This is the definitive overview of the artwork of the seminal Manchester-based Factory label, covering its iconic record sleeves, posters, ephemera, venues and packaging. After a foreword by the late founder of Factory, Tony Wilson, an introductory essay discusses the label's role in bringing design to the mainstream. Thereafter the book is organized as a generously illustrated catalogue, arranged by the famous Factory reference system. "Factory Records", as part of the story, has been given its own reference number - Fac 461 - making it a collectable item in its own right.
In 1978, a 'Factory for Sale' sign gave Alan Erasmus and Tony Wilson a name for their fledgling Manchester club night. Though they couldn't have known it at the time, this was the launch of one of the most significant musical and cultural legacies of the late twentieth century. The club's electrifying live scene soon translated to vinyl, and Factory Records went on to become the most innovative and celebrated record label of the next thirty years. Always breaking new musical ground, Factory introduced the listening public to bands such as Joy Division, whose Unknown Pleasures was the label's first album release, New Order, Durutti Column and Happy Mondays. Propelled onwards by the inspirational cultural entrepreneur, Tony Wilson, Factory always sought new ways to energise the popular consciousness, such as the infamous Hacienda nightclub, which enjoyed a chequered 15-year history after opening in 1982. Shadowplayers is the most complete, authoritative and thoroughly researched account of how a group of provincial anarchists and entrepreneurs saw off bankers, journalists and gun-toting gangsters to create the most influential record label of modern times. Based on both archive and contemporary sources, the book tells the full story of Factory's heroic struggles, its complex web of inventive, idiosyncratic and tragic personalities, and ultimately, the acclaimed and much-loved music it produced.
Factory Records' fame and fortune were based on two bands - Joy Division and New Order - and one personality - that of its director, Tony Wilson. At the height of the label's success in the late 1980s, it ran its own club, the legendary Haçienda, had a string of international hit records, and was admired and emulated around the world. But by the 1990s the story had changed. The back catalogue was sold off, top bands New Order and Happy Mondays were in disarray, and the Haçienda was shut down by the police. Critically acclaimed on its original publication in 1996, this book tells the complete story of Factory Records' spectacular history, from the label's birth in 1970s Manchester, through its '80s heyday and '90s demise. Now updated to include new material on the re-emergence of Joy Division, the death of Tony Wilson and the legacy of Factory Records, it draws on exclusive interviews with the major players to give a fascinating insight into the unique personalities and chaotic reality behind one of the UK's most influential and successful independent record labels.
THE TIMES & UNCUT MUSIC BOOK OF THE YEARCritically-acclaimed and bestselling author Paul Morley's long-awaited biography of Factory Records co-founder and Manchester icon Tony Wilson.A BOOK OF THE YEARSUNDAY TIMES, NEW STATESMAN, MOJO, LOUDER THAN WAR'Compelling . . . befitting its extraordinary subject.'BRIAN ENO'Bracing and often surprisingly tender . . . the perfect monument.'SUNDAY TIMES'Via Morley's magical prose Tony Wilson comes back to life . . . inspiring.'RICHARD RUSSELLTony Wilson was a man who became synonymous with his beloved city. As the co-founder of the legendary Factory Records and the Haçienda, he appointed himself a custodian of Manchester's legacy of innovation and change, becoming a cultural pioneer for the North. To Paul Morley, he was this and much more: bullshitting hustler, flashy showman, inventive broadcaster, self-deprecating chancer, publicity seeker, loyal friend. It was Morley to whom Wilson left a daunting final request: to write this book.From Manchester with Love is the biography of a man who changed the world around him through sheerforce of personality. In the cultural theatre of Manchester, Tony Wilson broke in and took centre stage.'An immersive experience . . . very moving indeed.'MIRANDA SAWYER, OBSERVER'Not just a "biog" but the story of a city's history and culture and a unique and disappearing figure.'STUART MACONIE, NEW STATESMAN'Morley's biography is as illuminating on Wilson's strange ability to hold others in his orbit, even after his death, as it is on the story of his life.'THE SPECTATOR'The man/myth Wilson died aged 57 in 2006, but here he burns on fantastically bright.'UNCUT
Ged Duffy might be the unluckiest man in Manchester music. He could have managed New Order; he could have been the bass player in The Cult; he could have seen his band, Stockholm Monsters, take the mantle of the Happy Mondays and become the breakout scally-band on the coolest record label in the world... but of course none of this happened. Told with wit and a photographic memory for gigs and dates, Ged recalls his years as a stagehand at the Russell Club and later The Hacienda, touring with New Order and then turning down the chance to tour America with them, leaving Stockholm Monsters when they were about to hit it big, life in the colony of artists, oddballs and dropouts in Hulme and how he managed to successfully avoid fame and fortune.
Legendary musician Peter Hook tells the whole story - the fun, the music, the vast loss of money, the legacy - of Manchester's most iconic nightclub Peter Hook, as co-founder of Joy Division and New Order, has been shaping the course of popular music for thirty years. He provided the propulsive bass guitar melodies of 'Love Will Tear Us Apart' and the bestselling 12-inch single ever, 'Blue Monday' among many other songs. As co-owner of Manchester's Hacienda club, Hook propelled the rise of acid house in the late 1980s, then suffered through its violent fall in the 1990s as gangs, drugs, greed and a hostile police force destroyed everything he and his friends had created. This is his memory of that era and 'it's far sadder, funnier, scarier and stranger' than anyone has imagined. As young and naive musicians, the members of New Order were thrilled when their record label Factory opened a club. Yet as their career escalated, they toured the world and had top ten hits, their royalties were being ploughed into the Hacienda and they were only being paid £20 per week. Peter Hook looked back at that exciting and hilarious time to write HACIENDA. All the main characters appear - Tony Wilson, Barney, Shaun Ryder - and Hook tells it like it was - a rollercoaster of success, money, confusion and true faith.
A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
In celebration of the 20th anniversary of Merge Records, founders Mac and Laura offer first-person accounts--with the help of their colleagues and Merge artists--of their work, their lives, and the culture of making music. Hundreds of personal photos of the bands, along with album cover art, concert posters, and other memorabilia are included.
This anthology vastly expands our understanding of the much-misconstructed history of early modern Bengal and seeks to redress the misconception that economic decline in Bengal set in even before the British conquest of the region. Based on original sources from European and Indian archives and libraries, the essays underline that Bengal had a prosperous economy in the mid-eighteenth century and was suffering from neither economic nor political crisis.
