Meet the cat with eight extra toes! Ferdinand is a shy but curious cat who learns that his differences are what truly make him special. Through his adventures, everyone around him is able to learn and appreciate his unique qualities too! "Ferdinand with the Extra Toes is a story we can all relate to at some points in our lives. We all need to learn from this special kitty and accept those around us, no matter what differences they may have." -Kim Strawbridge-Foerster
The cat with the extra toes is back! In his first adventure, Ferdinand learned that it's his differences-his extra toes-that made him special. Now Ferdinand is off on a new adventure to the local farm, where he gets to share the important lessons he's learned with Petunia-a PIG! "Ferdinand is back and even better in this story that shows when you accept what makes you unique, you inspire others to be their true selves too. When we love ourselves just the way we are, like Ferd, we can help others, like Petunia, acknowledge what makes them special too!" -Jessica Martin
Get ready to join Ferdinand with the Extra Toes on his latest escapade - SCHOOL! Our favorite feline friend is about to meet new pals, explore new ideas and lend a paw to a shy classmate. "Ferdinand teaches us what it is like to embrace our unique differences. In this book, Ferdinand meets Emerald, although their differences are similar, they are still unique from each other, the same as you and me! This kitty with extra toes is on a mission to help us all embrace what makes us different, makes us great!" - Abby Scherzer
Ancient heroes from Irish mythology and folklore come to life in the modern world in this dark, atmospheric story. At once a thrilling chase novel and a wry reimagining of Ireland’s oldest epic, it is sure to enthrall readers of Neil Gaiman and Cassandra Khaw. Everybody is after the girl in the bog. One morning in a field in Connemara, a farmer unearths the body of a young woman, two thousand years old, preserved under layers of peat. Later that evening, she awakens in unfamiliar modern Ireland, ripping a hole through space and time and setting awhirl old animosities and long-held grudges. Shadowy figures follow her from the pagan past, and each emerges with a claim on the girl from the bog. With help from a trio of wannabe teenage witches, she goes on the run. Joining in the chase is an American archaeologist who wants to keep the discovery for herself and two befuddled farmers trapped in the plot. Hosts of fairies out for the night work their magic and mischief, and in the blue hour before sunrise, the saga unfolds in a battle for the ages. Part fantasy, part mystery, part thriller, part send-up, this comic and poignant love song to Irish literature and the gift of gab does not merely bend genres; it braids them into Celtic knots.
Author's Foreword This book is unfinished. The Filipino people shall finish it for me. I wrote this volume very, very slowly. 1 could have done with it In three months after my defection from the conjugal dictatorship of Ferdinand and Imelda Marcos on February 20.1975. Instead, I found myself availing of every excuse to slow it down. A close associate, Marcelino P. Sarmiento, even warned me, "Baka mapanis 'yan." (Your book could become stale.)While I availed of almost any excuse not to finish the manuscript of this volume, I felt the tangible voices of a muted people back home in the Philippines beckoning to me from across the vast Pacific Ocean. In whichever way I turned, I was confronted by the distraught images of the Filipino multitudes cryingout to me to finish this work, lest the frailty of human memory -- or any incident a la Nalundasan - consign to oblivion the matters I had in mind to form the vital parts of this book. It was as if the Filipino multitudes and history itself were surging in an endless wave presenting a compelling demand on me toSan Francisco, California perpetuate the personal knowledge I have gained on the infamous machinations of Ferdinand E. Marcos and his overly ambitious wife, Imelda, that led to a day of infamy in my country, that Black Friday on September 22, 1972, when martial law was declared as a means to establish history's first conjugal dictatorship. The sense of urgency in finishing this work was also goaded by the thought that Marcos does not have eternal life and that the Filipino people are of unimaginable forgiving posture. I thought that, if I did not perpetuate this work for posterity, Marcos might unduly benefit from a Laurelian statement that, when a man dies, the virtues of his past are magnified and his faults are reduced to molehills. This is a book for which so much has been offered and done by Marcos and his minions so that it would never see the light of print. Now that it is off the press. I entertain greater fear that so much more will be done to prevent its circulation, not only in the Philippines but also in the United States.But this work now belongs to history. Let it speak for itself in the context of developments within the coming months or years. Although it finds great relevance in the present life of the present life of the Filipinos and of Americans interested in the study of subversion of democratic governments by apparently legal means, this work seeks to find its proper niche in history which mustinevitably render its judgment on the seizure of government power from the people by a lame duck Philippine President.If I had finished this work immediately after my defection from the totalitarian regime of Ferdinand and Imelda, or after the vicious campaign of the dictatorship to vilify me in July-August. 1975, then I could have done so only in anger. Anger did influence my production of certain portions of the manu-script. However, as I put the finishing touches to my work, I found myself expurgating it of the personal venom, the virulence and intemperate language of my original draft.Some of the materials that went into this work had been of public knowledge in the Philippines. If I had used them, it was with the intention of utilizing them as links to heretofore unrevealed facets of the various ruses that Marcos employed to establish his dictatorship.Now, I have kept faith with the Filipino people. I have kept my rendezvous with history. I have, with this work, discharged my obligation to myself, my profession of journalism, my family and my country.I had one other compelling reason for coming out with this work at the great risks of being uprooted from my beloved country, of forced separation from my wife and children and losing their affection, and of losing everything I have in my name in the Philippines - or losing life itself. It is that I wanted to makea public expiation for the little influence that I had . . . .(more inside)
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.
