Once upon a time... There were mischievous gnomes, sweet fairies, and talking animals who lived happily in the forest. There were also children, princes and princesses, magical flowers, and witches on flying brooms. There were, in fact, enchanted and amusing stories, all gathered in an incredible collection of fairy tales. Add this book to your cart and get ready to fly on the wings of imagination... get ready to dream!
Once upon a time... There were mischievous gnomes, sweet fairies, and talking animals who lived happily in the forest. There were also children, princes and princesses, magical flowers, and witches on flying brooms. There were, in fact, enchanted and amusing stories, all gathered in an incredible collection of fairy tales. Add this book to your cart and get ready to fly on the wings of imagination... get ready to dream!
Beautiful illustrations and poetic text tell the migration stories of six different creatures: monarch butterflies, desert locusts, gray whales, American silver eels, Caribou, and Arctic terns.
Once upon a time... There were mischievous gnomes, sweet fairies, and talking animals who lived happily in the forest. There were also children, princes and princesses, magical flowers, and witches on flying brooms. There were, in fact, enchanted and amusing stories, all gathered in an incredible collection of fairy tales. Add this book to your cart and get ready to fly on the wings of imagination... get ready to dream!
Once upon a time... There were mischievous gnomes, sweet fairies, and talking animals who lived happily in the forest. There were also children, princes and princesses, magical flowers, and witches on flying brooms. There were, in fact, enchanted and amusing stories, all gathered in an incredible collection of fairy tales. Add this book to your cart and get ready to fly on the wings of imagination... get ready to dream!
In the proud tradition of its late, lamented series of the seventies and eighties, the House of Ideas once again poses the question, "What if?" The hottest creators in comics take on Marvel's top characters - turning their lives upside-down in the name of entertainment! Featuring decidedly different interpretations of Daredevil, the Avengers, the Fantastic Four, Spider-Man, the X-Men, the Hulk, and more! Collects What If? #1-6.
'A landmark in the process of decolonizing imperial Western knowledge.' Walter Mignolo, Duke University To the colonized, the term 'research' is conflated with European colonialism; the ways in which academic research has been implicated in the throes of imperialism remains a painful memory. This essential volume explores intersections of imperialism and research - specifically, the ways in which imperialism is embedded in disciplines of knowledge and tradition as 'regimes of truth.' Concepts such as 'discovery' and 'claiming' are discussed and an argument presented that the decolonization of research methods will help to reclaim control over indigenous ways of knowing and being. Now in its eagerly awaited second edition, this bestselling book has been substantially revised, with new case-studies and examples and important additions on new indigenous literature, the role of research in indigenous struggles for social justice, which brings this essential volume urgently up-to-date.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
