Old St Peter's Basilica in Rome stood for over eleven centuries until it was demolished to make room for today's church on the same Vatican site. Its last eyewitness, Maffeo Vegio, explained to the Roman hierarchy how revival of the papacy, whose prestige after the exile to Avignon had been diminished, was inseparable from a renewed awareness of the primacy of Peter's Church. To make his case, Vegio wrote a history founded on credible written and visual evidence. The text guides us through the building's true story in its material reality, undistorted by medieval guides. This was its living memory and a visualization of the continuity of Roman history into modern times. This volume makes available the first complete English translation of Vegio's text. Accompanied by full-color digital reconstructions of the Basilica as it appeared in Vegio's day.
"A fresh, vigorous new translation of the Gospel of Mark."—The American Conservative "Professor Pakaluk provides not only a thrilling new rendering of the ancient Greek text but also provides lively scholarship in the commentary that follows his translation of Mark's sixteen chapters."—The Catholic Thing "This is a very rewarding version of Mark, and even those who have made long study of the text will find a wise and sensitive guide in Michael Pakaluk."—National Catholic Register "Pakaluk's translation and commentary offers us a wonderful way to immerse ourselves anew..."—The B.C. Catholic "Like his translation, Pakaluk's notes do a lot to bring St. Mark and his gospel alive for us."—Aleteia The Gospel as You Have Never Heard It Before... At a distance of twenty centuries, the figure of Jesus of Nazareth can seem impossibly obscure—indeed, some skeptics even question whether he existed. And yet we have an eyewitness account of his life, death, and resurrection from one of his closest companions, the Simon Bar-Jona, better known as the Apostle Peter. Writers from the earliest days of the Church tell us that Peter’s disciple Mark wrote down the apostle’s account of the life of Jesus as he told it to the first Christians in Rome. The vivid, detailed, unadorned prose of the Gospel of Mark conveys the unmistakable immediacy of a first-hand account. For most readers, however, this immediacy is hidden behind a veil of Greek, the language of the New Testament writers. Four centuries of English translations have achieved nobility of cadence or, more recently, idiomatic accessibility, but the voice of Peter himself has never fully emerged. Until now. In this strikingly original translation, atten- tive to Peter’s concern to show what it was like to be there, Michael Pakaluk captures the tone and texture of the sherman’s evocative account, leading the reader to a bracing new encounter with Jesus. The accompanying verse-by-verse commentary—less theological than historical—will equip you to experience Mark’s Gospel as the narrative of an eyewitness, drawing you into its scenes, where you will come to know Jesus of Nazareth with new intimacy. A stunning work of scholarship readily accessible to the layman, The Memoirs of St. Peter belongs on the bookshelf of every serious Christian.
Sacred Thresholds. The Door to the Sanctuary in Late Antiquity offers a far-reaching account of boundaries within pagan and Christian sanctuaries: gateways in a precinct, outer doors of a temple or church, inner doors of a cella. The study of these liminal spaces within Late Antiquity – itself a key period of transition during the spread of Christianity, when cultural paradigms were redefined – demands an approach that is both interdisciplinary and diachronic. Emilie van Opstall brings together both upcoming and noted scholars of Greek and Latin literature and epigraphy, archaeology, art history, philosophy, and religion to discuss the experience of those who crossed from the worldly to the divine, both physically and symbolically. What did this passage from the profane to the sacred mean to them, on a sensory, emotive and intellectual level? Who was excluded, and who was admitted? The articles each offer a unique perspective on pagan and Christian sanctuary doors in the Late Antique Mediterranean.
Written by an L. A. County homicide detective and former atheist, Cold-Case Christianity examines the claims of the New Testament using the skills and strategies of a hard-to-convince criminal investigator. Christianity could be defined as a “cold case”: it makes a claim about an event from the distant past for which there is little forensic evidence. In Cold-Case Christianity, J. Warner Wallace uses his nationally recognized skills as a homicide detective to look at the evidence and eyewitnesses behind Christian beliefs. Including gripping stories from his career and the visual techniques he developed in the courtroom, Wallace uses illustration to examine the powerful evidence that validates the claims of Christianity. A unique apologetic that speaks to readers’ intense interest in detective stories, Cold-Case Christianity inspires readers to have confidence in Christ as it prepares them to articulate the case for Christianity.
Noted New Testament scholar Bauckham challenges the prevailing assumption the accounts of Jesus circulated as "anonymous community traditions," instead asserting that they were transmitted in the name of the original eyewitness.
The Tempietto, the embodiment of the Renaissance mastery of classical architecture and its Christian reinvention, was also the pre-eminent commission of the Catholic kings, Ferdinand of Aragon and Isabel of Castile, in papal Rome. This groundbreaking book situates Bramante's time-honored memorial dedicated to Saint Peter and the origins of the Roman Catholic Church at the center of a coordinated program of the arts exalting Spain's leadership in the quest for Christian hegemony. The innovations in form and iconography that made the Tempietto an authoritative model for Western architecture were fortified in legacy monuments created by the popes in Rome and the kings in Spain from the later Renaissance to the present day. New photographs expressly taken for this study capture comprehensive views and focused details of this exemplar of Renaissance art and statecraft.
Many biblical scholars treat the apostle Peter as a vague figure in the early church and regard the early tradition as something that cannot be trusted. In Saint Peter: The Underestimated Apostle Martin Hengel rejects the common minimalist view about Peter s role in the Scriptures and in the early church. Arguing that Peter is wrongly underappreciated, Hengel shows that Peter was, in fact, central to developing both the Jewish and Gentile Christian missions. / Though Hengel s work rests on meticulous scholarship, it is written in a manner that any interested reader will find clear and enlightening.
Among the immortals--Leonardo, Rembrandt, Picasso--Michelangelo stands alone as a master of painting, sculpture, and architecture. He was not only the greatest artist in an age of giants, but a man who reinvented the practice of art itself. Throughout his long career he clashed with patrons by insisting that he had no master but his own demanding muse and promoting the novel idea that it was the artist, rather than the lord who paid for it, who was creative force behind the work. This is the life of perhaps the most famous, most revolutionary artist in history, told through the stories of six of his magnificent masterpieces.
