Faith and Spirituality in Masters of World Cinema, Volume III
Faith and Spirituality in Masters of World Cinema, Volume III

Author: Kenneth R. Morefield

Publisher: Cambridge Scholars Publishing

Published: 2015-02-05

Total Pages: 190

ISBN-13: 1443874981

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Faith and Spirituality in Masters of World Cinema, Volume III continues the work presented in the first two volumes of this title, published by Cambridge Scholars Publishing in 2008 and 2011. It provides informed yet accessible articles that will provide readers with an introduction to masters of world cinema whose works explore the themes of human spirituality and religious faith. Volume III contains essays dealing with canonical directors notably absent from the first two entries of the series, such as De Sica and Hitchcock, while also including examinations of contemporary auteurs who are still actively working, like Asghar Farhadi and Apichatpong Weerasethakul. While retaining an international emphasis similar to the first two volumes, it also includes a focused look at a few American auteurs not yet considered in the series. Volume III also acts as an important contribution to canon formation, illustrating the complexity and variety in the films of those who are truly the masters of world cinema. Built solidly around close, formal readings of selective films, the essays in Volume III also demonstrate familiarity with film history and bring insight from varied disciplines. Framed by the question “What makes movies material?”, Volume III continues the series’ endeavour to have faith and spirituality provide a context for considering what makes cinema significant.

Faith and Spirituality in Masters of World Cinema
Faith and Spirituality in Masters of World Cinema

Author: Kenneth R. Morefield

Publisher: Cambridge Scholars Publishing

Published: 2011-07-13

Total Pages: 250

ISBN-13: 1443832790

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Faith and Spirituality in Masters of World Cinema, Volume II continues the work presented in the first volume of this title, published by Cambridge Scholars Publishing in 2008. It provides informed yet accessible articles that will give readers an introduction to masters of world cinema whose works explore the themes of human spirituality and religious faith. Volume II contains essays dealing with canonical directors notably absent from the first entry of the series (such as Godard and Kurosawa) while also including examinations of contemporary auteurs who are still actively working (for example, Andersson, and von Trier). While retaining a truly international emphasis—it includes essays about directors from the United States, Canada, Iran, Sweden, India, Denmark, Italy, Mexico, Australia, and Japan—Volume II also acts as an important contribution to canon formation, illustrating the complexity and variety in the films of those who are truly the masters of world cinema. Built solidly around close, formal readings of selective films, the essays in Volume II also demonstrate familiarity with film history and bring insight from such varied disciplines as New Testament Studies, Clinical Psychology, Art History, and Medieval History. It also seeks to broaden the understanding of ‘faith’ and ‘spirituality,’ examining how the meaning of such terms changes as the cultures that produce the art that defines them continues to evolve.

Faith and Spirituality in Masters of World Cinema
Faith and Spirituality in Masters of World Cinema

Author: Kenneth Robert Morefield

Publisher: Cambridge Scholars Publishing

Published: 2008

Total Pages: 208

ISBN-13:

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Faith and Spirituality in Masters of World Cinema is a fascinating introduction to spiritual aspects in the works of some of the greatest filmmakers in the world, like Bergman, Dreyer and Tarkovsky, Avant Garde director Pedro Costa and Hollywood's golden boy Guillermo del Toro. It covers directors from around the world and shows diverse manifestations of spirituality in film; everything from how camera movements can imply spirituality to specific religions, like Islam and Christianity. Faith and Spirituality in Masters of World Cinema is a welcome addition to a growing library on religion and film. â "Thorkell Ottarson The essayists in Faith and Spirituality in Masters of World Cinema offer provocative studies of the often uneasy relationship that exists between religion and film, faith and reason. They never shy away from their critical burden, challenging readers to delve deeply and think more forcefully about the ethics and values that shape our cultureâ "and our lives. Faith and Spirituality in Masters of World Cinema dares us to reconsider what it means to be wholeâ "and holyâ "across the great history of film. It is a spiritual and critical journey of the highest magnitude. â "Dr. Kenneth Womack, Chair of the English Department, Penn State University at Altoona Not many works of art would withstand the rigorous examination of the kind in this collection, but Kenneth Morefield and his contributors have chosen well. They've chosen filmmakers whose work not only withstands but seems to grow under the bright light of careful consideration. I'm not familiar with all of them, which makes the collection a useful map to the currents that run below their surfaces, but I also found new ways to appreciate Pedro Costa and the Dardenne brothers whose films I've admired, even loved, but never thought about in quite this way. Reading the essays together, I discovered that this group of filmmakers, while distinct in their beliefs, approaches, and aesthetics, are all striving to reawaken our senses, and by capturing something concrete they're looking for something invisible. That they've found so many ways to do thisâ "from Del Toro's physically-rooted fantasy to Costa's material worldâ "proves that cinema may not be dead just yet, even with the twentieth century in the rear view mirror. â "Rob Davis, chief film critic of Paste Magazine; co-founder of Daily Plastic (www.dailyplastic.com).

Faith and Spirituality in Masters of World Cinema
Faith and Spirituality in Masters of World Cinema

Author: Kenneth Robert Morefield

Publisher: Cambridge Scholars Pub

Published: 2015-01-02

Total Pages: 190

ISBN-13: 9781443871167

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Faith and Spirituality in Masters of World Cinema is an introduction to spiritual aspects in the works of some of the greatest filmmakers in the world, like Bergman, Dreyer and Tarkovsky, Avant Garde director Pedro Costa and Hollywood's golden boy Guillermo del Toro. It covers directors from around the world and shows diverse manifestations of spirituality in film; everything from how camera movements can imply spirituality to specific religions, like Islam and Christianity. 'Faith and Spirituality in Masters of World Cinema is a welcome addition to a growing library on religion and film' - Thorkell Ottarson

The Routledge International Handbook of Spirituality in Society and the Professions
The Routledge International Handbook of Spirituality in Society and the Professions

Author: Laszlo Zsolnai

Publisher: Routledge

Published: 2019-03-15

Total Pages: 691

ISBN-13: 1315445468

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Increasingly, it is being recognized that spirituality, defined here as "a multiform search for a transcendent meaning of life that connects them to all living beings and brings them in touch with God or ‘Ultimate Reality,’" is an aspect of almost every sphere and aspect of social life. It appears in humanity’s dealings with nature, home and community, healing, economics and business, knowledge, and education. The Routledge International Handbook of Spirituality in Society and the Professions is a stimulating collection that summarizes the most important issues, frameworks, discussions, and problems relating to spiritually inspired activities in different fields of social life. The contributors explore how spirituality is a part of existence and present approaches and models for professionals working in diverse areas. Presented in seven parts, the book provides a full overview of current research and practice. Part II, "Facets of spirituality," explores topics including philosophy, psychology, theology, and culture. Part III, "Nature," looks at ecology, agriculture, cities, and tourism. Part IV, "Home and community," presents chapters on various life stages, disability, gender, and culture. Part V, "Healing," examines medicine, mental and physical health, and ill-health. In Part VI, "Economy, politics, and law," contributors discuss business, leadership and the workplace, peace, and policing. Part VII, "Knowledge and education," includes chapters on science, design, fashion, literature, and the arts. In the final part, "Way forward," the editors look to the future with a chapter on inter-spirituality and the renewal of social practices. Driven by contemporary research and new developments, this Handbook is an innovative and interdisciplinary collection that provides an essential overview of contemporary spirituality and society from an international selection of contributors. The Routledge International Handbook of Spirituality in Society and the Professions offers accessible, diverse, and engaging international research, and its scope will appeal to academics and students of a wide range of subjects, including aging and addiction, psychology, theology, religious studies, sociology, business studies, and philosophy. It will also be an important work for professionals in medical and social services, the clergy, education, business, the arts, religious communities, and politics, and members of organizations looking at the links between spirituality, religion, and society.

Film as an Expression of Spirituality
Film as an Expression of Spirituality

Author: Kenneth R. Morefield

Publisher: Cambridge Scholars Publishing

Published: 2023-09-29

Total Pages: 243

ISBN-13: 1527550850

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What makes a film ‘spiritually significant’? These twelve essays explore the religious, political, social, and psychological importance of films on the Arts & Faith Top 100 list of spiritually significant films. The anthology features close readings and analyses of films by Dreyer, Antonioni, Pasolini, Kubrick, Scorsese, Schrader, Miyazaki, and others. It provides both important contributions to the understanding of canonical directors and a foundational introduction for those seeking to understand film as one expression of human spirituality.

