their fixation on illness, isolation, and anxiety, these poems spill down and across the page like slate off a cliffside. There is an unwavering generosity to the introspection of this speaker: through her eyes, floating ash becomes 'hundreds of baled papers, bent up like two bears dancing.' This is a collection that understands and beautifully, painfully relays that what we have-with each other, with the land-is 'the last of the last.'" -Taneum Bambrick, author of Vantage "'I was sore at heart, ' writes Kylie Gellatly in The Fever Poems, and the reader is invited into a sprawling, curious, visionary, deeply empathetic, epic debut. Her poems shine goldly in the space between elemental earth-salt, rock, wind, weather-and the human, conscious choice of living. With echoes of Jorie Graham and W. S. Merwin, Gellatly navigates the complexities of language, 'a pledge made / into paper / weathered / in our hands, ' 'choked with the monsters of parentheses'. This is a collection for our time of pandemic, uncertainty, and an urgent need for a revision of our relationship with the natural world-Gellatly recognizes the swinging pendulum of power between the earth's force and human interference, and, without castigation, illuminates us." -Jenny Molberg, author of Refusal "Kylie Gellatly's The Fever works like a ship, navigating the tempests of our fragile moment. The poems enact a wandering/wondering through fire and fog, investigating meaning through a naturalist's lens, balancing an elemental pull with the fierce heat of being human. This collection is an invitation to a sensorial meditation, one where fever is less a symptom of sickness than a door to discovery." -Erin Adair-Hodges, author of Let's All Die Happy
Fleur Denman is given the chance of a lifetime to front the Ridgly Parva Arts and History Festival - but some locals have long memories, and aren't prepared to overlook the scandal that once blackened the Denman name. In the face of adversity, Fleur sets out to prove her worth. Then some festival money goes missing, and Ben Salt, the main sponsor, is among the first to point an accusing finger in her direction. To make matters worse, Fleur finds herself increasingly attracted to him...
With facts and figures on geography, history, economy, cultures, and peoples of the Last Frontier, the 29th edition is packed with all-about-Alaska information for people who dream of visiting Alaska, as well as long-lasting sourdoughs.
