Fantasy House is a collection of poems as told by Tom Lynch Jr. to his poetically enlightened friends. About the Author Tom created a world on his own within himself, a place he knows he belongs, so as he lives his endless life staying brave and courageous through this tale called living, he's simply wanting to go home over the rainbow and in his heart's soul knows he'll be there someday.
Dreaming of downsizing? Escape the ordinary with this captivating collection of small-in-scale sunshine.From mobile castles to repurposed boots, these whimsical scenes will transport you to tiny worlds without limits. Become immersed in the details of each illustration and unleash your creativity, as the art of coloring takes your imagination on a well-earned holiday.Why you'll love this book:Pages are Single Sided. Perfect for colored pencils, crayons, or markers. US Letter Page Size (8.5 x 11 inches / 22 x 28cm).25 Beautiful Illustrations For All Skill Levels. Each is a story, hand drawn in pen and ink to spark your imagination.Flip Throughs are available on the author's website.1000+ 5* Star Amazon Ratings & Reviews for the R.J. Hampson coloring collection.Whatever size home you prefer, Fantasy Tiny Homes Coloring Book by illustrator R.J. Hampson lets you explore as you bring your coloring vision to life.
Fiction. Drama. Literary Nonfiction. Film. Asian & Asian American Studies. Women's Studies. Part exegesis on Nobuhiko Obayashi's film HOUSE and part meditation on the ineffable specters that inhabit homes and ancestral histories, FANTASY is a daughter's story of her Vietnamese mother and their twin journeys towards belonging with one another and in the world. Where exilic, inherited memory encounters its limits, FANTASY reaches towards cult cinematic atmospheres, irreverent flowers, pop culture, and photographs with no images, making for a reading experience like no other. "Schreiber uses the fabric of cinema and horror to quasi-measure the length and width of her pre-adolescent and adolescent consciousness. It's a GORGEOUS dress that the ghost in her psyche demands that it wears before falling into ash. Here, in these immolatable, scriptive dialogues with all of her consanguineous, anecdotal, exegetical selves ('who become shoes without feet that walk back and forth' in a house that eats like hungry ghosts), her psyche is cut, recut, uncut, though not forgotten, un-linearly and nonchalantly and numerously, by her relationship to film and her relationship with her Vietnamese mother, surrogated mother in grandmother(s) and auntie(s). ... As Kim-Anh Schreiber seeks closure with the uncloseable, we see an acutely talented scholar and inventive memoirist." --Vi Khi Nao. "'Schreiber, the daughter of a Vietnamese refugee and a German immigrant, combines recognizable modes--memoir, criticism, dramatic play script--into something as uncategorizable as the film she deploys throughout the book as muse and foil: Nobuhiko Obayashi's 1977 post-Hiroshima 'horror-comedy' HOUSE, in which generations of women are trapped together in a haunted house. Beginning with extended considerations of the instability of memory ('an evocative curator'), of the 'impossible problem of drawing a picture,' and of the pull to use projection and doubling as bridges across gaps in experience and understanding, FANTASY finally resolves into a flickering, unstable but vivid portrait of a mother and daughter both separated and bonded by history, violence, human fallibility, and love." --Anna Moschovakis
A NEW YORK TIMES, USA TODAY, and WASHINGTON POST BESTSELLER! A 2021 Alex Award winner! The 2021 RUSA Reading List: Fantasy Winner! An Indie Next Pick! One of Publishers Weekly's "Most Anticipated Books of Spring 2020" One of Book Riot’s “20 Must-Read Feel-Good Fantasies” Lambda Literary Award-winning author TJ Klune’s bestselling, breakout contemporary fantasy that's "1984 meets The Umbrella Academy with a pinch of Douglas Adams thrown in." (Gail Carriger) Linus Baker is a by-the-book case worker in the Department in Charge of Magical Youth. He's tasked with determining whether six dangerous magical children are likely to bring about the end of the world. Arthur Parnassus is the master of the orphanage. He would do anything to keep the children safe, even if it means the world will burn. And his secrets will come to light. The House in the Cerulean Sea is an enchanting love story, masterfully told, about the profound experience of discovering an unlikely family in an unexpected place—and realizing that family is yours. "1984 meets The Umbrella Academy with a pinch of Douglas Adams thrown in." —Gail Carriger, New York Times bestselling author of Soulless At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Abandoned and alone, thirteen-year-old Joe’s world is shattered when he enters a deserted council house and becomes trapped within a labyrinth protecting the last magical places on earth. There, Joe discovers a book charting this immense no-man’s land, without time or place, its thirteen doors each leading to a different realm. Hunted by sinister foes, the boy is forced ever deeper into both the maze and the mystery of his missing parents. What will he find at the labyrinth's centre, and can it reunite him with the family he so desperately needs? Crossing through diverse landscapes from Victorian Britain to fifties New Orleans, The Stranger's Guide to Talliston is inspired by the internationally famous house and gardens dubbed 'Britain’s Most Extraordinary Home' by the Sunday Times. It is a classic YA tale of adventure that introduces readers to an otherworld hiding in plain sight, cloaked in magic and steeped in imagined history. Yet beyond its fearsome huntsmen and battling magicians dwells the secret that lies within all of us – the power to live extraordinary lives. Every copy of The Stranger’s Guide to Talliston includes one entry to the Golden Key to Talliston Grand Draw. Every year there is to be a grand draw to award the fabled Golden Key to Talliston to one fortunate child and their guardian. This will be determined by lottery at 12:00 midday on 6th October and include a private and exclusive holiday inside the magical house and gardens featured in this book.
