Typescript diaries of American expatriate Emily Maguire Horner during her residence in Paris and Madrid from 1931-1935. With her were her daughters Mary Virginia, Anne Morgan, and Emily. Volume one covers September 1931 to August 1932 and recounts the family's time in Paris. Volume two begins in September 1932 with the family's move to Spain. Volume three begins in September 1933. Volume 4 covers October 1934 to Jult 1935 and covers the family's experiences during the Spanish Revolution of 1934.
“Written in prose so clear that we absorb its images as if by mind meld, “The Last Painting” is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it’s fiction that keeps you up at night — first because you’re barreling through the book, then because you’ve slowed your pace to a crawl, savoring the suspense.” —Boston Globe A New York Times Bestseller A New York Times Book Review Editor's Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city’s Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer’s marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.
When she gets the email announcing her redundancy, Ruby Stanhope hopes to maintain the composure expected of your average London investment banker. Instead, the next day's hangover brings two unfortunate discoveries. First, her impromptu reply to the bosses has gone viral, published everywhere from Facebook to the Financial Times. Second, she has a non-refundable, same-day ticket to Melbourne thanks to a dangerous cocktail of Victorian pinot noir, broadband internet and a dash of melancholy. Landing in Australia, Ruby plans a quiet stay with her aunt in the Yarra Valley - but a party at the local winery results in an unexpected job offer- financial policy adviser to the Federal Leader of the Opposition. Intrigued, Ruby heads to Melbourne for morning coffee with the Chief of Staff - and finds herself in the middle of the Treasurer's overthrow of the Prime Minister and the announcement of an early election. Rookie Ruby, dubbed 'Roo' by her Aussie colleagues, is thrown into the campaign and spends four weeks circumnavigating Australia while trying to stay afloat in the deep end of politics. Through trial and plenty of error (including wardrobe malfunctions, media mishaps and a palate for unsavoury men) she finds passion, not just a flair, for her new career. With its light touch and deft comic instincts, Campaign Rubyis a delightful combination of fashion, faux pas, falling for the wrong man and the unexpected fun of federal politics.
"Line by line, Cahill’s writing is musical, assured: cumulatively, her seriousness is evident, her ambition impressive." - Hilary Mantel Letter to Pessoa is the first collection of short stories by award-winning Goan-Australian poet Michelle Cahill. It is an imaginative tour de force, portraying the experiences of a whole range of characters, including a scientist, a cat and a young Indian female version of Joseph Conrad, in settings across the world, from Barcelona to Capetown, Boston to Chiang Mai, Kathmandu to Kraków. Like the poet Fernando Pessoa, who gives the collection its title, and who created as many as seventy versions of himself, Cahill displays a remarkable inventiveness, making distant landscapes and situations come alive, in compelling detail, as they express the fear and longing, obsession and outrage, of the people caught up in them. Displaying its awareness of the power of writing to create realities, the collection also includes a number of fictions in letter form, to Jacques Derrida, Virginia Woolf, Jean Genet and Margaret Atwood – and to JM Coetzee, from his character Melanie Isaacs.
Paragraphs and Essays with Integrated Readings—the higher level of Lee Brandon's two-level series that also includesSentences, Paragraphs, and Beyond—provides extensive writing instruction in a fun, engaging manner. Written in Lee Brandon's unique style and voice, the text incorporates coverage of reading, a three-stage writing process, and in-depth instruction on different essay patterns. The last chapter (Chapter 16) covers research writing; and a Handbook section provides grammar, mechanics, and punctuation review for students to brush up on their skills. New to this edition are 12 full-color photographs that provide writing prompts for student essays, a wide variety of brand-new readings, and new "Mindset" features that emphasize key concepts and point to additional exercises on the accompanying Online Study Center. Also new to this edition is Lee Brandon's co-author, son Kelly Brandon, who also teaches developmental writing. Strong emphasis on the writing process covers three separate stages of writing. Three chapters cover the writing process in detail: the exploring, experimenting, and gathering information stage; writing the controlling idea, organizing, and developing support stage; and writing, revising, and editing. Engaging writing samples by both professionals and students are integrated throughout the text. This edition incorporates more examples of text-based writing and stresses the importance of locating and qualifying sources, as well as incorporating and documenting sources. Intriguing topics such as cheating on papers, low-wage jobs, flirting, and the dangers of steroids, engage students' interest; paired readings in several chapters encourage critical thinking about the pros and cons of an issue. New!Writing across the disciplines and in the workplace is emphasized in every chapter. Every chapter begins with a consideration of how a particular type of writing can be helpful in college courses across the curriculum, as well as in the workplace. New!Application exercises are now linked with four-color photographs to provide critical thinking opportunities as well as writing prompts. These Application exercises can be used for individual or group consideration and discussion, or assigned as essay topics. The effective pedagogy includes a number of student exercises in every chapter for immediate review of chapter concepts; writing process worksheets to help students develop their essays; many annotated readings; and suggested writing topics. New to this edition are special features that point students to the Online Study Center, which contains self-study quizzes with immediate feedback and rejoinders for every chapter and "Mindset" features that provide additional questions and suggestions before many of the readings. A handbook of grammar, mechanics, and punctuation helps students refresh their understanding of parts of speech, sentence structure, and mechanics such as spelling and punctuation. Also included in the handbook is a brief guide for ESL students, with additional information on subjects such as idioms.
They obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as François Truffaut's Hitchcock; they happily subscribe to the Sundance Channel—they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, Cinephilia documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recording devices, online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, Cinephilia breaks new ground for students and scholars alike.
These fascinating letters capture the most traumatic experience of Ezra Pound's life, when he was incarcerated at the end of World War II and indicted for treason. Omar Pound and Robert Spoo have collected and edited the unpublished correspondence between the poet and his wife, combining itwith military and FBI documents, previously unknown photographs, and an extensive, insightful introduction, to create the definitive work on this period of Pound's life. During his incarceration in a U.S. Army detention camp outside Pisa, Pound was allowed to write only to his wife, so these letters afford a unique look at a painful yet highly productive period, when Pound wrote his acclaimed Pisan Cantos and worked on his translations of Confucius. Readerswill discover many fresh insights into the sources and contexts of the Cantos and the circumstances of their composition. Here, too, are many moving passages testifying to Pound's partnership with Dorothy and her courageous efforts to help him; her experiences no less than his come to life in thisvolume. But perhaps the most moving are the harsh conditions Pound found himself in: at one point, in the Pisan camp, he was confined for three weeks in an open air cage, until the sixty year old poet suffered a breakdown and was moved to a tent in the medical compound. The editors connect theanxious lyricism of the Pisan Cantos to these dramatic experiences, as the poet alternated "between savage indignation and suave serenity." The book also covers Pound's return to the United States and his confinement in a federal mental institution there. With more than 150 previously unpublished letters and documents, all authoritatively annotated, Ezra and Dorothy Pound: Letters in Captivity, 1945 1946, offers a rare glimpse into the life and work of one of our century's greatest literary figures.
This is the story of Arthur Watkins, blacksmith, who leaves his beloved young wife Helen to serve with the 10th Light Horse Battalion in the Middle East in World War I. He returns without his horse, a man forever changed by what he has seen and suffered. Years later, Arthur's children Ruth and Tom are still feeling the effects of the first war when Tom is sent by his father to work in Sumatra. Tom Watkins is there in 1942 when the Japanese invade and is taken prisoner. This is the story of two wars that divide and unite a father and son, and all the years that lie in between.
