In 8100 BC Egypt, the God Amunna yanked 15-yearold Miko’s soul from his body to save him from an early death. Miko is now Jebel Barkal, a vampire living in the United States of America with his vampire family. Using his mind to slip in and out of times and dimensions of space, sometimes bringing people with him, Jebel has been waging a battle against evil since the days of the pharaohs in Egypt. Now his greatest conflict will be holding on to love and life.
In a Europe ruled by vampires--handsome, elegant creatures immune to pain and disease--Noell Cordery, son of Richard the Lionheart's courtier, continues his father's search for the source of vampirism in Europe
Life was pretty average for Andrew. Until the morning he woke up undead. First there were bite marks on his neck. Then he tried to eat garlic—but that didn’t work out so well. And now he’s got this weird urge to sleep upside down.... Andrew’s kind of excited about being a vampire. He’ll get to fly, stay up all night, and totally scare his sister. But when he meets his vampire teacher, Andy realizes that being a vampire isn’t as all it’s cracked up to be....
On my thirteenth birthday, my life changed for ever. That's when I learned the shocking truth: I'm a half-vampire. Think that sounds cool? Think again! I've been attacked by an evil vampire bat, had huge cravings for my best friend's blood, and nearly died from eating a pizza (half-vampires aren't great with garlic). Writing my secret blog is the only thing that's kept me from going completely crazy. As if life couldn't get any more complicated, there have been some vicious attacks in the local woods. Vampire-mad Tallulah (definitely not my girlfriend) thinks a super-vampire is behind them - and she's desperate to prove it, with a mysterious chain that's supposed to glow red-hot when a vampire is close by. And I have a horrible feeling that the chain's going to turn red-hot any day now . . . A new novel from award-winning author Pete Johnson that taps into the very current interest in vampires - done with Pete's humorous, accessible touch.
Twenty-three essays by young professional philosophers examine crucial ethical and metaphysical aspects of the Buffyverse (the world of Buffy). Though the show already attracted much scholarly attention, this is the first book to fully disinter the intellectual issues. Designed by Whedon as a multilevel story with most of its meanings deeply buried in heaps of heavy irony, Buffy the Vampire Slayer has replaced The X-Files as the show that explains to Americans the nature of the powerful forces of evil continually threatening to surge into our world of everyday decency and overwhelm it. In the tradition of the classic horror films Buffy the Vampire Slayer addresses ethical issues that have long fascinated audiences. This book draws out the ethical and metaphysical lessons from a pop-culture phenomenon.
To explain the millennial shift away from the traditionally dark Protestant post-Enlightenment Gothic, Nelson studies the complex arena of contemporary Gothic subgenres that take the form of novels, films, and graphic novels. She considers the work of Dan Brown and Stephenie Meyer, graphic novelists Mike Mignola and Garth Ennis, Christian writer William P. Young (author of The Shack), and filmmaker Guillermo del Toro. She considers twentieth-century Gothic masters H.P. Lovecraft, Anne Rice, and Stephen King in light of both their immediate ancestors in the eighteenth century and the original Gothic--the late medieval period from which Horace Walpole and his successors drew their inspiration. Fictions such as the Twilight and Left Behind series do more than follow the conventions of the classic Gothic novel. They are radically reviving and reinventing the transcendental worldview that informed the West's premodern era. As Jesus becomes mortal in The Da Vinci Code and the child Ofelia becomes a goddess in Pan's Labyrinth, Nelson argues that this unprecedented mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.
Mark Jenkins’s engrossing history draws on the latest science, anthropological and archaeological research to explore the origins of vampire stories, providing gripping historic and folkloric context for the concept of immortal beings who defy death by feeding on the lifeblood of others. From the earliest whispers of eternal evil in ancient Mesopotamia, Greece, and Rome, vampire tales flourished through the centuries and around the globe, fueled by superstition, sexual mystery, fear of disease and death, and the nagging anxiety that demons lurk everywhere. In Vampire Forensics, Mark Jenkins probes vampire legend to tease out the historical truths enshrined in the tales of terror: sherds of Persian pottery depicting blood-sucking demons; the amazing recent discovery by National Geographic archaeologist Matteo Borrini of a 16th-century Venetian grave of a plague victim and suspected vampire; and the Transylvanian castle of "Vlad the Impaler," whose bloodthirsty cruelty remains unsurpassed. Jenkins navigates centuries of lore and legend, adding new chapters to the chronicle and weaving an irresistibly seductive blend of superstition, psychology, and science sure to engross everyone from Anne Rice’s countless readers to serious students of archaeology and mythology.
So you want to be a vampire? This book will tell you everything you need to know about taking a real 'bite' out of life. From looking like a creepy count, to secret vampire language, to partying till sunrise. Get ready for a FANGtastic time.
“Vampires. Why do we care? In these pages you will find what is very simply, the most literate, imaginative, and just plain fascinating answer to that question ever written.” ?Whitley Strieber In a culture that does not do death particularly well, we are obsessed with mortality. Margot Adler writes, “Vampires let us play with death and the issue of mortality. They let us ponder what it would mean to be truly long lived. Would the long view allow us to see the world differently, imagine social structures differently? Would it increase or decrease our reverence for the planet? Vampires allow us to ask questions we usually bury.” As Adler, a longtime NPR correspondent and question asker, sat vigil at her dying husband’s bedside, she found herself newly drawn to vampire novels and their explorations of mortality. Over the next four years—by now she has read more than 270 vampire novels, from teen to adult, from gothic to modern, from detective to comic—she began to see just how each era creates the vampires it needs. Dracula, an Eastern European monster, was the perfect vehicle for 19th-century England’s fear of outsiders and of disease seeping in through its large ports. In 1960s America, Dark Shadows gave us the morally conflicted vampire struggling against his own predatory nature, who still enthralls us today. Think Spike and Angel, Stefan and Damon, Bill and Eric, the Cullens. Vampires Are Us explores the issues of power, politics, morality, identity, and even the fate of the planet that show up in vampire novels today. Perhaps, Adler suggests, our blood is oil, perhaps our prey is the planet. Perhaps vampires are us.
