In scholarly study of the New Testament and early Christian rhetoric, one key element is often overlooked: the sublime. To address this omission, contributors to this volume explore how the awe-inspiring, dislocating, and sometimes horrifying language that characterizes sublime rhetoric exerts cognitive, emotional, and physiological force on its audiences, transporting them to new realities as they go along. The essays lay a foundation for scholars and students to identify and interpret sublime rhetoric in biblical literature. Contributors include Murray J. Evans, Alan P. R. Gregory, Christopher T. Holmes, Roy R. Jeal, Harry O. Maier, Erika Mae Olbricht, Thomas H. Olbricht†, Vernon K. Robbins, and Jonathan Thiessen.
In this comprehensive, sociorhetorical interpretation of Colossians, Roy R. Jeal explores the letter’s portrayal of the grand vision that extends from the realm of God before the creation of the cosmos to the new reality and new culture of the life of fullness in Christ. The commentary analyzes the pictures the text evokes in the human visual imagination, identifies the persuasive modes of discourse in the letter, and evaluates the range of textures that interweave to produce the dynamic rhetorical argument of Colossians. Demands to conform to “empty deceitful philosophy, human tradition, and the elements of the world” rather than to Christ are irrelevant for believers who have been transferred from darkness to the light of the Son of God’s kingdom. The rhetoric of the letter moves believers to ideologies of living in the body of Christ where orderly behavior guided by love contrasts with the chaotic, self-indulgent, divisive uncertainties of Mediterranean existence.
A major scholarly collaboration exploring vivid visual rhetoric in the New Testament From Jesus’s miraculous walk on water to the graphic horrors of hell, New Testament authors make vivid and unforgettable images appear before their audience’s eyes. In the past decade, scholarship on early Christian use of ancient rhetorical techniques has flourished. One focus of rhetorical criticism of the New Testament has been the function of ekphrasis, or vivid visual description. In this landmark collection, leading New Testament scholars come together to probe the purpose and import of ekphrasis in early Christian literature. The research in this collection explores the relationship between vivid rhetoric and genre, taking into account technical features, authorial intent, and audience response. Specific topics include: • The New Testament’s rhetoric compared against Greco-Roman rhetorical handbooks • Juxtaposition between vivid and non-vivid rhetoric • The use of energeia in John’s Gospel to draw upon the reader’s multiple senses • Aesthetics and the grotesque in Revelation • The use of travelogue to create a virtual journey for the audience • Vivid rhetoric in early martyr literature Vivid Rhetoric and Visual Persuasion is a must-read for scholars of early Christianity and rhetorical criticism. Readers will find this collection indispensable in understanding a complex feature of the New Testament in its historical context. Contributors Contributors Bart B. Bruehler, Diane Fruchtman, Meghan Henning, Martina Kepper, Susanne Luther, Harry O. Maier, Gudrun Nassauer, Nils Neumann, Vernon K. Robbins, Gary S. Selby, Aldo Tagliabue, Sunny Kuan-Hui Wang, Annette Weissenrieder, Robyn J. Whitaker
First Published in 1990, The Bible as Rhetoric explores the ways in which the persuasive strategies employed in the biblical texts relate (both positively and negatively) to their preoccupations with religious and historical truth. The book contains pioneering interdisciplinary papers that clarify what is at issue in the apparently competing claims that the Bible should be read ‘as literature’ and ‘as scripture’. Uniquely, the volume brings together philosophers, literary critics, biblical scholars, theologians, and historians of ideas who combine the best biblical and historical scholarship with a range of contemporary approaches to the study of texts, from the deconstructive and the feminist through the Wittgensteinian to those of the heirs of the tradition of practical criticism. The volume is of importance both to those interested in the applications of contemporary literary theory and to all those concerned with the relation between religious and secular readings of the Bible.
Every aspect of the study of John is represented in this book, including the historical origins of the Johannine community, the religious traditions in the gospel within and beyond early Christianity, the Fourth Gospel's literary dimensions and theological concerns, and the distinctive challenges presented by the Gospel's interpretation.
The topic of religious identity in late antiquity is highly contentious. How did individuals and groups come to ascribe identities based on what would now be known as 'religion', categorizing themselves and others with regard to Judaism, Manichaeism, traditional Greek and Roman practices, and numerous competing conceptions of Christianity? How and why did examples of self-identification become established, activated, or transformed in response to circumstances? To what extent do labels (whether ancient and modern) for religious categories reflect a sense of a unified and enduring social or group identity for those included within them? How does religious identity relate to other forms of ancient identity politics (for example, ethnic discourse concerning 'barbarians')? Rhetoric and Religious Identity in Late Antiquity responds to the recent upsurge of interest in this issue by developing interdisciplinary research between classics, ancient and medieval history, philosophy, religion, patristics, and Byzantine studies, expanding the range of evidence standardly used to explore these questions. In exploring the malleability and potential overlapping of religious identities in late antiquity, as well as their variable expressions in response to different public and private contexts, it challenges some prominent scholarly paradigms. In particular, rhetoric and religious identity are here brought together and simultaneously interrogated to provide mutual illumination: in what way does a better understanding of rhetoric (its rules, forms, practices) enrich our understanding of the expression of late-antique religious identity? How does an understanding of how religious identity was ascribed, constructed, and contested provide us with a new perspective on rhetoric at work in late antiquity?
A defining volume of essays in which leading international scholars apply an interdisciplinary approach to the long and evolving relationship between English Literature and Theology.
This collection of essays provides original studies of various New Testament texts read through the eyes of rhetorical criticism as well as a tribute to the continuing influence of Wilhelm Wuellner and his work.
"There are no studies of a sacred grand style in the English Renaissance," writes Debora Shuger, "because even according to its practitioners it was not supposed to exist." Yet the grand style forms the unacknowledged center of traditional rhetorical theory. In this first history of the grand style, Professor Shuger explores the growth of a Christian aesthetic out of the Classical grand style, showing its development from Isocrates to the sacred rhetorics of the Renaissance. These rhetorics advocate a Christian grand style neither pedantically mimetic nor playfully sophistic, whose models include Tacitus and the Bible, as well as Cicero, and whose theoretical sources embrace not only Cicero and Quintilian, but Hermogenes and Longinus. This style dominates the best and most scholarly rhetorics of the period--texts written in Latin and, while ignored by most recent scholars, extensively used in England throughout the sixteenth and seventeenth centuries. These works are the first attempts since Augustine's pioneering revision of Ciceronian rhetoric to reground ancient rhetorical theory on Christian epistemology and theology. According to Professor Shuger, the Christian grand style is passionate, vivid, dramatic, metaphoric--yet this emotional energy and sensuousness is shaped and legitimated by Renaissance religious culture. Thus sacred rhetoric cannot be considered apart from contemporary theories of cognition, emotion, selfhood, and signification. It mediates between word and world. Moreover, these texts suggest the almost forgotten centrality of neo-Latin scholarship during these years and provide a crucial theoretical context for England's great flowering of devotional prose and poetry. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