Experiencing Epiphanies in Literature and Cinema
Experiencing Epiphanies in Literature and Cinema

Author: Bradley Lewis

Publisher: Taylor & Francis

Published: 2024-07-09

Total Pages: 206

ISBN-13: 1040041078

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Experiencing Epiphanies in Literature and Cinema uses health humanities and psychological humanities to explore literary and cinematic epiphanies. James Joyce first adopted the term “epiphany” from its religious use to articulate momentsof luminous intensity or “sudden spiritual manifestation.” This study develops and extends Joyce’s use of epiphany through a range of literary and cinematic examples, from William Shakespeare to Ruth Ozeki and from Yasujirō Ozu to Jim Jarmusch. This wealth of epiphanies in the arts is important from a health humanities perspective in that they provide access to aesthetic and sustainable experiences of well-being, joy, and human flowering. They also provide antidotes to aesthetics of anti-epiphany—a showing forth of terror, horror, and panic. Experiencing Epiphanies is accordingly both critical and affirmative, diagnostic and therapeutic. It uses critique to understand the increasing need for well-being in contemporary times, and it uses affirmation to develop underutilized resources in the arts for transforming, configuring, and refiguring our everyday lives.

A Critical Companion to Terrence Malick
A Critical Companion to Terrence Malick

Author: Joshua Sikora

Publisher: Rowman & Littlefield

Published: 2020-10-07

Total Pages: 290

ISBN-13: 1793608636

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From the dust of the Montana plains to the farthest reaches of the cosmos, Terrence Malick’s films have enchanted audiences with transcendent images of nature, humanity, and grace for nearly fifty years. The contributors in this volume explore the profound implications of Malick’s stories, images, processes, and convictions as they offer comprehensive studies of the ten completed films of Terrence Malick. Each chapter takes a reflective and retrospective approach, considering new interpretations and frameworks for understanding Malick's unique creative choices. Drawing from a range of diverse academic disciplines, the collection analyzes the groundbreaking qualities of his cinematic style and the philosophical underpinnings that permeate his work. Rigorously researched and unique, the arguments presented within this volume shed new light on Malick and the cinematic medium.

The Dardenne Brothers’ Cinematic Parables
The Dardenne Brothers’ Cinematic Parables

Author: Joel Mayward

Publisher: Taylor & Francis

Published: 2022-09-30

Total Pages: 253

ISBN-13: 1000686833

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The Dardenne Brothers’ Cinematic Parables examines the work of Belgian filmmakers Jean-Pierre and Luc Dardenne, who have been celebrated for their powerfully affecting social realist films. Though the Dardenne brothers’ films rarely mention religion or God, they have received wide recognition for their moral complexity and spiritual resonance. This book brings the Dardennes’ filmography into consideration with theological aesthetics, Christian ethics, phenomenological film theory, and continental philosophy. The author explores the brothers’ nine major films—beginning with The Promise (1996) and culminating in Young Ahmed (2019)—through the hermeneutics of philosopher Paul Ricoeur. By using Ricoeur’s description of "parable" as a "narrative-metaphor" which generates an existential limit-experience, Joel Mayward crafts an innovative Ricoeurian hermeneutic for making theological interpretations of cinema. Drawing upon resources from three disciplinary spheres—theology, philosophy, and film studies—in a dynamic interweaving approach, Mayward proposes that the Dardennes create postsecular cinematic parables which evoke theological and ethical responses in audiences’ imaginations through the brothers’ distinctive filmmaking style, what is termed "transcendent realism." The book ultimately demonstrates how the Dardenne brothers are truly doing, not merely depicting, theology and ethics through the cinematic form—it presents film as theology, what Mayward refers to as "theocinematics." This is valuable reading for scholars of theology, philosophy, and film studies, as well as film critics and cinephiles interested in the cinema of the Dardenne brothers.

ReFocus: The Films of Pedro Costa
ReFocus: The Films of Pedro Costa

Author: Nuno Barradas Jorge

Publisher: Edinburgh University Press

Published: 2019-11-27

Total Pages: 184

ISBN-13: 1474444555

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This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations. It situates Costa's filmmaking within the contexts of Portuguese, European and global art film, looking into his working practices alongside the impact of digital video, forms of collaborative authorship, and the intricate dialogue between modes of production and aesthetics. Considering the exhibition, circulation and reception of Costa's creative output in settings such as film festivals, the art gallery circuit and the home video market, ReFocus: The Films of Pedro Costa provides an essential critical analysis of this major filmmaker - as well as of the multifaceted production and consumption practices that surround contemporary art cinema.