Although Swedish design has exercised an extraordinary influence on modern architecture and interior furnishings internationally since the early twentieth century, the intellectual background from which it emerged is far less wellknown, for some of the crucial, generative writings on the subject by Swedish thinkers of the time have never been widely translated. Modern Swedish Design Theory collects three of these seminal essays for the first time in English. Accompanying these texts in the book are introductory essays and a postscript by the renowned architectural historian Kenneth Frampton.
An illuminating and maddening examination of how gender bias has skewed innovation, technology, and history—now in paperback It all starts with a rolling suitcase. Though the wheel was invented some 5,000 years ago, and the suitcase in the 19th century, it wasn’t until the 1970s that someone successfully married the two. What was the holdup? For writer and journalist Katrine Marçal, the answer is both shocking and simple: because “real men” carried their bags, no matter how heavy. Mother of Invention is a fascinating and eye-opening examination of business, technology, and innovation through a feminist lens. Because it wasn’t just the suitcase. Drawing on examples from electric cars to tech billionaires, Marçal shows how gender bias stifles the economy and holds us back, delaying innovations, sometimes by hundreds of years, and distorting our understanding of our history. While we talk about the Iron Age and the Bronze Age, we might as well talk about the Ceramic Age or the Flax Age, since these technologies were just as important. But inventions associated with women are not considered to be technology in the same way as those associated with men. Mother of Invention is a sweeping tour of the global economy with a powerful message: If we upend our biases, we can unleash our full potential.
For serious furniture collectors, Danish is more than a pastry-it's an art form. Twentieth century Danish furniture design is simple and clean., mixes well with other design styles, and has an inherent value and history beyond its beauty. In Modern Danish, Andrew Hollingsworth explores the history of Danish design, from the earliest cabinetmakers' guilds in the 1770s through the impact of two world wars, and its evolution into the twentieth century. The book includes photographic surveys of Danish Modern furniture in homes across the Unites States; a market guide with tips, facts and resources that includes discussions of veneer vs. solid wood, places to find Danish Modern furniture, and a guide to caring for it; and an extensive resource section.
This stunning publication showcases the Art Institute's important and growing collection of twentieth-century American ceramics, furniture, glass, and metalwork. Colorful, engaging essays explore approximately forty of the museum's most fascinating decorative objects, introducing readers to major design trends such as Art Moderne, streamlining, and organicism. They also illuminate the creations, philosophies, and personalities of important twentieth-century designers such as Charles and Ray Eames, Paul T. Frankl, and Eva Zeisel. Never before published as a collection, the Art Institute's works also reveal modernism's impact on the collectors, designers, and retailers of decorative art in Chicago. An introduction by Judith A. Barter, Field-McCormick Curator of American Arts, focuses on the history and philosophy of modernist design, and in particular on the shifting nature of modernism's democratic and utopian impulses. Situating the Art Institute's holdings within the context of American modernism, author Jennifer M. Downs explores how twentieth-century interiors and furnishings were influenced by contemporary movements in architecture and the fine arts, and by major events such as the 1925 Paris "Exposition internationale des arts decoratifs et industriels modernes," the Great Depression, Chicago's 1933 "Century of Progress International Exposition," and World War II. A striking, definitive guide to an increasingly important collection, Shaping the Modern will appeal to modern-design collectors and enthusiasts alike.
This exhibition catalog documents the emergence of modern American design in the second quarter of the 20th century. Cranbrook was one of the few institutions in the United States that offered instruction in design during the 1920s and 30s and its influence on architecture, interior design, art and crafts after World War II was crucial and extensive. The exhibition includes over 200 objects and photo-panels and surveys the history of the Cranbrook facility, as well as the achievements of the teachers and students. Presenting the history of the Cranbrook community, it covers Eliel Saarinen's contribution to architecture and urban design, interior design and furniture, metalwork and bookbinding, textiles, ceramics, sculpture and painting. ISBN 0-89558-097-7 (pbk.); ISBN 0-87099-341-0 (pbk.) : $45.00 (For use only in the library).