Maisey Lopez loves fashion. When her best friend, pop star Cadence Hudson, faces a fashion emergency Maisey steps up to help. But the real Cadence may get lost beneath the makeover! Aligned to Common Core standards and correlated to state standards. Spellbound is an imprint of Magic Wagon, a division of ABDO.
What if fashion was a state? What kind of state would it be? Probably not a democracy. Otto von Busch sees fashion as a totalitarian state, with a population all too eager to enact the decrees of its aesthetic superiority. Peers police each other and deploy acts of judgment, peer-regulation, and micro-violence to uphold the aesthetic order of fashion supremacy. Using four design projects as tools for inquiry, Von Busch explores the seductive desires of envy and violence within fashion drawing on political theories. He proposes that the violent conflicts of fashion happen not only in arid cotton fields or collapsing factories, but in the everyday practice of getting dressed, in the judgments, sneers, and rejections of others. Indeed, he suggests that feelings of inclusion and adoration are what make us feel the pleasure of being fashionable-of being seductive, popular, and powerful. Exploring the conflicting emotions associated with fashion, Von Busch argues that while the current state of fashion is bred out of fear, The Psychopolitics of Fashion can offer constructive modes of mitigation and resistance. Through projects that actively work towards disarming the violent practices of dress, Von Busch suggests paths towards a more engaging and meaningful experience of fashion he calls “deep fashion.”
This New York Times bestseller is a hilarious and inspiring tribute to the iconic comedian Joan Rivers by the person who knew her best--her daughter, Melissa. Joan and Melissa Rivers had one of the most celebrated mother-daughter relationships of all time. If you think Joan said some outrageous things to her audiences as a comedian, you won’t believe what she said and did in private. Her love for her daughter knew no bounds—or boundaries, apparently. ("Melissa, I acknowledge that you have boundaries. I just choose to not respect them.") In The Book of Joan: Tales of Mirth, Mischief and Manipulation, Melissa shares stories (like when she was nine months old and her parents delivered her to Johnny Carson as a birthday gift), bon mots (“Missy, is there anything better than seeing a really good looking couple pushing a baby that looks like a Sasquatch who got caught in a house fire?”), and life lessons from growing up in the Rosenberg-Rivers household (“I can do tips and discounts and figure out the number of gay men in an audience to make it a good show. That’s all the math you’ll ever need.”). These were just the tip of the iceberg when it came to life in the family that Melissa describes as more Addams than Cleaver. And at the center of it all was a tiny blond force of nature. In The Book of Joan, Melissa Rivers relates funny, poignant and irreverent observations, thoughts, and tales about the woman who raised her and is the reason she considers valium one of the four basic food groups.
Fashion is everywhere. It is one of the main ways in which we present ourselves to others, signaling what we want to communicate about our sexuality, wealth, professionalism, subcultural and political allegiances, social status, even our mood. It is also a global industry with huge economic, political and cultural impact on the lives of all of us who make, sell, wear or even just watch fashion.Fashion: the key concepts presents a clear introduction to the complex world of fashion. The aim throughout is to present a comprehensive but also accessible and provocative analysis. Readers will discover how the fashion industry is structured and how it thinks, the links between catwalk, celebrity branding, media promotion and mainstream retail, how clothes mean different things in different parts of the world, and how popular culture influences fashion and how fashion shapes global culture.Illustrated with a wealth of photographs, the text is further enlivened with over 30 detailed and rich case studies - ranging across topics as diverse as the meaning of black in fashion, the rise of celebrity branding, the cult of thinness, the politics of veiling, the eroticism of shoes and the power of cosmetics.Features:§ Boxed chapter overviews open each chapter§ Bullet points summarizing key ideas conclude each chapter§ Chapter discussions are illustrated with integrated case material§ Each chapter is supported by extended Case Studies§ Key words are highlighted in chapters and defined in an extensive Glossary§ Further Reading guides the reader to other literature§ A timeline of Fashion Milestones provides a chronology of major events in the history of fashion
