Fear Eats the Soul (Angst Essen Seele Auf)
Fear Eats the Soul (Angst Essen Seele Auf)

Author: Laura Cottingham

Publisher: Bloomsbury Publishing

Published: 2020-10-15

Total Pages: 105

ISBN-13: 1839021810

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In Rainer Werner Fassbinder's Fear Eats the Soul (Angst Essen Seele Auf, 1974) Emma (Brigitte Mira), a working-class widow and former member of the Nazi party, marries Ali (El Hedi ben Salem), a much younger Moroccan migrant worker. Set in Munich during the 1970s, the film melds the conventions of melodrama with a radical sensibility to present a portrait of racism and everyday hypocrisy in post-war Germany. It is a film about the way conventional society detests anything and anybody unfamiliar - but also a film about the hopes and limits of love. Intricately directed, beautifully performed, and designed to show Munich life in all its shabby kitschiness, Fear Eats the Soul may be Fassbinder's finest film. Laura Cottingham celebrates Fassbinder's achievement, placing Fear Eats the Soul in relation to his extraordinarily prolific career in theatre, film and television. Her analysis pulls back the thin curtain that separated his work from his tumultuous life. She also explores the director's debt to the lush Hollywood melodramas made by fellow German Douglas Sirk, especially All That Heaven Allows (1955). In a detailed scene-by-scene analysis, Cottingham shows how Fassbinder managed to combine beauty and tenderness with fierce political critique.

The Politics of Fear
The Politics of Fear

Author: Ruth Wodak

Publisher: SAGE

Published: 2020-10-12

Total Pages: 368

ISBN-13: 1529738539

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Far-right populist politics have arrived in the mainstream. We are now witnessing the shameless normalization of a political discourse built around nationalism, xenophobia, racism, sexism, antisemitism and Islamophobia. But what does this change mean? What caused it? And how does far-right populist discourse work? The Politics of Fear traces the trajectory of far-right politics from the margins of the political landscape to its very centre. It explores the social and historical mechanisms at play, and expertly ties these to the "micro-politics" of far-right language and discourse. From speeches to cartoons to social media posts, Ruth Wodak systematically analyzes the texts and images used by these groups, laying bare the strategies, rhetoric and half-truths the far-right employ. The revised second edition of this best-selling book includes: A range of vignettes analyzing specific instances of far-right discourse in detail. Expanded discussion of the "normalization" of far-right discourse. A new chapter exploring the challenges to liberal democracy. An updated glossary of far-right parties and movements. More discussion of the impact of social media on the rise of the far-right. Critical, analytical and impassioned, The Politics of Fear is essential reading for anyone looking to understand how far-right and populist politics have moved into the mainstream, and what we can do about it.

Beirut Hellfire Society: A Novel
Beirut Hellfire Society: A Novel

Author: Rawi Hage

Publisher: W. W. Norton & Company

Published: 2019-07-16

Total Pages: 246

ISBN-13: 1324002921

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“Truly a masterpiece.” —Lawrence Joseph On a ravaged street overlooking a cemetery in a Christian enclave in war-torn 1970s Beirut, we meet Pavlov, the son of a local undertaker. When his father dies suddenly, Pavlov is approached by a member of the mysterious Hellfire Society—an anti-religious sect that arranges secret burial for outcasts denied last rites because of their religion or sexuality. Pavlov agrees to take on his father’s work for the society, and over the course of the novel he becomes a survivor-chronicler of his embattled and faded community at the heart of Lebanon’s civil war.

Cléo de 5 a 7
Cléo de 5 a 7

Author: Steven Ungar

Publisher: Bloomsbury Publishing

Published: 2020-05-28

Total Pages: 126

ISBN-13: 1838719342

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Cléo de 5 à 7 (Cléo from 5 to 7), Agnes Varda's classic 1962 work depicts, in near real-time, 90 minutes in the life of Cléo, a young woman in Paris awaiting the results of medical tests that she fears will confirm a fatal condition. The film, whose visual beauty matches its evocation of early-Fifth Republic Paris, was a major point of reference for the French New Wave despite the fact that Varda never considered herself a member of the core Cahiers du cinéma group of critics-turned- film-makers. Ungar provides a close reading of the film and situates it in its social, political and cinematic contexts, tracing Varda's early career as a student of art history and as a photographer, the history of post-war French film, and the lengthy Algerian war to which Cléo's health concerns and ambitions to become a pop singer make her more or less oblivious. His study is the first to set a reading of Cléo's formal and technical complexity alongside an analysis of its status as a visual document of its historical moment. Steven Ungar's foreword to this new edition looks back upon Varda's film-making career and considers her contributions as a female auteur and in the context of the French New Wave.

