Reveals changes in Ezra Pound's prose writing resulting from his excitement over Mussolini's use of Italian cultural heritage to build and promote the modern Fascist state. Drawing on unpublished archival material and untranslated periodical contributions, the author delves into the vexing work of perhaps the most famous, certainly the most notorious, American in Italy in the 1930s and 1940s, providing fresh understanding of Fascist deployment of art, architecture, blockbuster exhibitions, music, archaeological projects, urban design,a nd literature. Pound's prose writings of this period cement a "directive" approach - declaiming his views with an authority that shuts down disagreement. This work reveals the importance of this approach to his larger artistic mission.
Examines justice, nationalism, gender, and patriotism in Fascist Italy through the lens of a 1931 Administrative Court case related to surname italianization in Italy's Adriatic borderlands.
This is the original Doctrine of Fascism. This doctrine worked as the basis of the Italian Fascist Party and influenced numerous fascist movements and individuals that followed. "Fascism, the more it considers and observes the future and the development of humanity quite apart from political considerations of the moment, believes neither in the possibility nor the utility of perpetual peace. It thus repudiates the doctrine of Pacifism - born of a renunciation of the struggle and an act of cowardice in the face of sacrifice. War alone brings up to its highest tension all human energy and puts the stamp of nobility upon the peoples who have courage to meet it." -Mussolini
Marco Armiero is Senior Researcher at the Italian National Research Council and Marie Curie Fellow at the Institute of Environmental Sciences and Technologies, Universitat Aut(noma de Barcelona. He has published extensively on-Italian environmental history and edited Views from the South: Environmental Stories from the Mediterranean World. --
Essays on recent developments in Pound scholarship and research, including newly available primary sources and methodological advances in cognate fields.
With populist, nationalist and repressive governments on the rise around the world, questioning the impact of politics on the nature and role of law and the state is a pressing concern. If we are to understand the effects of extreme ideologies on the state's legal dimensions and powers – especially the power to punish and to determine the boundaries of permissible conduct through criminal law – it is essential to consider the lessons of history. This timely collection explores how political ideas and beliefs influenced the nature, content and application of criminal law and justice under Fascism, National Socialism, and other authoritarian regimes in the twentieth century. Bringing together expert legal historians from four continents, the collection's 16 chapters examine aspects of criminal law and related jurisprudential and criminological questions in the context of Fascist Italy, Nazi Germany, Nazi-occupied Norway, apartheid South Africa, Francoist Spain, and the authoritarian regimes of Brazil, Romania and Japan. Based on original archival, doctrinal and theoretical research, the collection offers new critical perspectives on issues of systemic identity, self-perception and the foundational role of criminal law; processes of state repression and the activities of criminal courts and lawyers; and ideological aspects of, and tensions in, substantive criminal law.
The law of occupation imposes two types of obligations on an army that seizes control of enemy land during armed conflict: obligations to respect and protect the inhabitants and their rights, and an obligation to respect the sovereign rights of the ousted government. In theory, the occupant is expected to establish an effective and impartial administration, to carefully balance its own interests against those of the inhabitants and their government, and to negotiate the occupation's early termination in a peace treaty. Although these expectations have been proven to be too high for most occupants, they nevertheless serve as yardsticks that measure the level of compliance of the occupants with international law. This thoroughly revised edition of the 1993 book traces the evolution of the law of occupation from its inception during the 18th century until today. It offers an assessment of the law by focusing on state practice of the various occupants and reactions thereto, and on the governing legal texts and judicial decisions. The underlying thought that informs and structures the book suggests that this body of laws has been shaped by changing conceptions about war and sovereignty, by the growing attention to human rights and the right to self-determination, as well as by changes in the balance of power among states. Because the law of occupation indirectly protects the sovereign, occupation law can be seen as the mirror-image of the law on sovereignty. Shifting perceptions on sovereign authority are therefore bound to be reflected also in the law of occupation, and vice-versa.
A new story about the relationships between major twentieth-century English-language poets. Why did poets from the United States, Britain, and Ireland gather in a small town in Italy during the early years of Mussolini's regime? These writers were—or became—some of the most famous poets of the twentieth century. What brought them together, and what did they hope to achieve? The Poets of Rapallo is about the conversations, collaborations, and disagreements among Ezra and Dorothy Pound, W.B. and George Yeats, Richard Aldington and Brigit Patmore, Thomas MacGreevy, Louis Zukofsky, and Basil Bunting. Drawing on their correspondence, diaries, drafts of poems, sketches, and photographs, this book shows how the backdrop of the Italian fascist regime is essential to their writing about their home countries and their ideas about modern art and poetry. It also explores their interconnectedness as poets and shows how these connections were erased as their work was polished for publication. Focusing on the years between 1928 and 1935, when Pound and Yeats hosted an array of visiting writers, this book shows how the literary culture of Rapallo forged the lifelong friendships of Richard Aldington and Thomas MacGreevy—both veterans of the First World War—and of Louis Zukofsky and Basil Bunting, who imagined a new kind of "democratic" poetry for the twentieth century. In the wake of the Second World War, these four poets all downplayed their relationship to Ezra Pound and avoided discussing how important Rapallo was to their development as poets. But how did these "democratic" poets respond to the fascist context in which they worked during their time in Rapallo? The Poets of Rapallo discusses their collaboration with Pound, their awareness of the rising tide of fascism, and even—in some cases—their complicity in the activities of the fascist regime. The Poets of Rapallo charts the new direction for modernist writing that these writers imagined, and in the process, it exposes the dark underbelly of some of the most lauded poetry in the English language.
What might you have done if you had been caught up in the Holocaust? In My Lai? In Rwanda? Confronted with acts of violence and evil on scales grand and small, we ask ourselves, baffled, how such horrors can happen?how human beings seemingly like ourselves can commit such atrocities. The answer, I. W. Charny suggests in this important new work, may be found in each one of us, in the different and distinct ways in which we organize our minds. An internationally recognized scholar of the psychology of violence, Charny defines two paradigms of mental organization, the democratic and the fascist, and shows how these systems can determine behavior in intimate relationships, social situations, and events of global significance. With its novel conception of mental health and illness, this book develops new directions for diagnosis and treatment of emotional disorders that are played out in everyday acts of violence against ourselves and others. Fascism and Democracy in the Human Mind also offers much-needed insight into the sources and workings of terrorism and genocide. A sane, radical statement about the guiding principles underlying acts of violence and evil, this book sounds a passionate call for the democratic way of thinking, which recognizes complexity, embraces responsibility, and affirms life.
