This “profoundly erotic, profoundly compelling” (The Los Angeles Times) account of an American student’s adventures in Russia is a classic revelation of her eternal qualities. The unforgettable cast of characters is led by his beautiful, capricious girlfriend and a supreme hedonist who has been called The Russian Falstaff. Submerged in the supposedly puritan country’s private devotion to food, drink, sex, and despair, the narrator, a London reviewer found, “seems to catch the soul of the Soviet citizen.” “Feifer is possibly unique,” a second London critic delighted, “for having written a book with several layers of brilliance.”
A fine example of Village Prose from the post-Stalin era, Farewell to Matyora decries the loss of the Russian peasant culture to the impersonal, soulless march of progress. It is the final summer of the peasant village of Matyora. A dam will be completed in the fall, destroying the village. Although their departure is inevitable, the characters over when, and even whether, they should leave. A haunting story with a heartfelt theme, Farewell to Matyora is a passionate plea for humanity and an eloquent cry for a return to an organic life.
Vladimir Vetrov, joined the KGB to work as a spy. Following a couple of murky incidents, he is removed from the field and placed at a desk as an analyst. Soon, burdened by a troubled marriage and frustrated at a failing career, Vetrov turns to alcohol. Desparate and in need of redemption, in 1980 he offers his services to the DST, the French counterintelligence service. Thus Agent Farewell is born. Soon he is sneaking files and photographing sensitive dcouments, keeping the West informed of the USSR's plans--right in the heart of KGB headquarters, hastening the end of the Cold War.
The unthinkable has happened at the Soviet nuclear plant at Sokolskoye. An accident of such terrifying proportions, of such catastrophic ecological and political consequence that a curtain of silence is drawn ominously over the incident. Major Pyotr Kirov of the KGB is appointed to extract the truth from the treacherous minefield of misinformation and intrigue and to obtain from the West the technology essential to prevent further damage. But the vital equipment is under strict trade embargo… And in London, George Twist, head of a company which manufactures the technology, is on the verge of bankruptcy and desperate to win the illegal contract. Can he deliver on time? Will he survive a frantic smuggling operation across the frozen wastes of Finland? Can he wrong-foot the authorities … and his own conscience? Is it possible to say farewell to Russia? Farewell to Russia is the first of Jim Williams’s astonishingly prophetic novels about the decline and fall of the Soviet Union.
Set in the summer of 1979 at the height of the movement to free Soviet Jewry, Farewell, Mama Odessa is an autobiographical novel whose intertwined storylines follow a variety of people—dissidents, victims of ethnic discrimination, and black marketeers among them—as they bid farewell to their beloved hometown of Odessa, Ukraine, and make their way to the West. At the book’s center is Boris, a young writer thwarted by state censorship and antisemitism. With an Angora kitten for his companion and together with other émigrés, he puts the old country in his rear-view mirror and sets out on a journey that will take him to Bratislava, Vienna, Rome, and New York on his way to Los Angeles. Will Boris be able to rekindle his creative passion and inspiration in the West? Will other Jewish émigrés fit into the new society, so much different than the one they left behind? With humor and compassion, Farewell, Mama Odessa describes the émigrés’ attempts at adjustment to the free world.
The implosion of the Soviet Union was the culmination of a gripping game played out between two men who intensely disliked each other and had different concepts for the future. Mikhail Gorbachev, a sophisticated and urbane reformer, sought to modernize and preserve the USSR; Boris Yeltsin, a coarse and a hard drinking "bulldozer," wished to destroy the union and create a capitalist Russia. The defeat of the August 1991 coup attempt, carried out by hardline communists, shook Gorbachev's authority and was a triumph for Yeltsin. But it took four months of intrigue and double-dealing before the Soviet Union collapsed and the day arrived when Yeltsin could hustle Gorbachev out of the Kremlin, and move in as ruler of Russia. Conor O'Clery has written a unique and truly suspenseful thriller of the day the Soviet Union died. The internal power plays, the shifting alliances, the betrayals, the mysterious three colonels carrying the briefcase with the nuclear codes, and the jockeying to exploit the future are worthy of John Le Carr' or Alan Furst. The Cold War's last act was a magnificent dark drama played out in the shadows of the Kremlin.
Asked shortly after the revolution about how she viewed the new government, Tatiana Varsher replied, "With the wide-open eyes of a historian." Her countrywoman, Zinaida Zhemchuzhnaia, expressed a similar need to take note: "I want to write about the way those events were perceived and reflected in the humble and distant corner of Russia that was the Cossack town of Korenovskaia." What these women witnessed and experienced, and what they were moved to describe, is part of the extraordinary portrait of life in revolutionary Russia presented in this book. A collection of life stories of Russian women in the first half of the twentieth century, In the Shadow of Revolution brings together the testimony of Soviet citizens and émigrés, intellectuals of aristocratic birth and Soviet milkmaids, housewives and engineers, Bolshevik activists and dedicated opponents of the Soviet regime. In literary memoirs, oral interviews, personal dossiers, public speeches, and letters to the editor, these women document their diverse experience of the upheavals that reshaped Russia in the first half of this century. As is characteristic of twentieth-century Russian women's autobiographies, these life stories take their structure not so much from private events like childbirth or marriage as from great public events. Accordingly the collection is structured around the events these women see as touchstones: the Revolution of 1917 and the Civil War of 1918-20; the switch to the New Economic Policy in the 1920s and collectivization; and the Stalinist society of the 1930s, including the Great Terror. Edited by two preeminent historians of Russia and the Soviet Union, the volume includes introductions that investigate the social historical context of these women's lives as well as the structure of their autobiographical narratives.
A candid look inside the Soviet Union today. It is as much about the difficulties that face reporters who seek honestly to cover Soviet society as it is about the country itself.
This work offers an account of the Russians' 400 years of experience in Siberia. Rasputin looks at the the peculiar physical and character traits of the Siberian Russian type, and at the gap between dreams and reality that have plagued Russians in Siberia.
