The French Surrealists invented a game called "Exquisite Corpse" to write collaborative poems, and thus the title of Denis Duhamel and Maureen Seaton's new collection, Exquisite Politics, hints at its collaborative nature. In poems that speak at times in a breezy, conversational style, and at other moments with taut intensity, Duhamel and Seaton probe the mysteries of relationships, personal histories, and issues of sexual and political identity.
This book offers a contemporary intervention in the field of feminism/international relations. Partly inspired by Surrealism, the book is written in a series of vignettes and draws on a variety of approaches inviting readers in to inhabit the text. It is a politically engaged book, though one which does not direct readers in conventional ways, visiting global politics, the classroom, poetry, institutional violence, cartoons, feminist violence, films, violent white men, angry black women, blood and ‘English’ puddings. Working imaginatively with epistemology and methodology, and embedding theory throughout the text, the book can be considered part of the current genre of scholarship which attends to complexity, uncertainty, disruption, affect and the creative possibilities of randomness. Feminist International Relations: Exquisite Corpse will be of interest to students and scholars of International Politics, Gender and Feminist Studies, International Studies, Political Theory, Globalization Studies and further afield.
RAW addresses the question of sex without condoms, or barebacking, in the age of PrEP, a drug that virtually eliminates the transmission of HIV. Writing out of the history of the AIDS crisis, the authors in RAW expand the study of barebacking into new areas, such as its appearance within lesbian, heterosexual, and BDSM communities and its implications for teaching critical sexology.
Exquisite Materials explores the connections between gay subjects, material objects, and the social and aesthetic landscapes in which they circulated. Each of the book's four chapters takes up as a case study a figure or set of figures whose life and work dramatize different aspects of the unique queer relationship to materiality and style. These diverse episodes converge around the contention that paying attention to the multitudinous objects of the Victorian world-and to the social practices surrounding them-reveals the boundaries and influences of queer forms of identity and aesthetic sensibility that emerged in the mid-nineteenth century and have remained recognizable up to our own moment. In the cases that author Abigail Joseph examines, objects become unexpected sites of queer community and desire.
How Japan captured the Victorian imagination and transformed Western aesthetics From the opening of trade with Britain in the 1850s, Japan occupied a unique and contradictory place in the Victorian imagination, regarded as both a rival empire and a cradle of exquisite beauty. Quaint, Exquisite explores the enduring impact of this dramatic encounter, showing how the rise of Japan led to a major transformation of Western aesthetics at the dawn of globalization. Drawing on philosophy, psychoanalysis, queer theory, textual criticism, and a wealth of in-depth archival research, Grace Lavery provides a radical new genealogy of aesthetic experience in modernity. She argues that the global popularity of Japanese art in the late nineteenth century reflected an imagined universal standard of taste that Kant described as the “subjective universal” condition of aesthetic judgment. The book features illuminating cultural histories of Gilbert and Sullivan’s Mikado, English derivations of the haiku, and retellings of the Madame Butterfly story, and sheds critical light on lesser-known figures such as Winnifred Eaton, an Anglo-Chinese novelist who wrote under the Japanese pseudonym Onoto Watanna, and Mikimoto Ryuzo, a Japanese enthusiast of the Victorian art critic John Ruskin. Lavery also explains the importance and symbolic power of such material objects as W. B. Yeats’s prized katana sword and the “Japanese vellum” luxury editions of Oscar Wilde. Quaint, Exquisite provides essential insights into the modern understanding of beauty as a vehicle for both intimacy and violence, and the lasting influence of Japanese forms today on writers and artists such as Quentin Tarantino.
"Karim, a young film-maker, carries with him the starry-eyed dreams of the Arab Revolution. Maya carries her own pressing concerns: an errant father, an unstable job, a chain-smoking habit, a sudden pregnancy. When Karim's brother disappears in Tunis, and Karim wants to go after him, Maya must choose between her home city, her future and her history ... :--Dust jacket flap.
A picture-book biography of celebrated poet Gwendolyn Brooks, the first Black person to win the Pulitzer Prize A 2021 Coretta Scott King Book Award Illustrator Honor Book A 2021 Robert F. Sibert Informational Honor Book A 2021 Association of Library Service to Children Notable Children's Book Gwendolyn Brooks (1917–2000) is known for her poems about “real life.” She wrote about love, loneliness, family, and poverty—showing readers how just about anything could become a beautiful poem. Exquisite follows Gwendolyn from early girlhood into her adult life, showcasing her desire to write poetry from a very young age. This picture-book biography explores the intersections of race, gender, and the ubiquitous poverty of the Great Depression—all with a lyrical touch worthy of the subject. Gwendolyn Brooks was the first Black person to win the Pulitzer Prize, receiving the award for poetry in 1950. And in 1958, she was named the poet laureate of Illinois. A bold artist who from a very young age dared to dream, Brooks will inspire young readers to create poetry from their own lives.
From the acclaimed author of Lost Souls, Drawing Blood, and Wormwood comes the provocative and thrilling serial killer novel that #1 New York Times bestselling author Peter Straub calls “a guidebook to hell.” To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the ambition of bringing his art to new heights. Tortured by his own perverse desires and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his own art to limits even Compton hadn’t previously imagined. Together, Compton and Byrne set their sights on an exquisite young Vietnamese American runaway, Tran, whom they deem to be the perfect victim. Swiftly moving from the grimy streets of London’s Piccadilly Circus to the decadence of New Orleans’s French Quarter, Poppy Z. Brite dissects the landscape of torture and invites us into the mind of a killer. With “intelligence, sweep, nerve, knowledge, and deeply unsettling erotic power” (Dennis Cooper, author of Frisk), Exquisite Corpse is a novel for those who dare trespass where the sacred and profane become one.
Tegneserie. Zoe unwittingly stumbles into the literary scandal of the century when she befriends an author who faked his death years before in order to make money selling his new works as lost manuscripts
'Exquisite Corpse' was a game played by the surrealists in which someone drew on a piece of paper, folded it and passed it to the next person to draw on until, finally, the sheet was opened to reveal a calculated yet random composition. In this entertaining and provocative book, Michael Sorkin suggests that cities are similarly assembled by many players acting with varying autonomy in a complicit framework. An unfolding terrain of invention, the city is also a means of accommodating disparity, of contextualizing sometimes startling juxtapositions. Sorkin's aim is to widen the debate about the creation of buildings beyond the immediate issues of technology and design. He discusses the politics and culture of architecture with daring, often devastating, observations about the institutions and personalities who have dominated the profession over the past decade. Their preoccupation with the empty style of 'beach houses and Disneyland' has consistently trivialized the full constructive scope of contemporary architecture's possibilities. Sorkin's interventions range from the development scandals of New York where 'skyscrapers stand at the intersection between grid and greed', through the deconstructivist architectural culture of Los Angeles, to the work and ideas of architects, developers and critics such as Alvar Aalto, Norman Foster, Paul Goldberger, Michael Graves, Coop Himmelblau, Philip Johnson, Leon Krier, Frank Lloyd Wright, Richard Rogers, Carlo Scarpa, James Stirling, Donald Trump, Tom Wolfe and Lebbeus Woods. Throughout Sorkin combines stinging polemic with a powerful call for a rebirth of architecture that is visionary and experimental--a recuperated 'dreamy science'
