THE BLACK DRAGON AND THE END OF FAIRY TAIL! Grimoire Heart is in disarray, but it1s already too late! Acnologia, the Black Dragon of the Apocalypse, is on its way to unleash death magic that will consume the world. To this massive beast, the 3dragon slayers2 are little more than insolent insects. There are some enemies not even Fairy Tail can defeat, and after this confrontation the guild will never be the same!
Erza is up against Azuma, a dark wizard who uses trees as conduits to draw upon the magic of the earth itself. He uses this mysterious power to fell the great tree at the heart of Sirius Island, depriving all the Fairy Tail wizards of their magic! Can a nearly powerless Erza hope to stand against him? And where has Zeref the Black Wizard gone?
WITH THE LIGHTS OUT, IT'S LESS DANGEROUS? After Wendy is abducted by the dark guilds, she is exposed to the destructive magical properties of NIRVANA, which drastically alter the light and darkness within her body. Can Fairy Tail rescue Wendy and save her precvious soul... or will the dark guilds have the last laugh? Includes special extras after the story!
Japanese manga comic books have attracted a devoted global following. In the popular press manga is said to have “invaded” and “conquered” the United States, and its success is held up as a quintessential example of the globalization of popular culture challenging American hegemony in the twenty-first century. In Manga in America - the first ever book-length study of the history, structure, and practices of the American manga publishing industry - Casey Brienza explodes this assumption. Drawing on extensive field research and interviews with industry insiders about licensing deals, processes of translation, adaptation, and marketing, new digital publishing and distribution models, and more, Brienza shows that the transnational production of culture is an active, labor-intensive, and oft-contested process of “domestication.” Ultimately, Manga in America argues that the domestication of manga reinforces the very same imbalances of national power that might otherwise seem to have been transformed by it and that the success of Japanese manga in the United States actually serves to make manga everywhere more American.
This volume is a treasure chest of classic Eastern tales drawing on the rich folklore of Turkey. Forty-four Turkish Fairy Tales has not been in print for almost 100 years, mainly because the original edition had lavish production standards. On the used market, mint copies of the 1913 original can cost up to four figures. This volume is appropriately titled Fairy Tales because something definitely 'fairy' occurs. There are talking animals, flying horses, birds that magically change into beautiful maidens, quests to win the hand of a princess, magical objects, simple, yet brave, peasants, wizards, witches, dragons and dungeons, epic journeys, and loveable fools. The majority of these stories contain encounters with 'Dews', or Turkish supernatural beings, better known in the West as 'Genies.' Sometimes the Turkish Dews are also called 'Arabs ' There are many other specifically Turkish elements and references in the stories, for which the glossary at the end of the book is of particular help. So this isn't simply an orientalised set of European Tales, but was drawn from an authentic Turkish oral storytelling tradition by Dr. Ignacz Kunos . Plus, there are almost 200 illustrations exquisitely crafted by Willy Pogany. While our production is not as lavish as the original, it does contain the original illustrations. Note: some of the illustrations could be considered unsuitable by 21st Century standards because they can be considered as caricatures with obvious ethnic stereotypes. However, in most cases, the illustrator is portraying imaginary creatures, which are supposed to be grotesque. Also to be remembered is the book was originally produced in 1913 when the world's attitudes towards racial tolerance and acceptance were quite different to those of today. 33% of the net will be donated to charities in Turkey for education scholarships
This first paperback edition of the seminal work by the Swiss scholar Max Lüthi will be welcomed by folklorists for its informative survey of the various ways in which fairytales and related genres (local legends and saints' lives) may be read. "Lüthi's lucid and intelligent book is refreshingly welcome." —Sewanee Review