Love the House You’re In is about more than creating a beautiful space; it’s about creating a home that reflects you and all that you find comforting and inspiring in your life. Decorating your home can be daunting and overwhelming, but here’s the secret: If you want to love your house, the inspiration and ideas need to come from you. Love the House You’re In provides the tools to do just that. Through 40 actionable steps, you will: • Explore your life story: Mine your life for those things that inspire nostalgia and create a positive connection to memories, explore your family’s heritage, and be conscious of how you want to live now. • Understand what you’re working with: Take stock of your stuff, understand the history of your home, and get clear on the space you have. • Create an inspired action plan: Discover how to approach design room-by-room, find the through-line that ties the whole house together, and work in ways that empower your own ideas and creativity. • Learn the design skills that matter: Get tips on picking paint colors, choosing window dressings, arranging art, and more. When you start decorating your home with you as the starting point, you can create a highly personalized space that reflects your past, your future, and how you want to live today. In the process, you’ll gain the confidence and inspiration to come up with a functional and fabulous living space that’s just right for you and your life.
The ancient tales of long-dead civilizations to the wild success of J. R. R. Tolkien’s Lord of the Rings, fantasy has fired our imaginations for as long as there has been story. Whether sweeping sagas of fantastic adventures or cautionary tales told around the campfire, fantasy is deeply woven into the very fabric of humanity, wearing many faces and coming in many flavors. But what fantasy is distinctly American? The American Fantasy Tradition sets out to answer this very question. This comprehensive critical anthology of American fantasy literature applies the groundbreaking theorems of such esteemed American literary critics as Leslie Fiedler, Richard Chase, and Irving Howe to the genre of fantasy in an effort to delineate the true American tradition of fantasy from the more prominent Anglo-European canon, breaking it down into three distinctive strains: The American Tale: Folk, Tall, and Weird Stories that might be considered fables or legends, much like the epics of the Age of Heroes from the classical eras of Rome and Greece, or the tales of the fairy folk from the European tradition, or the fables of Aesop. Fantastic Americana Stories set directly within the American historic landscape, much as the Arthurian tradition is set within the confines of British history. Lands of Enchantment in Everyday Life Stories that involve what might be called the American spirit, focusing on worlds that exist in the shadows of our own, just beyond Rod Serling’s famous signpost for The Twilight Zone.
The PS building is an experiment and an ambitious attempt by Eric Owen Moss to redefine what a city is. A challenging design, well described and illustrated, from ground-breaking idea through to final design.
This book explores intimacy, immediacy and mobility as the core principles underpinning contemporary everyday life in a central Australian Aboriginal settlement. It analyses an everyday shaped through the interplay between a not so distant hunter-gatherer past and the realities of living in a first world nation-state by considering such apparently mundane matters as: What is a camp? How does that relate to houses? Who sleeps where, and next to whom? Why does this constantly change? What and where are the public/private boundaries? And most importantly: How do Indigenous people relate to each other? Employing a refreshingly readable writing style, Musharbash includes rich vignettes, including narrative portraits of five Warlpiri women. Musharbash's descriptions and analyses of their actions and the situations they find themselves in, transcend the general and illuminate the personal. She invites readers to ponder the questions raised by the book, not just at an abstract level, but as they relate to people's actual lives. In doing so, it expands our understandings of Indigenous Australia.