This timely collection brings feminist critique to bear on contemporary postfeminist mass media culture, analyzing phenomena ranging from action films featuring violent heroines to the “girling” of aging women in productions such as the movie Something’s Gotta Give and the British television series 10 Years Younger. Broadly defined, “postfeminism” encompasses a set of assumptions that feminism has accomplished its goals and is now a thing of the past. It presumes that women are unsatisfied with their (taken for granted) legal and social equality and can find fulfillment only through practices of transformation and empowerment. Postfeminism is defined by class, age, and racial exclusions; it is youth-obsessed and white and middle-class by default. Anchored in consumption as a strategy and leisure as a site for the production of the self, postfeminist mass media assumes that the pleasures and lifestyles with which it is associated are somehow universally shared and, perhaps more significantly, universally accessible. Essays by feminist film, media, and literature scholars based in the United States and United Kingdom provide an array of perspectives on the social and political implications of postfeminism. Examining magazines, mainstream and independent cinema, popular music, and broadcast genres from primetime drama to reality television, contributors consider how postfeminism informs self-fashioning through makeovers and cosmetic surgery, the “metrosexual” male, the “black chick flick,” and more. Interrogating Postfeminism demonstrates not only the viability of, but also the necessity for, a powerful feminist critique of contemporary popular culture. Contributors. Sarah Banet-Weiser, Steven Cohan, Lisa Coulthard, Anna Feigenbaum, Suzanne Leonard, Angela McRobbie, Diane Negra, Sarah Projansky, Martin Roberts, Hannah E. Sanders, Kimberly Springer, Yvonne Tasker, Sadie Wearing
You're all over the definitions of "low lights," "ruching," and a "tankini." But can you spot a "Mrs. Potato Head" when you see one? That's where The Chicktionary comes in. With the help of Anna Lefler and her collection of 450+ must-know words and phrases, you'll be in the know when faced with terms like Aberzombie, Bandeau, George Glass, and Puma. So whether you are dealing with a Residual Girlfriend, diagnose yourself with a bad case of Basset Knees, or need to go on a Briet, you'll be prepared for all that comes your way. At the very least, this book will serve as a delightful reminder that everyone has a skeleton in her closet--right next to her fat pants.
“The best site for thoughtful, fierce advice about parenting from a Black perspective” —Ebony For almost a decade, national parenting expert and bestselling author Denene Millner has published thought-provoking, insightful, sometimes wickedly funny commentary about motherhood on her critically acclaimed website MyBrownBaby.com. The site, hailed as a “must-read” by the New York Times, speaks to the experiences, joys, fears, sorrows, and triumphs of African American motherhood, from pregnancy and child-rearing to relationships and the politics of parenting black children. After publishing almost 2,000 posts aimed at lifting the voices of moms and dads of color, Millner has now curated My Brown Baby, a collection of the website’s most important and insightful essays. This one-of-a-kind parenting book offers perspectives on the issues moms of color and mothers of children of color face as they raise their kids—from birthing while black to negotiating discipline to preparing children for racism. Through her website, Millner has created a space for African American moms and parents of black children, many of whom long to lend their critical but all-too-often ignored voices to the national parenting discussion. Full of essays that readers of all backgrounds will find provocative, My Brown Baby acknowledges that there absolutely are issues that African American parents must deal with that white parents never have to confront if they’re not raising brown children. This book chronicles these differences with open arms, a lot of love, and the deep belief that though we may come from separate places and have different backgrounds, all parents want the same things for our families, and especially for our children.
Fourth grade is a year of changes, challenges, and ordinary joys for India McAllister. She lives in Maine with her artist mom and their dog, Tofu. Her father lives in the next town over with his new partner, Richard and their bird, Beatrice Strawberry. India – named for the ink, not the subcontinent – was adopted from China as a baby. Being the only Chinese girl in her small town fuels India's search for identity. India reports in her own words and drawings about life, adventures (many with her good friend Colby) and all things annoying as well as what makes her happy. First three on the happy list: Tofu, Bird, and Colby! The Accidental Adventures of India McAllister is a 2011 Bank Street - Best Children's Book of the Year.