A night camping at the treehouse in the woods leads the pre-teen Archie and his friends to do what any kid their age would do in that scenario: tell scary stories! But each story grows creepier and creepier as the kids realize that maybe, just maybe, there is some truth to these tall tales in an anthology that’s equal parts Are You Afraid of the Dark? and Goosebumps.
In Riverdale, even the toys are terrifying in this anthology one-shot set in the universe of last year’s Fear the Funhouse comic. Three tales of dolls, robots, and puppets gone awry all thanks to the work of a shadowy toymaker and a young girl intent on revenge, in the vein of the widely successful M3GAN movie and Child’s Play franchise
Evil comes in frightening and familiar forms in this terrifying novel from #1 New York Times bestselling author Dean Koontz. Once there was a girl who ran away and joined a traveling carnival. She married a man she grew to hate—and gave birth to a child she could never love. A child so monstrous that she killed it with her own hands... Twenty-five years later, Ellen Harper has a new life, a new husband, and two normal children—Joey loves monster movies and Amy is about to graduate from high school. But their mother drowns her secret guilt in alcohol and prayer. The time has come for Amy and Joey to pay for her sins, because the carnival is coming back to town...
DIVA high schooler suspects that a tragic roller coaster crash wasn’t an accident/div DIVIf it weren’t for the Boardwalk, the small town of Santa Luisa might disappear altogether. The amusement park employs half the town’s workers, pulls in tourists, and gives teenagers like Tess Landers someplace to hang out on the weekends. Tess is eating a hot dog when the Boardwalk’s roller coaster—the Devil’s Elbow—jumps the track, hangs for a moment in the air, and then plummets to the ground. One of Tess’s classmates is dead on impact, two are forever maimed, and over twenty others are taken to the hospital. It’s the worst tragedy Santa Luisa has ever seen, but it’s only the beginning./divDIV /divDIVAs people rush to help, Tess spies a black-suited figure running away from the crowd. The crash was no accident. Five more teens will suffer before the killer is through, and Tess may be about to put herself on the list of victims./divDIV /divDIVThis ebook features an illustrated biography of Diane Hoh including rare photos and never-before-seen documents from the author’s personal collection./div
A fresh and brilliantly told memoir from a cult favorite comic artist, marked by gothic twists, a family funeral home, sexual angst, and great books. This breakout book by Alison Bechdel is a darkly funny family tale, pitch-perfectly illustrated with Bechdel's sweetly gothic drawings. Like Marjane Satrapi's Persepolis, it's a story exhilaratingly suited to graphic memoir form. Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescense, the denouement is swift, graphic -- and redemptive.
"Prisons are hard places to get into and harder yet to get out of," writes Robert Ellis Gordon as he takes you on a remarkable eight-year journey into the Washington State corrections system. As a writing teacher in the state¿s prisons from 1989 until 1998, Gordon had the unique experience of gaining access to the system¿s darkest realms while still being free to walk away from penitentiary confines at the end of the day. His account is aided by essays and stories contributed by six extraordinary inmates--works that give this book an unforgettable edge. Together, Gordon and his students provide revealing glimpses of this vast secret-laden subculture of incarcerated individuals, which nationwide comprises more than two million U.S. citizens. Here is a gallery of portraits of prison life, from the female guard who tantalizes male inmates with her sexuality to the terrified young fish trying to stave off other prisoners. The stories are jarring, harsh, compelling. A surprising--and frequently searing--examination of the prison experience, seen from both inside and out¿ memorable and gripping."--Kirkus Reviews
What's wrong with a little harmless demonic circus fun? When Neve enters Arcanium, her six-month marriage is already on the rocks, in part because of her complete lack of interest in sex. However, after making a frustrated wish in front of the fortune teller, she leaves seething with sexual desire that calls the Arcanium strongman straight into her bed and pulls her right back into the circus and under its jinni owner's thumb. Neve is unprepared for the onslaught of lust coming at her from every side—from the sex demons that charge the circus with excruciating sexual tension to her exhibit in the haunted funhouse, where hands stroke her sensitized skin for hours on end without relief. What's worse, the jinni has more insidious plans for her in the secret Funhouse, private esoterica events where Arcanium can go as far as it wants. But after a lifetime of combating men's objectification of her, fighting to be seen as a person rather than as something to seduce, her new raging libido and the impulses that accompany it make the effort all the more difficult. Among the free-spirited and tempting cast of Arcanium, Neve struggles to determine what she's willing to become.
NATIONAL BOOK AWARD FINALIST • John Barth's lively, highly original collection of short pieces is a major landmark of experimental fiction exploring themes of purpose and the meaning of existence. "[Barth] ran riot over literary rules and conventions, even as he displayed, with meticulous discipline, mastery of and respect for them." —The New York Times From its opening story, "Frame-Tale"--printed sideways and designed to be cut out by the reader and twisted into a never-ending Mobius strip--to the much-anthologized "Life-Story," whose details are left to the reader to "fill in the blank," Barth's acclaimed collection challenges our ideas of what fiction can do. Highlights include the Homerian story-wthin-a-story-within-a-story (times seven) of "Menalaiad,' and "Night-Sea Journey," a first-person account of a confused human sperm on its way to fertilize an egg. All of the characters in Lost in the Funhouse are searching, in one way or another, for their purpose and the meaning of their existence. Together, their stories form a kaleidescope of exuberant metafictional inventiveness.
(Applause Books). Based on the novel by Hunter S. Thompson, this is the screenplay of the movie. Includes thoughts by both Tony Grisoni and Terry Gilliam. "Transferred to the screen by Gilliam with a fidelity to the author's imagery ... here it is in all its splendiferous funhouse terror; the closest sensory approximation of an acid trip ever achieved by a mainstream movie." The New York Times
