In the 1940s and 1950s, strip artist Patti Waggin was billed as The Educated Torso, The Sex Oomph Girl, and the Fresh Faced Girl Next Door. Amazingly athletic, performing routines few others could manage, Patti was a Headliner. She was also one of the friendliest performers on the burlesque stage, loved by her peers and fans alike. In this unique book, readers come to know Patti Waggin through the letters of her fans. She was committed to recognizing and writing back to her ardent admirers because she understood their need for her during the difficult years of the Second World War. The letters and an engaging text reveal her marriage in the 1950s to baseball player Don Rudolph. Over 280 photos of Patti on stage and at home, along with paper ephemera associated with her career, accompany the heartfelt letters included in the text. For anyone interested in burlesque, this book provides a unique look at one of its stars.
A supportive survival guide for women who want a “REALationship”—not a rebound! With the wit and warmth of a girlfriend, divorced mother Kerri Zane shares her own story of bouncing back from the painful breakup of her marriage—and explains her philosophy about caring for yourself both inside and out before you make the leap into the next romantic liaison. Using solid statistics, tangible facts, proven healing mechanisms, and first person stories of wisdom, she provides a beacon to show how to become a more confident and loving whole woman, ready for the challenge of finding “the REAL One” and forming an authentic and renewable REALationship.
Card by card--all 572 of the '59 Topps set--this book contemplates the lives and times of mid-20th century baseball. That season was in the heart of a period of turmoil: milestones in integration, franchise shifts to the West Coast, a potential rival league, the major leagues' expansion, and labor issues that included paying young prospects not to play. The cards help tell the players' stories, too. The slugger who had a date with Marilyn Monroe (no, not Joe DiMaggio), and the minor leaguer better known than Marilyn. The nephew of a Black Sox player, and the target of a bribery attempt. The lefty catcher. The pitcher from Mayberry. The only player to pinch-hit for Ted Williams. Strikeout kings and wildmen. Religious stalwarts and hell raisers. The stripper's husband. The coolest socks in baseball. Ballplayers who were also basketball players--including the NBA's No. 1 pick one year. Satchel's Six Rules and Twig's Six Rules. Coot, Rip, Turk, Puddin' Head, Whammy, The Rope and Captain Midnight. Pick any card, and you'll find another engaging tale about baseball.
In She Always Knew How, her wonderful new biography of legendary actress Mae West, acclaimed biographer Charlotte Chandler draws on a series of interviews she conducted with the star just months before her death in 1980. From their first meeting, where West held out a diamond-covered hand in greeting and lamented her interviewer's lack of jewels, to their farewell, where the star was still gamely offering advice on how to attract men, Mae West and Charlotte Chandler developed a warm rapport that glows on every page of this biography. Actress, playwright, screenwriter, and iconic sex symbol Mae West was born in New York in 1893. She created a scandal -- and a sensation -- on Broadway with her play Sex in 1926. Convicted of obscenity, she was sentenced to ten days in prison. She went to jail a convict and emerged a star. Her next play, Diamond Lil, was a smash, and she would play the role of Diamond Lil in different variations for virtually her entire film career. In Hollywood she played opposite George Raft, Cary Grant (in one of his first starring roles), and W. C. Fields, among others. She was the number one box-office attraction during the 1930s and saved Paramount Studios from bankruptcy. Her films included some notorious one-liners -- which she wrote herself -- that have become part of Hollywood lore: from "too much of a good thing can be wonderful" to "When I'm good, I'm very good. When I'm bad, I'm better." Her risqué remarks got her banned from radio for a dozen years, but behind the clever quips was Mae's deep desire, decades before the word "feminism" was in the news, to see women treated equally with men. She saw through the double standard of the time that permitted men to do things that women would be ruined for doing. Her cause was sexual equality, and she was shrewd enough to know that it was perhaps the ultimate battleground, the most difficult cause of all. In addition to her extensive interviews of Mae West, Chandler also spoke with actors and directors who worked with and knew the star, the man with whom she lived for the last twenty-seven years of her life, as well as her closest assistant at the end of her life. Their comments and insights enrich this fascinating book. She Always Knew How captures the voice and spirit of this unique actress as no other biography ever has.
Seventeen short stories with Western themes. The title story is on a dumb father and a bright son, Dutch Elm is the search for a boy lost in a cornfield, and in Hoot, a lonely farmer is so used to his loneliness that he leaves when his brother moves in. By the author of The Tall Uncut.
THE STORY IS all true and happened to me and is mine. Tony’s mom, Al, is a terrific single mother who works as a dancer at the Kitty Kat Club. Twelve-year-old Tony is a budding artist, inspired by backstage life at the club. When some of his drawings end up in an art show and catch the attention of the social services agency, Al and Tony find themselves in the middle of a legal wrangle and a media circus. Is Al a responsible mother? It’s the case of the stripper vs. the state, and Al isn’t giving Tony up without a fight. Once again Gary Paulsen proves why he’s one of America’s most-beloved writers. The Glass Café is a fresh and funny exploration of motherhood, art, and the wiles of storytelling—all told by Tony, in his own true voice.
Anna David’s True Tales of Lust and Love began as a one-time-only reading and storytelling show in January of 2012, a venue for writers and comedians to share and laugh at their dating disaster stories. But after selling out the venue and attracting immediate press and buzz—with articles in The LA Weekly, LA Times, Time Out, Flavorpill, and LAist, among others—David agreed to produce the show every month. It has continued not only to sell out but also to attract a growing list of authors, comedians, and Hollywood writers. As Time Out declared, “This is the place to go to see strong female performers.” With the show now booked indefinitely, and with audio recordings of each performance available on iTunes, Anna has collected the most popular and entertaining pieces into the first ever True Tales of Lust and Love anthology. The book includes essays organized into three sections—Casual Sex, Dating, and Out of the Ordinary—which collectively offer up funny, raucous, insightful, and surprisingly touching confessions about the quest for lust and love. Everyone has dating disaster stories, everyone needs to share and laugh at them, and this anthology will give readers the opportunity to do just that, with contributions from the funniest writers and comedians around, pulled from the world of books, TV, and film. True Tales of Lust and Love is the perfect complement for a funny or cynical Valentine’s Day—and beyond.
Between 1982 and 1989, Pelafina H. Lièvre sent her son, Johnny Truant, a series of letters from The Three Attic Whalestoe Institute, a psychiatric facility in Ohio where she spent the final years of her life. Beautiful, heartfelt, and tragic, this correspondence reveals the powerful and deeply moving relationship between a brilliant though mentally ill mother and the precocious, gifted young son she never ceases to love. Originally contained within the monumental House of Leaves, this collection stands alone as a stunning portrait of mother and child. It is presented here along with a foreword by Walden D. Wyhrta and eleven previously unavailable letters.
