This book is Nick Carter’s autobiography and self-help hybrid in which he chronicles his struggles with a dysfunctional family and the unimaginable rigors of becoming an internationally successful pop-star at the age of 12. From his battle with addiction to serious health complications and the pain of his younger sister’s tragic death, Nick leaves nothing to the imagination and offers true and heartfelt advice to help readers overcome obstacles in their own lives.
The author shares his experiences as a member of the boy band Backstreet Boys, the health and substance abuse problems that followed, his road to recovery, and the untimely death of his younger sister, as well what he learned from it all.
Jennifer Knapp’s meteoric rise in the Christian music industry ended abruptly when she walked away and came out publicly as a lesbian. This is her story—of coming to Christ, of building a career, of admitting who she is, and of how her faith remained strong through it all. At the top of her career in the Christian music industry, Jennifer Knapp quit. A few years later, she publicly revealed she is gay. A media frenzy ensued, and many of her former fans were angry with what they saw as turning her back on God. But through it all, she held on to the truth that had guided her from the beginning. In this memoir, she finally tells her story: of her troubled childhood, the love of music that pulled her through, her dramatic conversion to Christianity, her rise to stardom, her abrupt departure from Christian Contemporary Music, her years of trying to come to terms with her sexual orientation, and her return to music and Nashville in 2010, when she came out publicly for the first time. She also talks about the importance of her faith, and despite the many who claim she can no longer call herself a believer, she maintains that she is both gay and a Christian. Now an advocate for LGBT issues in the church, Jennifer has witnessed heartbreaking struggles as churches wrestle with issues of homosexuality and faith. This engrossing, inspiring memoir will help people understand her story and to believe in their own stories, whatever they may be.
When going for a drink with her boyfriends sister, Ryana, an attractive girl, realising its no ordinary pub, but a brothel, she runs away. The owner, Harry Trimboli wants her and caught her, but she escapes to her boyfriend Richard who had just passed his violin examination. As Richard is playing with the Symphony Orchestra, Ryana watches him on television and excitedly phones her brother Nicholas in New York when theres a knock on the door calling fl owers. When she sees its Harry, she screams as he drugs her and takes her to an old house he just bought. Nicholas still on the phone alerts police who are there when Richard arrives home to fi nd out Ryanna has been kidnapped, and blaming himself he smashes his violin.
Facing the Music, Larry Brown’s first book, was originally published in 1988 to wide critical acclaim. As the St. Petersburg Times review pointed out, the central theme of these ten stories “is the ageless collision of man with woman, woman with man--with the frequent introduction of that other familiar couple, drinking and violence. Most often ugly, love is nevertheless graceful, however desperate the situation.” There’s some glare from the brutally bright light Larry Brown shines on his subjects. This is the work of a writer unafraid to gaze directly at characters challenged by crisis and pathology. But for readers who are willing to look, unblinkingly, along with the writer, there are unusual rewards.
In this sizzling and hilarious contemporary e-book romance, pop sensation Ivy Hudson returns to her small town to face her ex. Only trouble is, she made her Taylor-Swift-like career with the hit song “Size Matters”—and the football hero has had to live it down ever since. Five years ago, high school sweethearts Ivy and Blake’s relationship imploded and both their lives were changed forever. Ivy became a rock star and Blake lost not only his dreams of a successful NFL career, but his reputation. Ivy’s angry song about their breakup, called “Size Matters,” hit the top of the charts and Blake became a national laughingstock. He’s salvaged his career and returned to Rosewood to be the high school football coach, regaining his status as town hero and leading the boys to the state championships. When a tornado whips through town and destroys the high school gymnasium and stadium, a committee is formed to help rebuild and plan some charity fundraisers. Blake’s grandmother requests that Ivy return to Rosewood for the events. Forced back together for the good of their hometown and their careers, Ivy and Blake have no choice but to put aside their differences, stop running from their pasts, and finally face the music. For fans of Kristen Proby and Colette Auclair, Facing the Music hits a perfect balance between small-town romance and big-time success. Follow Ivy and Blake as they fall back in love and figure out what does matter in the end…
Through her love of music and membership in her brother's band, sixteen-year-old Lisa learns to deal with her feelings of abandonment following her mother's death.
Himself an Irish poet and critic, Grennan (English, Vassar College) begins with Yeats, then goes on to discuss such diverse poets as Kavanagh, Muldoon, Kinsella, and McGuckian. He also looks at poetry in the work of James Joyce and John McGahern. Most of the 34 essays have been published in journals. They are not indexed. Distributed by Fordham U. Press. Annotation copyrighted by Book News, Inc., Portland, OR
"An entertaining and lively biography of the founder and editor of the Triad , New Zealand's first longstanding cultural magazine. Founded in 1893 and running into the late 1920s, the magazine offered well-informed coverage of cultural activities in New Zealand, Australia and internationally in a broad mix of critical and original writing. Notoriously outspoken, Baeyertz was feared and respected as a critic. His music criticism was particularly intelligent and rigorous, making no concessions to personality or amateur or professional status. His later co-editor, the self-styled 'decadent' Frank Morton, was equally candid. This engaging biography of a fascinating man throws new light on a long-neglected period of New Zealand's cultural past."--Publisher.