Fassbinder's Germany
Fassbinder's Germany

Author: Thomas Elsaesser

Publisher: Amsterdam University Press

Published: 1996

Total Pages: 397

ISBN-13: 9053560599

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Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from different thematic and analytical perspectives, Elsaesser offers both an overview and a number of detailed readings of crucial films, while also providing a European context for Fassbinder's own coming to terms with fascism.

Fear Eats the Soul
Fear Eats the Soul

Author: Laura Cottingham

Publisher:

Published: 2020

Total Pages: 0

ISBN-13: 9781839021824

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In Rainer Werner Fassbinder's Fear Eats the Soul (Angst Essen Seele Auf, 1974) Emma (Brigitte Mira), a working-class widow and former member of the Nazi party, marries Ali (El Hedi ben Salem), a much younger Moroccan migrant worker. Set in Munich during the 1970s, the film melds the conventions of melodrama with a radical sensibility to present a portrait of racism and everyday hypocrisy in post-war Germany. It is a film about the way conventional society detests anything and anybody unfamiliar - but also a film about the hopes and limits of love. Intricately directed, beautifully performed, and designed to show Munich life in all its shabby kitschiness, Fear Eats the Soul may be Fassbinder's finest film. Laura Cottingham celebrates Fassbinder's achievement, placing Fear Eats the Soul in relation to his extraordinarily prolific career in theatre, film and television. Her analysis pulls back the thin curtain that separated his work from his tumultuous life. She also explores the director's debt to the lush Hollywood melodramas made by fellow German Douglas Sirk, especially All That Heaven Allows (1955). In a detailed scene-by-scene analysis, Cottingham shows how Fassbinder managed to combine beauty and tenderness with fierce political critique.

From Caligari to Hitler
From Caligari to Hitler

Author: Siegfried Kracauer

Publisher: Princeton University Press

Published: 2019-04-02

Total Pages: 432

ISBN-13: 0691191344

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An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.

The Worldwide Guide to Movie Locations
The Worldwide Guide to Movie Locations

Author: Tony Reeves

Publisher: Chicago Review Press

Published: 2001

Total Pages: 424

ISBN-13:

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For all those fans who wonder where their favorite movies were filmed or what it would be like to visit the sites, this book is the ultimate resource. It features information on blockbuster, cult, and art house favorites from Saturday Night Fever to Men in Black, from Belle du Jour to Ben Hur. The entries for individual films include brief descriptions of key scenes shot at the location, travel details, photographs, film stills, behind-the-scenes information, and insights as to what these places are really like. Also included are full-color features on major sites of special interest—Vertigo’s San Francisco, Woody Allen’s Manhattan, and a world Star Wars tour, among others—along with more obscure locations that have become sought-after travel destinations simply because of their connection to the movies.

Guide for the Film Fanatic
Guide for the Film Fanatic

Author: Danny Peary

Publisher: Touchstone

Published: 1986

Total Pages: 534

ISBN-13:

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On cover: A critical checklist of more than 1600 must-see midnight movies, classics, silents, epics, camp favorites, cult picks, sleepers, video smashes, and more.

The World and Its Double
The World and Its Double

Author: Chris Fujiwara

Publisher: Farrar, Straus and Giroux

Published: 2015-07-14

Total Pages: 521

ISBN-13: 1466894237

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Otto Preminger was one of Hollywood's first truly independent producer/directors. He sought to address the major social, political, and historical questions of his time in films designed to appeal to a wide public. Blazing a trail in the examination of controversial issues such as drug addiction (The Man with the Golden Arm) and homosexuality (Advise and Consent) and in the frank, sophisticated treatment of adult material (Anatomy of a Murder), Preminger in the process broke the censorship of the Hollywood Production Code and the blacklist. He also made some of Hollywood's most enduring film noir classics, including Laura and Fallen Angel. An Austrian émigré, Preminger began his Hollywood career in 1936 as a contract director. When the conditions emerged that led to the fall of the studio system, he had the insight to perceive them clearly and the boldness to take advantage of them, turning himself into one of America's most powerful filmmakers. More than anyone else, Preminger represented the transition from the Hollywod of the studios to the decentralized, wheeling and dealing New Hollywood of today. Chris Fujiwara's critical biography--the first in more than thirty years--follows Preminger throughout his varied career, penetrating his carefully constructed public persona and revealing the many layers of his work.