Pity the "extras." Mostly overlooked and forgotten. Especially those in the major Hollywood films 1913 to 1945--right through the dream factory's golden era. The struggles of extras to unionize were followed by internal struggles as the extras fought for a voice within that union. There were just too few jobs for far too many extras, some of whom were lured to Hollywood by what seemed to be rags-to-riches tales of stardom (but which were likely little more than industry publicity plants). Once lured to the film capital the reality was much different: low pay, little or no work, ripoffs from private employment agencies, and sexual harassment of the women, likely very much underreported. Some extras had special skills or language abilities, some had wardrobes replete with many period costumes.
Pity the "extras." Mostly overlooked and forgotten. Especially those in the major Hollywood films 1913 to 1945--right through the dream factory's golden era. The struggles of extras to unionize were followed by internal struggles as the extras fought for a voice within that union. There were just too few jobs for far too many extras, some of whom were lured to Hollywood by what seemed to be rags-to-riches tales of stardom (but which were likely little more than industry publicity plants). Once lured to the film capital the reality was much different: low pay, little or no work, ripoffs from private employment agencies, and sexual harassment of the women, likely very much underreported. Some extras had special skills or language abilities, some had wardrobes replete with many period costumes.
Just when you thought you've heard everything about Hollywood comes a totally original new book - a special blend of biography, history and lore. Hollywood Stories is packed with wild, wonderful short tales about famous stars, movies, directors and many others who have been part of the world's most fascinating, unpredictable industry! Full of funny moments and twist endings, Hollywood Stories features an amazing, icons and will keep you totally entertained!
Leonard Maltin is America's best-known film historian, film reviewer, and author of books that have sold more than 7 million copies. He remains a thought leader on past and present Hollywood through his website www.leonardmaltin.com, and a social media presence that includes an active Facebook page and a Twitter feed with more than 66,000 followers. In Hooked on Hollywood, Maltin opens up his personal archive to take readers on a fascinating journey through film history. He first interviewed greats of Hollywood as a precocious teenager in 1960s New York City. He used what he learned from these luminaries to embark on a 50-year (and counting) career that has included New York Times bestselling books, 30 years of regular appearances coast-to-coast on Entertainment Tonight, movie introductions on Turner Classic Movies, and countless other television and radio performances. Early Maltin interviews had literally been stored in his garage for more than 40 years until GoodKnight Books brought them to light for the first time in this volume to entertain readers and inform future film scholars. Teenaged Leonard Maltin landed one-on-ones with Warner Bros. sexy pre-Code siren Joan Blondell; Emmy-winning and Oscar-nominated actor Burgess Meredith; Cecil B. DeMille's right-hand-man Henry Wilcoxon; Oscar-winning actor Ralph Bellamy; playwright, novelist, and MGM screenwriter Anita Loos; early screen heartthrob George O'Brien; classic Paramount director Mitchell Leisen; and others. Later in his career, Maltin sat down with men and women who worked inside the top studios during the heyday of movies and early television. This second set of in-depth interviews reveals what life was like under Louis B. Mayer, Jack Warner, Harry Cohn, and the other titans of Hollywood. What emerges is a fascinating and at times uproarious homage to Golden Era Hollywood. In addition, key feature articles from Maltin's newsletter Movie Crazy are published here for the first time, providing new perspectives on the Warner Bros. classics Casablanca and Gold Diggers of 1933 as well as many other masterpieces—and bombs—from Hollywood history. Finally, Maltin looks back at what he considers Hollywood's "overlooked" studio, RKO Radio Pictures, which gave us such classics as King Kong and the many dance musicals of Astaire and Rogers. In Leonard's unique and witty style, he looks at dozens of obscure RKO features from the 1930s, including saucy pre-Codes, musicals, comedies, and mysteries. Leonard Maltin's love of movies and vast knowledge about their history shines through from the first page to the last in this unique volume, which includes 150 rare photos and a comprehensive index.
Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton is an epic look at a genius at work and at a Hollywood that no longer exists. Painstakingly researching the locations used in Buster Keaton's classic silent films, author John Bengtson combines images from Keaton's movies with archival photographs, historic maps, and scores of dramatic "then" and "now" photos. In the process, Bengtson reveals dozens of locations that lay undiscovered for nearly 80 years. Part time machine, part detective story, Silent Echoes presents a fresh look at the matchless Keaton at work, as well as a captivating glimpse of Hollywood's most romantic era. More than a book for film, comedy, or history buffs, Silent Echoes appeals to anyone fascinated with solving puzzles or witnessing the awesome passage of time.
Despite their considerable presence in Hollywood, extras and working actors have received scant attention within film and media studies as significant contributors to the history of the industry. Looking not to the stars but to these supporting players in film, television, and, recently, streaming programming, Below the Stars highlights such actors as precarious laborers whose work as freelancers has critically shaped the entertainment industry throughout the twentieth and twenty-first centuries. By addressing ordinary actors as a labor force, Kate Fortmueller proposes a media industry history that positions underrepresented and quotidian experiences as the structural elements of the culture and business of Hollywood. Resisting a top-down assessment, Fortmueller explores the wrangling of labor unions and guilds that advocated for collective action for everyday actors and helped shape professional norms. She pulls from archival research, in-person interviews, and firsthand observation to examine a history that cuts across industry boundaries and situates actors as a labor group at the center of industrial and technological upheavals, with lasting implications for race, gender, and labor relations in Hollywood.
Since the earliest days of the movie industry, Hollywood has mythologized itself through stories of stardom. A female protagonist escapes the confines of rural America in search of freedom in a western dream factory; an ambitious, conceited movie idol falls from grace and discovers what it means to embody true stardom; or a fading star confronts Hollywood’s obsession with youth by embarking on a determined mission to reclaim her lost fame. In its various forms, the stardom film is crucial to understanding how Hollywood has shaped its own identity, as well as its claim on America’s collective imagination. In the first book to focus exclusively on these modern fairy tales, Karen McNally traces the history of this genre from silent cinema to contemporary film and television to show its significance to both Hollywood and broader American culture. Drawing on extensive archival research, she provides close readings of a wide range of films, from Souls for Sale (1923) to A Star is Born (1937 and 1954) and Judy (2019), moving between fictional narratives, biopics, and those that occupy a space in between. McNally considers the genre’s core set of tropes, its construction of stardom around idealized white femininity, and its reflections on the blurred boundaries between myth, image, and reality. The Stardom Film offers an original understanding of one of Hollywood’s most enduring genres and why the allure of fame continues to fascinate us.
Each volume contains film stills, set photography, quotes from the cast and the filmmakers, Introductions, copies of handwritten notes by Adam Driver (Charlie) and Scarlett Johansson (pink) giving their perspectives on who the other character is. In envelopes adhered to front paste-downs of each other's volumes.
