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Expressionism in the Cinema

Author: Brill Olaf Brill

Publisher: Edinburgh University Press

Published: 2016-02-19

Total Pages: 424

ISBN-13: 1474411193

One of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remedies this by revisiting key German films like The Cabinet of Dr. Caligari (1920) and Nosferatu (1922), and also provide original critical research into more obscure titles like Nerven (1919) and The Phantom Carriage (1921), films that were produced in the silent and early sound era in countries ranging from France, Sweden and Hungary, to the United States and Mexico.An innovative and wide-ranging collection, Expressionism in the Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.

German Expressionist Cinema

Author: Ian Roberts

Publisher: Columbia University Press

Published: 2008

Total Pages: 152

ISBN-13:

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Covering classic films such as 'The Cabinet of Doctor Caligari' and 'Nosferatu' as well as under-appreciated examples such as 'Asphalt', this volume forms an essential introduction to one of cinema's most historically important movements.

The Haunted Screen

Author: Lotte H. Eisner

Publisher: Univ of California Press

Published: 1969

Total Pages: 364

ISBN-13: 9780520024793

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Book on expressionism in German motion pictures.

Expressionism and Film

Author: Christian Kiening

Publisher: Indiana University Press

Published: 2016-03-21

Total Pages: 223

ISBN-13: 0861969227

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Expressionism and Film, originally published in German in 1926, is not only a classic of film history, but also an important work from the early phase of modern media history. Written with analytical brilliance and historical vision by a well-known contemporary of the expressionist movement, it captures Expressionism at the time of its impending conclusion—as an intersection of world view, resoluteness of form, and medial transition. Though one of the most frequently-cited works of Weimar culture, Kurtz's groundbreaking work, which is on a par with Siegfried Kracauer's From Caligari to Hitler and Lotte Eisner's The Haunted Screen, has never been published in English. Its relevance and historical contexts are analyzed in a concise afterword by the Swiss scholars Christian Kiening and Ulrich Johannes Beil.

Subjective Realist Cinema

Author: Matthew Campora

Publisher: Berghahn Books

Published: 2014-03-01

Total Pages: 160

ISBN-13: 1782382798

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Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ “subjective realist” narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers’ enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking.

Expressionist Film--new Perspectives

Author: Dietrich Scheunemann

Publisher: Boydell & Brewer

Published: 2003

Total Pages: 319

ISBN-13: 1571130683

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New essays by leading scholars giving a new picture of the variety of German expressionist cinema.

From Caligari to Hitler

Author: Siegfried Kracauer

Publisher: Princeton University Press

Published: 2019-04-02

Total Pages: 432

ISBN-13: 0691191344

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An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.

Traditions in World Cinema

Author: Linda Badley

Publisher: Rutgers University Press

Published: 2006

Total Pages: 294

ISBN-13: 9780813538747

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The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions - national, regional and global - all of which are in need of introduction, investigation and, in some cases, critical reassessment. Topics include: German expressionism, Italian neorealism, French New Wave, British new wave, Czech new wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-revolutionary African traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi.